Super! Älskar de där psykadeliska tonerna!

This is a very exciting piece of music. I love it!

Produced, composed, arranged, lyrics & vocals by hLo(@hLo-64)
Mastered by Woods Studio Norway (@woods_studio)

In September 2019, I went for a gig in the saloons of the Ogc Nice stadium (remember the time when it was still possible !). The organizer arranged to meet us at the Burger King car park. I thought to myself, what a peculiar place for a rendez-vous? This inspired me this song.
---
Produit, composé, arrangé, paroles & vocaux par hLo(@hLo-64)
Masterisé par Woods Studio Norvège (@woods_studio)

En Septembre 2019, je suis allé faire un concert dans les salons du stade Ogc Nice (rappelez-vous l'époque où c'était encore possible !). L'organisateur nous a donné rendez-vous au parking du Burger King. Je me suis dit, quel drôle d'endroit pour un rendez-vous ? Cela m'a inspiré cette chanson.

BURGER KING BLUES

Je t’attendrais au parking,
Au parking du Burger King,
 Je porterais mon costume croisé ,
Tu sais celui qui te plait.

Baby, prends bien tes vitamines, 
On tracera loin, loin des abimes, 
Au volant de ma Cadillac ,
J’espère que t’es pas insomniaque.

Tu porteras une robe d’été,
 Cheveux de jais sur décolleté,
 Le temps s’arrête quand tu parais.
 
 Burger King Blues  (x2)

Je t’attendrais au parking,
Au parking du burger king,
 J'me mettrais peut’etre en smoking ,
Tu seras plus belle que j’l'imagine.

Tu sais pour moi c’est pas les Grenadines,
 Ni les weeks end aux Philippines,
 J'suis pas un prince de magazines

J’aimerai tant voir l’Italie,  
Aller plonger à Camogli ,
Flaner la nuit à Napoli.

Burger King Blues  (x2)

T’es jamais venue au parking,
Au parking du Burger King,
 Tout ca, tu sais, c’est dans les films, 
Du style Marilyn et James Dean.

T’es jamais venue au parking,
Au parking du Burger King,
 J’me sens comme une quille de Bowling,
 Tout seul au milieu du parking.

Like a Bowling Pin (x3)

Release date: April 30, 2021
©hLo 2021 All Rights Reserved

Burger King Blues

“Written at a time when there was great uncertainty, I wanted to highlight the very real mental health crisis and the people that support recovery. I wanted a simple message and I think this song both lyrically and musically captures what I was hoping to express”

A song about uncertainty and recovery - “Learning To Feel Again” 

Looking at you in this moment
In this moment

My coffee is cold and I've lost my focus
It's been one hell of a year for us

I'm feeling different than yesterday
I know down in my heart it's just a phase and this will change

I’m learning to feel again, I'm learning to feel

"Take off the pressure" 
Its getting better
She smiled at me in that way that I know she's thinking of me, my best interest
She's the best thing that happened to me

I’m learning to feel again, I'm learning to feel

© Heart House Records 2021

Written, performed, recorded, produced and mixed by Heart House Records
Mastered by DOLBY

Inspired by:
#OneRepublic #ThirdEyeBlind

YouTube: https://youtu.be/nkCpAGM8EHQ

Learning To Feel Again

This song explores the good and bad in all of us.  We're all incredibly complex beings, and we all live with our internal demons.  The lyrics regarding a fly buzzing around an incandescent are a tongue-and-cheek reference to The Exorcist movie.  :)  There's a balance that we all try to maintain; some fail, some exceed,  but the vast majority of us live in the middle ground, the grey.

---

LIVING WITH THE DEMONS 
(c) JunkHeap Apr 2022 / Remixed Sep 2023

I'm lying on my bed 
looking up at a fly buzzing around
an incandescent. 
The light reminds me - 
we're full of strong emotion; passionate.

...and here we are.
Living with the demons,      
but I'm not going to the fire.

I'm grey, not bad or good, 
somewhere in between.
I'm grey, not happy or sad,
if you know what I mean.

Heart keeps on beating,
while I'm eating my cereal in the morning.
Nothing special, 
no pre-emptive warning;
of some devil coming in to steal my soul.

later on you can drop by,
and we can see what you have mind.

Some days the rays of light
from above they touch me, 
but Light or dark, I'm mostly grey.

Living with the demons.
Got to get them out of my head.
Living with the demons.

Living With The Demons

Reimagined this older song after being inspired in my backyard...

Firefly

A breakup love song or breakup song to the universe? Open for for your interpretation.
From my new EP "Short Songs For Tall Minds" 2022 on Soundcloud.
Lyrics:
Chasing hypnotic cosmic dust
Outside your force field
Your gravitational pull
You don't really like music, do you?
If you don't care
Then I don't care
You just like how the bass
Bruises the air
I just pass my time
On stupid things
Dancing in the dark
Chasing your hypnotic cosmic dust
I just spin around
Chasing your hypnotic cosmic dust

Debris Field

Do not drive or operate heavy machinery until you know how your body responds to this piece in a lower frequency than typical radio music recorded 440Hz.

Logic Pro X
2022 Copyright/Sound Recording/All Rights: One Stop. 
For Licensing Contact:
Rainier Daze
Rainierdaze@gmail.com

Thieves

My submission for the December 2022 Sim Selection monthly challenge of Benn Jordan's discord community.

Theme: A Crack In Time
Keywords: guarded, helpless
Optional Challenge: Time is of the essence. Time is an illusion. Time is money. Time flies.

My compositional idea was to represent multiple time references, all moving forward at their own rate. Inspiration from a Stravinsky score, as well as other modern composers.

Perceptual Gate

Join the original here: 
https://soundcloud.com/audiobake/unfinished-jam

AudioBake + noxpox :   T-Bone Tone  mix

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

The latest offering to the cloud of sound. I drink lots of tea and some variations have colourful flower petals. Both peaceful and beautiful symbols. It's about taking risks, breaking free from limitations, and embracing the beauty and possibilities of life. A song and film to remind us that no matter how challenging your journey may be, there is always hope for a better tomorrow. Through perseverance and strength, you can overcome any obstacle and find solace in the simple things. Artwork from www.twogirlscreativity.com

Flowers / Heroes Of Osaka 2023 UK Songwriting Competition Commended Entry

Unsinn by WÜST

Wish I could do this every day. Osakatunes are live vocals, instruments and computer-generated affected loops. Many influences from the 60's psychedelic scene and classic soundtracks to all things alternative, experimental and innovative. Thank you very much for the follows and all your comments. Thank you for the re-posts and shares. Yes, I'm still working my way through the sheer mass of exciting music on Soundcloud.  Music, books, art and writing. Please leave comments. DM for collaborations. Cheers

If you like my tracks, you may also like http://soundcloud.com/french-radio, http://soundcloud.com/william-j-lepetomane, http://soundcloud.com/mistersalmon, https://soundcloud.com/waragainstsleep, http://soundcloud.com/theblueruin, http://soundcloud.com/adoubtfulsound, http://soundcloud.com/pretzelsmalone, http://soundcloud.com/shelbybryant, http://soundcloud.com/theruntsdarkband. Also, check out my fellow collaborator's page http://soundcloud.com/arthbox.

Flowers / Heroes Of Osaka 2023 UK Songwriting Competition Commended Entry

Osakatunes

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