Beautiful piece...brilliantly performed. Love the tenor sax / guitar theme...cool, subtly delivered.

passionate captivating sax & guitar work..love the atmospheric change..elegant tempo..delightful mix & recording!

Beutiful music ☀️I’m getting a little teary eyed her thinking of dad Egil. The feeling I get listening to “The Midnight Sun Never Sets” with Dompan, Egil, Harry Arnold, arranged by Quincy Jones.

What a pretty piece. Great work by all. Talent.....

unglaublich sensibel gespielt 🕊️🌹🕊️ Wunderbar 🦋

Beautiful playing from everybody! Wonderful soundscapes and blending of instruments here.

Amazing composition and playing, beautiful tone

MOMENTS (vol 3)

featuring @4catsncoffee on violin
:
Suddenly you come across an opening in the forest - a fading landscape of forgotten names...
fading green is the third tune off the d'ville EP >soundcloud.com/jh0st/sets/dville

--------------------lyrics

No one said that
we would see
Family to no one
Sunlight through trees
No one asked for
an early grave

Stones of names a fade away…

When the clouds come down
water upside down
Order of each name
Feather on tongue

Thousand heart beats in the trees
now gone on the wings of…

day's fading green

d'ville

fading green

Buy on Bandcamp

fading green [ft. 4catsncoffee]

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

This is a song that I thought was about someone else, but it's more likely just about me. 

lyrics

Looks like you've got everything you want
there ain't a single thing left that you need
you're flowing through life like the sea
boy you don't see the woods for the trees

I wouldn't decline no invitation 
to go smacking your head against the pavement
flick through warning signs but you don't read
boy you don't see the woods for the trees

keep pushing all our worries around
try to bury them deep underground
you better keep that spade close at hand
so we can dig out your head from the sand

when I burst into your surgery seeking remedies
you called the alarm
now I've swallowed all the pills you prescribed
I'm telling you I want to be discharged


Keep giving all the people your time
your family said you've got an altruistic mind
but they won't tell you when you're so sick
or that you're life's greatest fucking hypocrite

I know I don't got too much education
but I deciphered your charm from fabrication
I used to bite at the slightest provocation 
now I'll just growl and consider each situation

I may not have everything I want
but I got from you what I need
You ain't got nothing left for me
boy you don't see the woods from the trees

recorded at home on my tascam 8 track

Woods For The Trees (I'm Alright Jack)

Vill Ut

Thank you to https://soundcloud.com/jonathan_beckenstein for creating this fine 🎶
Love will always be the greater force.

Lyrics: 
So, don't you think it's getting old now
Empty rounds, sprayed all around
So, don't you think it's getting old now
It could be different now
Somehow

Not another one, oh no

Wake up

not another one - Jonathan Beckenstein/cw

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

The King and Queen are now finally walking down the elegant-extravagant Red Carpet to officialize the vital ties, the surrounding connections, the obligatory motions here-on from this day forward...and all eyes indeed are on them...a splendid celebrity high-fine, status-star-procession...it carries on, as today is the day of all days, it's the marriage day, the match of all astral matches...sacred vows fully embraced, a majestic unforgetable soul to soul, now about to be etched in stone, for all near and far to realize...yes, this couple destined to be, from the very start, will rule like good royal nobles do...only to execute their eminent duties for the good of their people. Hope you all enjoy this heart to heart Red Carpet Procession my lovely distinguished guests of honour XOXOXO-REKHA

Music Performed & Recorded, Composed & Produced, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA


M: RCP Procession BU 2

Trailokya

RED CARPET PROCESSION

Red Carpet Procession - Music by REKHA - IYERN [Fe] |  Live V-Synth Jam | Electro Space Pop

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

Words and music K Gennery

For my Nan, Emily Adelaide Francis 1903-1972
Mother of 15 
Grandmother to 24
intro voice, my 93 year old Mum, talking about her Mum.....Emily.

