Find all my music on Spotify:
http://sptfy.com/kidnap

For all enquires: sophia@tinysaturnmusic.com

Kidnap is an artist whose music overflows with emotion - rich and powerfully evocative.

Recording in London, Kidnap (real name Matthew Relton) likens his process to that of a sculptor, starting with a block of sound and chopping away until a shape emerges. As such, each song exists ornately carved with a handcrafted subtly.

Still just 33, Relton is already something of an industry veteran. Releasing his first single in 2012 kicked off an eight-year stretch of global touring that came to a grinding halt when the pandemic put the world on pause.

2024 marks a new chapter for Kidnap, with his next body of work on the horizon. Set against the backdrop of a changing world and the arrival of a baby daughter, Relton offers a bittersweet reflection on the passing of time. ‘It’s about looking back on the last 12 years — the touring and the friends and the sleeplessness,” says Relton, “and realising that in order to embrace the life I have now, I need to let it all go.’ The music shimmers with nostalgia. Signature sad melodies dance deftly around commanding synth lines, altogether sounding like an artist with a new found sense of purpose.

For B.o.B booking please contact:

TJ Chapman 
850.294.1647
TJ@TJDJs.com

MY NEW SINGLE “ENVIOUS” OUT NOW!  👠

Maddecent.ffm.to/envious

The purpose of San Francisco Zen Center is to make accessible and embody the wisdom and compassion of the Buddha as expressed in the Soto Zen tradition established by Dogen Zenji in 13th-century Japan and conveyed to us by Suzuki Roshi and other Buddhist teachers. Our practice flows from the insight that all beings are Buddha, and that sitting in meditation is itself the realization of Buddha nature, or enlightenment.

Welcome to BookD, the podcast that brings you the stories behind your favourite books. Created by your host, Tanya Brennand-Roper, this is your opportunity to listen in and get to know the who's who in one of the biggest London publishing houses, offering a fascinating perspective into the authors, their editors and the all important publishing process.
Tune into our fortnightly program where we exchange ideas with the stars of literature, art, film, music and politics. BookD isn't boring or monotonous and it isn't like any other podcast you've heard before. For culture, ideas, humour and debate - you're BookD.

Break a sweat with the latest hits across pop, electronic, dance, and hip-hop.

Submissions: aia.ag/Music-Submissions
Spotify: aia.ag/AIA-Spotify

Tastemaker Brands:
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Artist Collectives:
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No one could have imagined at that time what to expect - like Xavier de Maistre himself, when he decided to change the face of the harp 16 years ago. Today he plays pieces like "Moldau" by Smetana in breathtaking precision and presents masterful pieces of music that are usually played by an entire orchestra.

Meanwhile, a worldwide audience listens to his virtuosity and enjoys the unprecedented sounds. Pieces, that no harpist played before, or even thought about - like the Haydn piano concertos. Not only that makes him one of the most extraordinary musicians, even masters of this time.

Xavier de Maistre began to study harp with 9 years. Like many other famous musicians, all started with love - but in this case not as expected the love to his harp. It was rather the love for his former teacher, who offered extra harp lessons. Early, it turned out that Xavier has a great talent and no wonder he started with 25 years to play for the Vienna Philharmonic. Before that he played 3 years for the Bavarian Radio Symphony Orchestra and in 1998 Xavier won the first prize of the "USA International Harp Competition“, the major harp competitions in the world. But since Xavier´s family is not from a traditional harp-playing dynasty they put great importance to a solid education. So Xavier started his study of politics at the „Institut des Sciences Politiques“ in Paris and spent 1 year in London at the „London School of Economics ", when he finally decided to prefer music to the political studies. For a musician, he achieved very early what all harpists dream of – a position in one of the best orchestras in the world, the Vienna Philharmonic.

However Xavier de Maistre was about to go on. To see this point as the highlight of the career, which would definitely be a great honor for most of the harpists, and aslo for Xavier, but it was also a kind of sad moment. He achieved the ultimate goal of a harpist at age 25. Through his countless appearances and his keen ambition he has always wants to refute the long-existing bias of the harp - played in the background by angel-like women. Thanks to his his quick anticipation, intelligence and tremendous skill, he has played many pieces as a soloist with the harp and delighted thousands of listeners. Finally, he succeeds to establish the harp as an independent instrument. During his career, many great conductors such as Riccardo Muti, Sir Simon Rattle, Sir Andre Previn, and Daniele Gatti became curious on him and his passion and asked him to play with them. A long series of concerts follows, convincing the audience that Xavier de Maistre is undoubtedly the master of his instrument. Not for nothing, beside famous conductors, also the most successful singers like Barbara Bonney, Kathleen Battle and Diana Damrau played with him. Likewise, of course, the long list of world-renowned opera houses which he had already visited: Theatre des Champs Elysees Paris, Concertgebouw Amsterdam, Musikverein Vienna, Tokyo Opera City, Lincoln Center New York, Salzburg Festival, La Scala Milan and many others.

No wonder, Xavier´s enthusiasm and his gift to play will not put an end to this success story. Awarded with the Echo Klassik Award 2009 for his album "Nuit d'Etoiles" as "Instrumentalist of the Year" (Sony Music) he reaps the fruits of his labor.

For more than 9 years Xavier de Maistre is working as a professor at the Musikhochschule Hamburg and now also teaches at the Julliard School in New York, at the Toho University in Tokyo and in London at Trinity College. After 11 years with the Vienna Philharmonic Xavier leaves his position in order to devote himself to his international solo career - a step that no harpist has done before.

Peter Shuker is following