Resident Dj @ Lighthouse, Eden Garden, Guy's Bar - Koh Phangan Thailand

Peter G was born in 1975, in Fürth, south Germany. For generations his family had been in the entertainment business working in carnivals all throughout Germany, and so it was inevitable that Peter would grow up as a showman, a character that comes out in his performances. 

It was in 1990 that Peter G was first introduced to techno music while partying in Würzburg - Airpot, Frankfurt - Omen, U60311, & München – Ultraschal. The beats immediately appealed to his senses and thus grew his passion for electronic music. 

Peter G initially started going on holidays to Koh Phangan, Thailand, falling immediately in love with the island, but it wasn't long before he started to really miss the music from Germany. This is when he decided to start his DJ career in 2004 on Koh Phangan, and finally made the permanent move to Thailand in the winter of 2008. 

During the past 12 years, the electronic music scene of Koh Phangan has evolved, along with Peter G’s style of music to the point that he is now one of the most popular artists of the island. His deep passion for electronic music and his creative knowhow to bring the people to another level of experience has helped shape Koh Phangan's underground music scene to what it is today. 

Peter G is one of the artists that started the Lighthouse party and the infamous Eden Garden Saturday night parties, and is still resident DJ of both today. Now music lovers from all around the world come to listen to Peter G play and to get inspired by his music, inviting him to play in clubs and festivals all over the world. 

Peter G is always appreciative of his friends and fans and gives thanks to all of them for their support, enjoying his music, and dancing to his beats. “Music, Love, & Peace. Keep It Alive!” – Peter G

worldwide bookings : alex@neptunemusic.net
France bookings : cedreference@gmail.com
all others inquiries : damonjee64@gmail.com

others projects : NOZZ, Holographic Planes
bio :

We are all the product of our influences and there is no substitute for experience. Damon Jee is the embodiment of that statement. Over the last 20 years he has carved a career in a very unassuming way, unintentionally writing an exciting new chapter for the global electronic music scene. He is the journeyman who managed to shine brighter by staying true to himself, a musical alchemist experimenting with different sounds to create a deadly new potion. Today, the producer is considered the main exponent of a fresh and exciting new scene many are calling Dark Disco. 

Getting his start in the studio alongside fellow Frenchman Olivier Giacomotto, the duo became main players on the then booming electro house scene with an impressive run of productions on labels like Definitive and CR2. As he started producing more solo works, Jee naturally veered towards his rebellious heritage growing up on nineties rock and industrial bands like Nine Inch Nails, The Pixies, Nirvana and more. The organic appeal of live rock seeped into his productions: distorted guitars gliding atop fat, off-beat and two-fingered picked bass, all framed within a foundation of percussion and drums that carries Damon Jee’s immaculately engineered and distinct sound. The music he released under his NOZZ moniker is especially steeped in this unique and heavy-duty sound: powerful productions which doubles up as heat seeking missiles aimed straight at the heart of any dancefloor.

It was his remix of Pardon Moi’s ‘Power to the People’ that really pushed the affable Frenchman to  a wider audience. It has it all: trance melodies and cosmic chords, a confidant rock stomp coiled with electronic euphoria, and robotic vocals gleefully riding a wave of energetic drums. It received support from the world’s best tastemakers including Solomun, Job Jobse and HAAi, introducing Damon Jee to a brand new audience. 

Today his singular sound can be heard on the underground’s most sought-after labels including Roam, Hafendisko, Suara and Sincopat to name a few. Huge support came in the form of Jennifer Cardini who signed his massive three track Chamaniac EP to her Correspondant Records. Its appeal reaching wide, the EP received support from various corners of the electronic music sphere with a diverse group of DJs from Andrew Weatherall to Chris Liebing to Joris Voorn all getting around it.

The natural evolution of Damon Jee has lead to the recent launch of his label, Critical Monday. The new imprint will explore Damon Jee’s idiosyncratic sound even further. The first release under his Holographic Planes moniker, alongside producer Alvaro Cabana, is a three track dance floor bomb featuring an equally effective remix from Jennifer Cardini. With upcoming releases from Curses, Autarkic, Fairmont, and, of course, Damon Jee, the label is set to become a go-to for those looking to ignite any dancefloor.

