Red Light Revival's second album written and produced by themselves.

Flame

The song is about Mother Nature and, to some extent, Her interaction with mankind. As the Roman philosopher Lucretius said in De Rerum Natura (The Nature of Things) over 2000 years ago: "Harmony? Whatever it is, leave it to the musicians."

Vocals - Jeff Patch 
Backing vox - Catherine LeBlanc, Susan Thompson, Justine Koroscil 
Acoustic guitar - Jeff Patch 
Electric guitars - Jeff Patch and Joseph Bonnell 
Bass - Dick Violette 
Drums - Alex Tattersall 
Keyboard strings - Jeff Patch 
Cello - Katherine Moller
 
© Jeff Patch 2013 (written December 9) 

Imperfection

Based on a poem by Janet Patch, it was written for a friend going through a transition. Her home life was difficult and she had left her job and was packing up and moving away with her three young children. She is a yoga teacher, which lead to the reference to "tadasana." The imagery of the yoga pose, combined with the unfurling of the fiddlehead fern in the spring, provides a visible metaphor for re birth and starting over. It is a song about trial, uncertainty, and hope.

Jeff Patch - Vocals, acoustic guitar and bamboo flute 
Joseph Bonnell - Backing vox, acoustic and electric guitars 
Dick Violette - Bass 
Alex Tattersall - Drums

© 2003 Janet Patch and Jeff Patch (written May 9) 

Fiddlehead

The opening section of Rhapsody in Blue - Trumpet & Piano arrangement featuring Andrew Dickenson on Piano

Rhapsody In Blue - Excerpt (Trumpet & Piano)

Download at Bandcamp: https://petefalloon.bandcamp.com/
From the album Reed In The River, release date 25 November 2016.

All songs written by Pete Falloon.
Pete Falloon – vocals, acoustic & electric guitars, mandolin
Matthew Falloon – bass guitar, electric guitar, Wurlitzer, mandolin, backing vocals, percussion
Paul Everest – drums & percussion
Chris D’Adda – percussion.

Produced and arranged by Matthew Falloon.
Recorded at Vale Studios, UK, May-June 2015 and March 2016.
Engineered by Chris D’Adda.
Mixed by Tim Wills for Z Management.
Mastered by Pete Maher
Artwork and Design by Francisco Centofanti Artworks.

Dedicated to the memory of Minnie Pelling and Graham Edwards.

Thanks and love to everyone who has inspired and encouraged me to do this, and helped me along the way - it has been an incredible journey: MJ, Stu Thoy, Matt Palmer,  Doug McNeall, Nick Porter, my beautiful family, the books of Brian Draper, Damian Hughes and Richard Rohr, and the community of St John in the Wilderness church, Mansons Guitars, Bareknuckle Pickups, Gene Parsons at Stringbender, and Chris and Moira at Vale Studios.

Copyright Pete Falloon, 2016. All rights reserved, unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited.
www.brothersfalloon.com

News on Twitter: https://www.twitter.com/PeteFalloon
Facebook: https://www.facebook.com/PeteFalloonMusic
Listen on SoundCloud: https://soundcloud.com/pete-falloon
Watch on YouTube: https://www.youtube.com/channel/UCJSea5E-5T4CKnKLfgLZ21g/feed
Buy on BandCamp: https://petefalloon.bandcamp.com
Homepage: http://www.brothersfalloon.com/

On A Foreign Tide

from 'Jörð' [CD|LP|DIGITAL]
Denovali Records · den266
available on all formats at [http://denovali.com/petrels]

Following on from 2015's Flailing Tomb LP, which appeared in numerous 'best of the year' lists, Petrels – the solo project of London-based musician and illustrator, Oliver Barrett – returns with new album, Jörð.

From the ethereal choral build of 'A Little Dust' (adapted from words by W. B. Yeats), to the euphoric aural scree of 'The Last Shard Falls', and the driving, long-form song structures, interwoven arrangements and mythological trappings of 'The Long Man', previous listeners of Barrett's work will find much to welcome in a record that builds on the distinctive, ecstatic Petrels sound.

Elsewhere, Barrett teases this sound into new shapes; 'Terra Nullius' takes an oscillating woodwind cluster and hangs from it a defiant and densely constructed (almost)pop song; 'Waldgeist' slowly unravels a deceptively simple string refrain in an elegiac and gently expanding, haunted pastoral arrangement; and 'Seithenyn Sleeps' encapsulates the joyously overwhelming live Petrels sound into a swirling, enveloping closer.

Drawing together the numerous strands of Petrels releases so far whilst confidently weaving them together into something new that promises even more to come, Jörð is another singular release from this restlessly inventive and inventively restless artist.

Since releasing his debut Haeligewielle in 2011, Petrels has toured across Europe and shared a stage with the likes of Tim Hecker, FIRE!, Nate Young (Wolf Eyes), Trouble Books, Demdike Stare, Nadja, and Hans-Joachim Roedelius (Cluster). Having also collaborated with and provided remixes for artists as varied as Duane Pitre, Brassica, Talvihorros and Max Cooper, Petrels' output is proving to be thrillingly eclectic and unpredictable.

