لا أعلم لمذا تسافر بي هاته          الموسيقى الى ماض سحيق

it just for great people they know what the mean of real love the real life x

ماراح اتركك انا هنا معك  ،،،، وتنسى كأنك لم تكن

صدای اول دست زدنها فک کردم صدای بارونه..

It’s something between living and dying

الهدوء هذا مش راحة… هو هدوء بعد وجع، كأنك تسلّم نفسك للزمن وتخلي الذكريات تذوب

واحد ما يبغى يقاوم خلاص، يقول: "أترك كل شي يذوب… يمكن النسيان أهون من الحمل الثقيل.

بس النسيان هنا ما هو راحة… هو استسلام، زي إنك توقف تقاوم الذكريات وتخليها تتحوّل لظل بعيد.

Composed by Charles Aznavour
Sampled by Lovage:Anger Management 2001

Mourir D'aimer

Anna Karenina Main Theme

Musica di Ennio Morricone.
Eseguita dal Sirenide Ensemble (violino, mandolino, mandola, fisarmonica, chitarra, contrabbasso). Arrangiamento e orchestrazione di Paolo Propoli.

Composed by Ennio Morricone.
Performed by Sirenide Ensemble (violin, mandolin, mandola, accordion, guitar, double bass). Arrangement and scoring by Paolo Propoli.

Tema d'Amore

اداجيو - توماسو البينوني - عزف جيوفاني مارادي

Stjepan Hauser & Zagreb Philharmonic Orchestra - Oblivion

Anna Karenina "Finale"

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Movement VI – The Cry of Sodom - Part VI-B: Largo – Colossale

Oblivion (BURAKASLAN Remastering) STJEPAN HAUSER & ZAGREB PHILHARMONIC ORCHESTRA

Tanini Trio - Oblivion (Astor Piazzolla)

Concierto De Aranjuez

Oblivion by Astor Piazzolla - Nermin Tulic Akkordeon & Orion ensemble
CD Tonen van Vrijheid UAF 2008 Holland

Stjepan Hauser & Zagreb Philharmonic Orchestra - Oblivion

Peter Nader ®

Recent comments

hashim alshareef

hashim alshareef

hashim alshareef

hashim alshareef

Related tracks