Today Damon Jee is slotting perfectly into his role as a bona fide headliner. Years of experience ensures each set is delivered with a confidant ease and professionalism that sets him apart from the rest. Headlining clubs and events from Spain to Australia to Mexico, Damon Jee is set to spearhead a new generation of electronic music lovers who isn’t afraid to cross-pollinate their music for a thrilling new sound. If you need an antidote for a flailing dancefloor, Damon Jee has the tonic to revive your night. 

written by : Walter Juan van Wyk

A product of Russia's underground scene, his spirit of Independence stays intact. With 30 years of experience under his belt, Mike Spirit's open-minded style coupled with his ability to rise to whatever situation presents itself, underpinned by a deep knowledge of underground house and techno, is one of many traits that have made him one of the Motherlands finest artists.

The owner of the highly successful Highway Records imprint, a label which has spanned over 15 years with over 180 releases, featuring artists such as Gui Boratto, Hernan Cattaneo, Adriatique, Alex Niggemann, Mihai Popoviciu, Sahar Z and many others. As well as Russian producers Dave Pad, Fake Mood, SCSI-9, Gorje Hewek, Izhevski, Come Closer, Amonita, Agraba, Thierry Tomas. The success and longevity of the label owes much to Mike Spirits obsession for music, with his label showcasing at Moscow's biggest clubs as well different venue's across the globe. Regular guest slots at the biggest events and clubs in Moscow, like Blanc, Gazgolder, Propaganda, Radio at Supermetal, Chateau de Fantomas have further strengthed his appeal 

An accomplished producer in his own right, Mike has a proud selection of quality and diverse underground releases under his own belt across many great labels including his own Highway records.

At the turn of this decade Mike Spirit was tasked as “Cultural Minister” for Kazantip republic and Epizode festival. He was also made the head of art-management on Sochi's Winter Music Conference and In 2015 he was at the helm of art-management of Alfa Future People festival.

At the heart of Mike Spirit's wide-ranging and expansive understanding of all things underground is a fundamental belief: he neither believe in following trends nor the concept of guilty pleasures. His commitment encapsulates what can make dance culture so life-changing and enthralling: it’s about the clubber on the dance floor reacting to the music. Few cater to that dancer quite as effectively as Mike Spirit.

✨🌴👯‍♂️☂️🐘☂️👯‍♂️🌴✨

Release Info:
Artist: Britta Arnold feat. Tatyana 
Title: Kaktus Rodeo EP
Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 036
Release Date: March 28, 2025
Buy Link: https://kioskid.bandcamp.com

Follow & Support:
Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic 
Bandcamp: kioskid.bandcamp.com/releases 
Beatport: beatport.com/label/kiosk-id/80379 
IG: instagram.com/kiosk.id

Britta Arnold
SC: https://soundcloud.com/britta-1
FB: https://www.facebook.com/brittaarnold25
Beatport: https://www.beatport.com/artist/britta-arnold/134901
Spotify: https://open.spotify.com/intl-de/artist/7JpBTUqubY86KynSJr28RN IG: https://www.instagram.com/brittaarnold25/

Tatyana
SC: https://soundcloud.com/tatiana-eguizabal
Spotify: https://artists.spotify.com/c/artist/6x14uYJLkzbmHhwewSkmz2/profile/abou IG: https://www.instagram.com/tatyana_musika/

Justin Marchacos
SC: @justinmarchacosmusic
FB: www.facebook.com/justinmarchacos
Beatport: www.beatport.com/artist/justin-marchacos/389494
Spotify: open.spotify.com/intl-de/artist/5…YJfIAPLSxT7JupT8
IG: www.instagram.com/justinmarchacos/

Sascha Cawa
SC: https://soundcloud.com/sascha-cawa
Beatport: https://www.beatport.com/artist/sascha-cawa/261876
Spotify: https://open.spotify.com/intl-de/artist/1bneKKlE0IwYyauLPQBDgP IG: https://www.instagram.com/saschacawa/

Brian Cid
SC: https://soundcloud.com/BRIANCID
FB: https://www.facebook.com/briancidmusic/
Beatport: https://www.beatport.com/artist/brian-cid/247671
Spotify: https://open.spotify.com/intl-de/artist/2n6DGYH09XJFq4TqfeQ2G3 IG: https://www.instagram.com/briancid/

Steve Challier
SC: Soundcloud.com/stevechallier
FB: https://www.facebook.com/steve.challier/ IG: https://www.instagram.com/steve.challier/

 About:
Ahead of her March release on Kiosk ID, Berlin DJ and producer Britta Arnold showcases her vivacious dancefloor hypnotics with a pre-release remix drop. Together with New York-based composer, producer, and performer Justin Marchacos, Britta reimagines ‘Kaktus Rodeo’—title track of her forthcoming fourtracker—as a deep and throbbing dancefloor totem with searing hints of acid.

