Neerpelt 1984 Eerste prijs Cum Laude
Koor De Meidoorn onder leiding van Jan Baert

Herman Roelstraete Lente, Op. 83_Meidoorn Jan Baert 1984

To celebrate the birth of our daughter Filipa, I've composed this little track, based on chance. Welcome in our heart Filipa.

Filipa

Soundscape voor de audioguide van het Teseum in Tongeren.

SCHATTEN VAN HET TESEUM
Ontdek vanaf 4 juni 2016 alle kostbaarheden van de Tongerse kerkschat. Een van de rijkste kerkschatten van de Lage Landen met unieke topstukken.

http://teseum.be

Het vroege christendom

2004 live performance for the Liesbeth concours, organised by Concertgebouw Brugge and Yves De Mey.
Source material : classical pieces by Stravinsky, Monteverdi, Mozart, Strauss all samples into hundreds of music pieces.

Liesbeth 2004

Track I've made for PianoDay2017.
About the fragile world we live in.
Al sounds played and bowed on my Yamaha baby grand.

ThisFragileWorld_PianoDay2017

Original Soundtrack Façades.
Featuring Echo Collective

11 - OST Facades - Massage

07 - OST Facades - Dat Is Lucy

Tongeren Mix 2503

tuesdaynight_Piano Day 2018

Dad is struggling with alzheimer, so current state of mind for piano day 2019

dad's mind - piano day 2019

Bringing a refreshing sonic architecture in a diverse body of work spanning across film, television, and commercial work, Belgian-born composer Peter Baert’s talents also encompass orchestration, electronic music, and music production.
 
After creating a 30-minute-long demo for Golden Globe-nominated David Oyelowo years previously, Baert recently scored the Selma actor’s directorial debut feature The Water Man, co-produced by Oprah Winfrey. “Music and sound in film has always been important to me, which is why I consider myself lucky to have met composer Peter Baert when I did. We first crossed paths when he was the sound engineer on another project I was working on in Belgium, and he had previously shared a music demo of his compositions that I just couldn’t shake,” says Oyelowo. The score orchestrated by Matt Dunkley and recorded in a special set up within Galaxy Studios in Belgium during the COVID-19 pandemic. The Water Man is now playing in U.S. theaters and will be available internationally on Netflix later this year. Baert is currently scoring Lost Luggage, a Belgian primetime fictional series based on the 2016 Brussels bombings.
 
In 2018, he scored the Ensor Award-winning documentary exposé Breathless about the hazardous but surprisingly still booming asbestos industry, as well as the 2017 Belgian film Façades, directed by Kaat Beels & Nathalie Basteyns, which was pre-selected for the European Composer Awards and was also nominated for an Ensor Award.
 
In 2006, Baert co-founded Raygun – a commercial sound studio in Brussels working in advertising, television, and film; which he owns and runs together with his wife Liesbeth.
 
He is also the proud father of three daughters.

peterbaert

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