Jör_

Petrels - A Little Dust

||SOCIAL LINKS BELOW||

*Debut LP "Gossamer Rose" Now Available On Spotify, iTunes and Bandcamp.* Luke De-Sciscio began singing at a young age after being introduced to guitar by his grandfather. Despite dabbling in bands throughout school it wasn't until spending some time living on a boat in the English countryside that he began to find his own voice.

Throughout "Gossamer Rose" De-Sciscio pushes his guitar work to conjure an almost mystical experience. Weaving a serpentine flow that tumbles the listener along a path from which the lyrics; nostalgic, confessional and searching, are hung. Confiding in the listener, slipping between intimate whispers, rapturous falsetto and rolling around the distance in-between. De-Sciscio’s voice carries a warmth and a sincerity that lingers long after the albums stark closing track.

Listen on Spotify: open.spotify.com/album/59XnpCMUOvQaMK4izkDzck

Download on Bandcamp: https://lukedesciscio.bandcamp.com/

Follow Luke on Facebook: www.facebook.com/Lukedesciscio/

Written and Performed by Luke De-Sciscio

Recorded live, Produced and Mastered by Robin Tidy at The Ranch in Southampton

Gossamer Rose

To Carry You

We're writing, recording, and releasing a new song every month in 2016. This is October's song. 

Released 31st October 2016.

In the dark 
I just smile 
There you are 
Falling for her all the while

Burn her name down 
Blow the flame out

In the dark 
I can see

All the scars 
Draw a circle perfectly 
Round her heart 
Follow in the rule of three

Can you hear me 
Sleeping beauty? 
Somewhere deep down you know

I want it, I want it 
And no one can have it 
So what if it isn't worth it 
I want it, I want it

In her skin 
I wish I could be 
Perfect in your eyes 
A glamour over me

Can you see me 
My sweet daydream? 
Somewhere deep down you know

I want it, I want it 
And no one can have it 
So what if it isn't worth it 
I want it, I want it

---------------------------------
Music by Heavy Heart 
Producer - Patrick Fitzroy 
Studio Engineer - Josh Alberts 
Assistant Engineer - Henry Cornish 

© 2016 Heavy Heart

Teenage Witch

Take me back

IPad recording live of David Gates "Mirror Mirror"

Mirror Mirror (David Gates cover)

"Beautiful vocals, haunting, heartfelt lyrics and just exceptionally constructed songs...WOW" - BBC Introducing In Devon. 
"Really beautiful" - Chris Hawkins, BBC Radio 6 
"Beautiful folk pop" - Folk Radio UK 
"Delicate and appealing folk-pop" - R2 Magazine 

Exmouth, Devon based multi-instrumentalist and singer/songwriter Pete Falloon launched his debut album Reed In The River on 25 November,  with  three full performances of the album in Tunbridge Wells, London and Exeter, with a full live band. This follows support slots with Britpop band Dodgy, and UK funk heroes The Blockheads, and a live session with BBC Introducing In Devon. The album is now available to stream and download on digital channels (iTunes, Amazon, Tidal, Deezer, Spotify etc) and as a limited edition gatefold CD from his bandcamp site. 
 
The first two singles from the new LP, Reasons, and the title track Reed In The River have received very positive reviews and widespread radio play from the UK, USA, Netherlands and Canada. 

Similar to the self-styled Paisley Overground movement pioneered by bands such as Co-pilgrim and The Dreaming Spires, Pete's music draws a line through many of the classic folk/pop acts of the psychedelic era such as Simon & Garfunkel, The Byrds and James Taylor, to modern greats such as R.E.M., The Stone Roses as well as taking in influence from more contemporary acts such as Canadian Americana band The Barr Brothers. On the subject of the influence of the spectacular, idyllic beauty of the West Country in his music, he says that “the music is definitely influenced by my love for the natural environment, and inspired by living in Devon - the moors, coast, countryside, rivers and skies here are something very special”.  

Reed In The River was produced by Pete’s brother Matthew Falloon, mixed by Tim Wills (Nick Cave and The Bad Seeds/The Cure) and mastered by Pete Maher (Patti Smith/Jack White). Reed In The River was recorded over three four-day sessions at the vintage-equipped, hit factory Vale Studios in Gloucestershire. The band included Pete Falloon on acoustic/electric guitars and mandolin, Matthew Falloon on bass/guitar/mandolin/wurlitzer and Paul Everest on drums/percussion.  

News on Twitter: https://www.twitter.com/PeteFalloon 
Facebook: https://www.facebook.com/PeteFalloonMusic 
Listen on SoundCloud: https://soundcloud.com/pete-falloon 
Watch on YouTube: https://www.youtube.com/channel/UCJSea5E-5T4CKnKLfgLZ21g/feed 
Buy on BandCamp: https://petefalloon.bandcamp.com 
Homepage: http://www.brothersfalloon.com/