"Valierre" is a musical project - instrumental on a romantic melodic basis, by . The desire to create an instrumental work that combines retro acoustic instruments that blend with innovation in the name of elegance from the Baroque to the Venetian Rococo neoclassical. A perfect mix between the ethereal New Age and Calm/Peaceful and reflective Relaxing Music, suitable for all times of the day, perfectly in focus for Sleeping, Reading, Relaxing or Simply as Background Music, in short, everything that can bring melodic delicacy and sensationality .  #Neoclassical #Piano #Pianosolo #Pianomusic #Pianissimo #Peacefulpiano #Calmpiano #Backroundmusic #Newage #Sleepingmusic #Cinematic

Francesco Adornetto is a neoclassical and ambient pianist and composer who believes music is a form of breath.
His pieces unfold slowly, like a mindful exhale — offering space, silence, and a sense of emotional truth.

🧘‍♂️ Deeply inspired by yoga, inner stillness, and the quiet power of presence,
his music invites you to pause, soften, and reconnect with the moment.

Blending calm piano, neoclassical minimalism, and ambient textures with occasional ethereal vocals, Francesco Adornetto creates soundscapes for yoga, meditation, slow mornings, study, and reflection.
His sound resonates with fans of Ólafur Arnalds, Ludovico Einaudi Yann Tiersen, Max Richter, and Joep Beving and more...

Since beginning his neoclassical journey in 2024, his work has gained recognition for emotional depth, introspective tone, and a delicate yet expressive language.
He has collaborated with Jessica Bains Brown, Francess Harris, Alessandra Celletti, Mauricio De Los Santos, Araceli Parra, Roberto Guerra, Dawn Walters, and others.

Francesco composes with a handcrafted approach, guided by touch, attentive listening, and the inspiration of the moment — creating music not as a product, but as a deeply human act.

The Echo Collective was formed gradually over three years of extensive work with ambient groups and artists A Winged Victory for the Sullen, Stars of the Lid, Dustin O’Halloran, and Christina Vantzou. The group is variable in size depending on the collaboration and is made up of classically trained and active young professionals. The goal of the Echo Cocllective is to collaborate and produce pieces of music that straddle between classical and non-classical genres, with the hope to bring new audiences to all kinds of music.

Bringing a refreshing sonic architecture in a diverse body of work spanning across film, television, and commercial work, Belgian-born composer Peter Baert’s talents also encompass orchestration, electronic music, and music production.
 
After creating a 30-minute-long demo for Golden Globe-nominated David Oyelowo years previously, Baert recently scored the Selma actor’s directorial debut feature The Water Man, co-produced by Oprah Winfrey. “Music and sound in film has always been important to me, which is why I consider myself lucky to have met composer Peter Baert when I did. We first crossed paths when he was the sound engineer on another project I was working on in Belgium, and he had previously shared a music demo of his compositions that I just couldn’t shake,” says Oyelowo. The score orchestrated by Matt Dunkley and recorded in a special set up within Galaxy Studios in Belgium during the COVID-19 pandemic. The Water Man is now playing in U.S. theaters and will be available internationally on Netflix later this year. Baert is currently scoring Lost Luggage, a Belgian primetime fictional series based on the 2016 Brussels bombings.
 
In 2018, he scored the Ensor Award-winning documentary exposé Breathless about the hazardous but surprisingly still booming asbestos industry, as well as the 2017 Belgian film Façades, directed by Kaat Beels & Nathalie Basteyns, which was pre-selected for the European Composer Awards and was also nominated for an Ensor Award.
 
In 2006, Baert co-founded Raygun – a commercial sound studio in Brussels working in advertising, television, and film; which he owns and runs together with his wife Liesbeth.
 
He is also the proud father of three daughters.

I am a being who composes piano music. Enjoy!

Music, for me, is like a footprint in wet cement: it does not last, but it is real.

Apo Malo is an Australian based pianist, composer, producer, and songwriter.

He has been involved in composing and producing for over 10 years. The piano is the core to all his compositions, beginning with a simple improvisation leading to further deliberate composing and arranging.

Apo is an emerging freelance composer for games and films.

My music has cinematic angles, classical influences, often strong melodies and ambient soundscapes. Piano is my main instrument, which I've been playing for decades now. Lately I'm more into composing music for listening and experimenting with sound, harmonies, rhythm, emotion and space. Follow me on spotify for that. My commercial music is used in video, broadcasting, TV/Radio, for media campaigns, film, advertising, documentaries, websites and probably for lots more I'm not aware of... This music is produced under various names. Most of the music is available with a royalty free license and you can purchase it in High Quality Audio format on several marketplaces and my own website(see the links). I'm working on getting the piano pieces available on sheet music. You can buy them at my website.
Thanks for listening, commenting, liking, purchasing or sharing !!  
Send me an email for a special music request.

A guy, some guitars and a laptop. Also one half of OKTOPIA.
Always happy to collaborate! just drop me a message or email me

https://linktr.ee/Shirebairnp

SOUNDTRACKFM is Vlaanderens enige filmradio. We brengen een mix van vlot beluisterbare muziek uit films en tv-series, met de nodige aandacht voor muziek van onze eigen Belgisch/Vlaamse filmcomponisten.

I play guitar, flute, bansuri and analog synthesizers.
Email: rybakinstudio@gmail.com

Vitaliy Rybakin is an experimental composer and sound artist, known for his immersive, ambient soundscapes and explorations of minimalism. His work often focuses on themes of memory, perception, and the passage of time, creating deeply atmospheric pieces that invite listeners into contemplative states. Rybakin’s compositions blend field recordings, electronic textures, and subtle acoustic elements, reflecting his interest in the intersections between nature, technology, and human experience.

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