Iain McBeath, AKA Project Spectre and one third of Leeds based DJ and production outfit Clandestino along with Joe Morris & Nick Smith. Clandestino have enjoyed releases on Is it Balearic?, Midnight Riot Records, Nein Records amongst others. 
Project Spectre has a darker, harder edged sound, taking influences from electro, tribal and techno; weaving in spacey and dubby elements aimed at late night dance-floors and lights-down-low rooms.

Ian McBeath - Paisley Dark Radio Show  24.07.21

Next up on Riotvan Radio is our friend https://soundcloud.com/johnnoseda from Antwerp. John delivers an extended late summer mix full of Baleriac Disco and 80s vibes. Please make sure to check out this great artists. We are in love!

Riotvan Radio # 83

RIOTVAN RADIO # 83 | John Noseda

Next up on the Love Attack Podcast is Brighton's Mass Density Human with some music they have been feeling over the past year.

Their EP 'Rhodes to the Moon' is out now on Love Attack Records:
https://loveattackrecords.lnk.to/RhodestotheMoon

////TRACKLISTING////
Trevino - Solitude
St Anthony - Ode to Anthony H Wilson (Weatherall mix)
Joe Morris - A Brighter Future
Soviet Union - Emptyhead
Mass Density Human - Gargantuan (From The Mist)
Guy Mantzur & Sahar J - Our Foggy Trips
Trevino - Eclipse
Catz N Dogz & Gerd Janson - Modern Romance (Dusky Remix)
Nookie - Kaeya (Rage mix)
M83 - Couleurs
Alex Aguayo - Not Going Out (Balearic Ultra’s mix)
Nick J Smith - You Make Me Feel (Breese mix)
Special Request - Shepperton Mood Landing

Love Attack Radioshow 10: Mass Density Human

New mix featuring some new music and a couple tracks of mine that are about to be released, cheers.

Pete Bones Balearic Ultras Show 1BTN Oct 2021

tracklist:
pleasure voyage - stages
donald’s house - dan’s dancing
touch - without you (superprince edit)
novidade - voaria (dino soccio edit)
daniel t. & dj duckcomb - caja negra (dt & dc’s version acido)
aroop roy - a vida em seus métodos diz calma (rework)
bplan & fab_o - mia cara (italomania rework)
hard drive library - h.c.t.s.
art of tones - cameo maceo
sirhan - disco calippo
jb edits aka jerk boy - cosmic intergalactic nebula

Check our Playlist

Deep House & Life Style Radio 045 - Sam Ruffillo

Our next podcast with @collinmckennaofficial, over the past 10 years McKenna has slowly, but surely built a name for himself as one of Denver's most reputable selectors and tastemakers. He is currently focused on launching his own label and party series as well as some original productions.

Tracklist:

1. Deesigner - Too Many LFOs 
2. Volodymyr Gnatenko - Dwelm 
3. Emissive - Natural Springs 
4. N-GYNN - Fire Rave 
5. Ponty Mython - Onimano X991 
6. Cousin - Locked 
7. Sputnik One - Connected by a Wall 
8. Rudolf C - Mind User 
9. Luca Lozano - My Little Kawai 
10. Nicola Cruz - Surface Tension 
11. Omega Man - Wandepunkt 
12. North Phase - Espace & Evasion 
13. Sedef Adasi - Baby Snakes 
14. Junes - Authority 
15. Ed Hodge - Atreides 
16. Jeigo - Fluerrella (Ex-Terrestrial Remix) 
17. Dani Labb - I Used to Rave 
18. LT - Grain (No Moon Remix) 
19. Parris - Summer of South West Waves 
20. Bex - Stretcher (Unknown Artist Remix)

Blankhaus Podcast 005 - Collin McKenna

Deep House - Lounge 2025 Vol 2

You Got Me

Miraclis & Gustavo Allendes - Of Fireflies EP (feat. Stacey Fire) OUT on Revolv on October 22nd. Find it in your favorite digital stores and streaming platforms!

Miraclis & Gustavo Allendes - Of Fireflies (feat. Stacey Fire)

Elemental Vol. 1 moves through earth, air, fire, and water not as metaphors but as emotional states. The songs drift like weather systems, mixing tenderness with atmosphere - acoustic guitars and field-warm vocals meeting the pulse of understated techno rhythms. The production is deliberately porous: wood and wire breathing alongside soft synths and spectral drum-machine traces. It's an "acoustic techno" album in the sense that rhythm and resonance share the same dirt. The songs carry the physical textures of wind in rafters, gravel underfoot, or rain on a roof, yet they shimmer with digital light. This meeting of folk intimacy and electronic timbres gives the album its peculiar gravity - part back-porch confession, part after-hours heartbeat.