Theatrical strings and hymnal choirs weave another worldly tapestry across a substructure of squelchy bass arpeggios, stripped-down drums, and a mangled, beautifully engineered bell theme. A deep and tooly groover showcasing Britta’s razor-sharp brand of trance-inducing, floor-focused Deep House forthcoming on catalog no. 36.

For Kiosk ID no. 36, one of the most storied Kater artists adds another chapter to her signature brand of stripped, acid-touched Deep House, and in spectacular fashion: Britta Arnold’s ‘Kaktus Rodeo’ is a sprawling, hypnotic six-tracker that includes three originals and three carefully curated reimaginations by Steve Challier, Sascha Cawa, and Brian Cid that infuses her floor-focused energy with mangled notes of shuddering darkness.

‘Kaktus Rodeo’ unfolds a staccato groover built around springy figures of blips and stabs and prickly percussion. Tongue-in-cheek, eerie, and inherently trance-inducing, Britta’s title track draws its power from an eclectic array of influences ranging from breathy hymnal voices to resonating fields of mangled bells, all artfully suffused into a stripped, infectious groove. 

Steve Challier’s edit spotlights the original's bubbling depths, transforming ‘Kaktus Rodeo’ into a dubby, circuit-bent House edition that casts a cloud of shuffling drums across deep fields of chords and rolling subs.

Cavernous and hypnotic, ‘Nüwa’ feat. Tatyana cycles through cascading figures of spaced-out blips and conga hits across a darkly hovering pad. Tatyana’s spoken-word mantra leads the listener through a maze of clanging impacts anchored by an electric arp and a dubby, slow-burning groove. 

Sascha Cawa’s version imbues ‘Nüwa’ with a powerfully cinematic sense of drama. Staggered bursts of laser- sharp synth hits and arcing swells set to a minimal, sub-heavy groove conjure a darkly oscillating cyclone of blown-out pads, clattering percussive effects, and glitchy vocal effects.

‘The Calling’ feat. Tatyana contrasts biting, acid-infused stabs with a cloud of glassy synth figures. Britta conjures an overcast flurry of clattering synths and samples atop a shuddering substructure, combining a jarring array of elements into an eerily hypnotic dancefloor seance. Artfully coaxing the original’s revolving darkness into an anthemic framework of heavyweight drums and spaced-out pads, 

Brian Cid’s version moves ‘The Calling’ closer to peak-time territory with an artfully groovy and approachable rendition.

Britta Arnold’s productions artfully merge beautiful, groove-driven soundscapes with jarring and prickly elements, tying it all up in an infectiously danceable and powerfully hypnotic structure.
 
With ‘Kaktus Rodeo’, she’s at the apex of her craft, delivering a commanding trio of dancefloor mantras with a cinematic set of remixes that put an inspired twist on her enrapturing style.

Bookings: nicole@subdotmission.com
Other questions: blackbarrelspb@gmail.com

Real name: Yougin (Evgenii Khmel) Russian
*From Saint-Petersburg 
(Тот самый атлант, который держит небо на каменных руках)
Currently based in Thailand/Koh Phangan.

Hailing from St Petersburg is Evgenii Khmel who established himself in the drum & bass scene as Black Barrel and in recent years has been making waves in the dubstep scene under Leo Cap. He's performed under both aliases across the world, played at the biggest clubs and events including Fabric, Rampage & Outlook Festival, and toured Australia and New Zealand just before the world went into lockdown.

“The process of writing music is no easy feat, especially when it’s as technically demanding as drum and bass is. With the development of technology over the last two decades, the standard of production required to release electronic music has set the bar very high. Someone’s music that has consistently managed to effectively translate onto sound systems without sacrificing progression, groove or funk is Black Barrel.” UKF

• BOOKING Worldwide •
mehmet@mena-agency.nl

EXE AUDIO / Turbo / Stil Vor Talent

Head of EXE AUDIO | EXE CLUB | EXE BEACH BAR

Pavel Petrov is a driving force in the global electronic music scene, known for his dark, groove-infused sound and relentless evolution as an artist. Hailing from Sofia, Bulgaria, he blends indie dance, tech house, melodic and underground influences into a signature style that’s both raw and refined. With a knack for pushing boundaries—whether in the studio or behind the decks—Pavel has built a reputation for keeping dance floors locked in and listeners on edge. As his releases and performances continue to turn heads, one thing is certain: Pavel Petrov isn’t just following the movement—he’s shaping it

Peter G. is following