like it Peter! The beautiful child of a jazz/techno/funk threesome!

@dave-clark-621125032: hanks Dave. A random pick of a sample library that happened to have a mix of genre sounds. One advantage of digital doodling - you never know what you will throw into the mix

A set of 12 Rhapsodies for the piano.

Composed and Played by Dr Michael Spacie.

The Rhapsodies are Copyright ©

Rhapsody For Piano Op. 9, No. 4. Composed and Played By Dr Michael Spacie. Copyright ©

Once again, a melancholic composition featuring harmonies typical of anime and J-pop music, such as secondary dominants and other colorful progressions.

Art by :
https://www.artstation.com/sicuvn

Instruments :

Piano --- CinePiano

Horns --- Cinematic Studio Brass

Strings --- Cinematic Studio Strings & Cinematic Studio Solo Strings

my website : pierre-genaudeau.com/

soundcloud : @pierre-genaudeau
bandcamp : pierregenaudeau.bandcamp.com/
reverbnation : www.reverbnation.com/pierregenaudeau
youtube :

/ @pierregenaudeau

And you can find me on facebook, instagram and twitter :

www.facebook.com/pierregenaudeaucomposer/
twitter.com/Adynd85
www.instagram.com/pierregenaudeau/

Tiktok :
www.tiktok.com/@pierregenaudeau?lang=fr

Rainy Days

THE RELUCTANT CARNIE is a quirky, vintage-style miniature for solo piano, originally composed in 2017 to accompany various selections of background music for use in a bingo game app. Pianist Randall Hodgkinson has said that the work “is charming, a little Satie sensibility set in the wild west.” While perhaps simple and straightforward in scope, The Reluctant Carnie nevertheless maintains an evocative charm with its sad swagger and temperamental moodiness.

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The Reluctant Carnie

April Waltz

Hollow of the Hill - Mystic Bard
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Rowan Tree

Hollow of the Hill

Small album containing my four nocturnes which I wrote long time ago.

Nocturne No.4

Sometimes a melody appears out of nowhere, as if someone were guiding their fingers by drawing a line that ends up being beautiful, without having put in any intention, any previous idea, any structure and, obviously, no architecture. It flows and emerges. It happens to me often and I don't know how to explain it. It is an easy air. It lets go and fills the environment. If sound is vibration in the air, I can find no other explanation than feeling that the air facilitates the vibration having its echo. The air accompanies this composition-improvisation. And the air structures it. And the air amplifies it. And that's how it is and that's how it flows.
A voltes una melodia apareix del no res, com si algú guiés els dits dibuixant una línia que acaba sent bonica, sense que hagi posat cap intenció, cap idea prèvia, cap estructura i, evidentment, cap arquitectura.  Flueix i sorgeix. Em passa sovint i no sé explicar-ho. És un aire fàcil. Es deixa anar i omple l'ambient. Si el so és vibració en l'aire no trobo més explicació que el sentir que l'aire facilita que la vibració tingui el seu eco. L'aire acompanya aquesta composició-improvisació. I l'aire l'estructura. I l'aire l'amplifica. I així és i així flueix.
A veces una melodía aparece de la nada, como si alguien guiara los dedos dibujando una línea que acaba siendo bonita, sin que haya puesto ninguna intención, ninguna idea previa, ninguna estructura y, evidentemente, ninguna arquitectura. Fluye y surge. Me pasa a menudo y no sé explicarlo. Es un aire fácil.  Se deja ir y llena el ambiente. Si el sonido es vibración en el aire no encuentro ninguna explicación más que el sentir que el aire facilita que esa vibración tenga su eco. El aire acompaña esta composición-improvisación. Y el aire la estructura. El aire la amplifica. Y así es y así fluye.

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