Lyrically, Elemental Vol. 1 abandons conventional pop architecture. Instead of verse–chorus–bridge repetition, each piece unfolds as a field poem - free-form, continuous, and responsive to its own inner weather. The writing treats structure as tide rather than grid: refrains return when they need to, not when they're told to. This openness lets the language breathe in sync with the natural imagery that drives it - storms, light, stone, silence - and invites listeners to inhabit the songs as evolving spaces rather than predictable forms. Across the various mixes of its six song poems - We Learn the Sky, Don't Sightsee This Heart, Be a Storm in Me, Til the Heat Is Gone, You Happen Like Weather, and Wild Gifts - the album traces the cycles of intimacy and impermanence, finding in their motion the same quiet power that turns seasons, wheels, and hearts.

Be a Storm in Me (III)

Set de Gus Van Sound que sirvió de warm up a la sesión de Andrew Weatherall el miércoles 19 de Agosto del 2015, durante el San Miguel Mas i Mas Festival.
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Gus Van Sound's set that served to warm up of Andrew Weatherall's session on Wednesday 19th August during the San Miguel Mas i Mas Festival.

https://soundcloud.com/gus-van-sound

Gus Van Sound @ Moog - Andrew Weatherall's Warm Up (2015_08_19)

Having dabbled with DJing during her 20s, Alice Palace took a break for well over a decade, favouring the dance floor over the DJ booth. She only seriously reconnected with DJing in the last year during the enforced lockdown after doing a show for a friend on EH-FM. A residency soon followed on Cowbell Radio, along with shows on Isolation Station, Graffiti Kings Radio, and Rising Edge Radio, with occasional sets for various live-streaming platforms in London, Edinburgh, and her new hometown of Berlin. 

  Her usual style is downtempo chugging dance music, often with a nod to the '80s and a large dose of sleaze. But here she has stepped up the pace a little, opening with some dark and moody basslines leading into a more uplifting dance-inducing second half.  

“I find it hard to define my style of music, it definitely doesn't fit easily into one or two genres. My earliest influences came from Lindstrom & Prins Thomas's style of spacey disco and they are still very present in what I play now, but I also really enjoy slow pitched down music that you can’t necessarily dance to but which provides a different type of escapism. Hence why my Mixcloud has a wide variety of sets playing many different types of music. It's a way to channel and express my emotions… and emotions change from day to day, week to week. I guess the best way to describe what I play is anything that either moves me emotionally or makes me want to move my feet. That's probably the best and most simple way to put it!”, she said.

Follow @palace-1, peeps!

Alice Palace

SXDNS241 // Alice Palace

Pete's passion for music began at an early age, after being expelled from school as a teen, he started a band with 2 close friends, taught himself to play guitar and drums and they hit the road. After a road trip to Ibiza in 87, and the first whisperings of ecstasy and acid house, he decided that electronic music was the future, and traded his drum kit for a pair of Technics turntables. After playing numerous illegal parties around the South East of England he gained his first residency in 1990 at the Hand & Spear in Surrey, and soon turned it into one of the biggest nights in the whole of the UK. Pete's DJ career took off quickly and it wasn't long before he was guesting all over Europe. In '92 he launched Ugly Bug records. It was an instant success, especially with big hitting radio djs Pete Tong and Judge Jules. Pete became a resident guest on Kiss 100fm, and his first release as his main recording alias, The Shaker, ',Just Lick It', became the club hit of the year, and was signed to over 30 compilation albums. The remix work came flooding in, from labels such as London, FFRR, Hooj, Ore, Fade, and Perfecto. His remix of Zee's Dreamtime was essential new tune on Pete Tong's BBC Radio1 show, and finally in 96 Pete signed to XL recordings, after a 3 way struggle between A&M, XL, and Maifesto to secure his signature. He went on to release 3 more singles under the Shaker guise˜Mooncat', 'Strong to Survive' and 'Star' which were all massive club anthems around the world. His djing skills started to attract the talents of promoters as far afield as Russia, S.Africa, as well as New York, L.A. and Denver in the USA. Pete was a regular guest at Amnesia and Bora Bora in Ibiza, as well as an international resident at Firestone, Buzz, and Simons in the US. For most, this would have been the peak of an outstanding career, but Pete was after something a bit more substantial. Despite the massive chart success, Pete reinvented his sound and launched a new label: Red Ant Records. Over 150 releases later, Red Ant is going from strength to strength. Cutting edge underground dance music. Pete Bones may not take himself too seriously, his music however, is another story. The label has collaborating artists such as Duncan Gray, The Shaker, Justin Robertson, Al Mackenzie, Richard Sen and Jezebell, always careful to avoid the restrictions born of the obsession with pigeon-holing dance music.  Pete has toured with American industrial legends the Thrill Kill Kult, and played alongside Nick Warren, Sasha, Carl Cox, Tommie Sunshine and Mr C. As an artist Pete has signed to the highly rated CitySeven records out of London, Superfreq and Pangea Records from Los Angeles. Now living in Brighton UK, Pete has his infamous Fear & Loathing night well established and is making waves in the UK's festival scene.

Pete Bones Balearic Ultras Show 1BTN Oct 2021

petebones