While on my own i find myself lost in the past
maybe i should step back and leave well alone
For there you are ready to receive me
feel safe and warm wrapped in the arms of emily

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

you were gone in a blink of an eye
i should have come and whispered goodbye
 i was young but it doesnt ease the hurting
age is not an excuse its all i have

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

emily

Emily

480BC

Abyss Of Salamis - Άβυσσος Της Σαλαμίνας

👉 https://youtu.be/CecIIbppBDo

#uno #dawless #electronic #synth #soundcloud #bandcamp #electronicmusic #electronica #greece #alexandroupoli #jam #korg #volca #elektron #ikmultimedia #uno #music #studio #live #recording #yamaha #synthesizer #synthwave #acid #soundscape #synthesis #behringer #zoom #mooer #digitech #cycles #session

DOWNTEMPO JAMARCH23 >>> video

Hiya Peoples! 😊

As seeds, budding plants, shrubs and bears awaken from the depths of winter in the Northern Hemisphere and Spring comes, we're delighted to finally Release a New Track for Spring of 2023! 😎  
   
We call it 'Awakening'. 

And thank goodness that as usual, the fingers of Tim Elliot are on his Telecaster and mine on the ancient Upright Grand Piano .

and together, they work their magic as we continue to explore the sonic landscape together through Improvisation.

Of course this can only happen within a space of Deep Listening.  A place Musicians can go in their totally individual inimitable ways.                      
                                                                                                                               
In our case, we almost immediately found ourselves being 'Led' into a Tonal Awakening....
Subtle grooves that were an outer manifestation of the Joy we were experiencing as we explored the spaces in between the notes.  😊  

Of course, the very best kind of Awakening is to one's own inimitable Truth, no matter the noise and apparent confusion all around. And sure... there's all kinds of negativity and nonsense in this ol world, but who needs to Awaken to that? It's more than obvious!
 
Far better to explore and express one's unique Creativity! To share the Love one feels for whatever they're passionate about, through their Music! 😉

May you enJOY what Tim and i have been up to lately. 


© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Arranged and MiXed by Anomon

Awakening *

Mill Lane is our temporary rehearsal space this year - located in the nth suburbs of Hobart its a huge warehouse that is in the process of being emptied of museum equipment. Each week the space gets bigger and more cathedral like as the crates go out the roller door. Heres a little taste from the other night.. you will need to excuse me on 2 fronts - My zoom seems to be reaching the end of its life so the recordings is pretty scratchy and 2 I reckon i am a bit out of tune... anyway the energy is good and the ears locked in to what the other musician is doing which I guess is the main thing. Happy Riffing

Kirby/Ward riffing at Mill Lane

Goodnight

The first song I wrote with the lovely accompaniment of Theo Passingham on guitar and vocal.

Hannah

please also check my YouTube Channel:
https://youtu.be/9mTdMVL6jVY

===============
街の灯 / city lights
===============

その美しい曲線は　夜陰にまぎれて
照らすもののない隙間から　こっちを視ている

あたかも本当の風に　吹かれてるようだ
抜け道のはるか向こうへ　翔べるなら　堕ちるなんて遊び



背を向けられた路地裏は　一見静かで
照らすもののない街灯は　青白くなった

歩き去るならあまりにも　都合のよすぎる
抜け道のはるか向こうへ　夜の岸辺の　散歩でも



打ち棄てられた言の葉は　一見無口で
照らすもののない存在なんて　考えたくもない

あたかも本当の君を　視ているみたいだ
堕ちた砂粒の軌跡　その光を　見逃してしまった



その美しい曲線は　夜陰にまぎれて
照らすもののない空間で　夜明けを待ってる

あたかも本当の君に　触れているようだ
抜け道のはるか向こうへ　翔べるなら　堕ちるなんて遊び

concave & convex

AppleMusic

街の灯 / city lights

A Swedish jazz quartet, led by guitarist and composer Peter Löfman featuring renowned tenor saxplayer Björn Cedergren together with bassplayer Kristian Rimshult and Andreas Baw at the drums. The quartet is located in the south/west of Sweden.
Earlier recordings include musicians like Robert Erlandsson, Kristian Fredmark, Kristian Lind, Fredrik Myhr. 
Contact: peter.lofman.jazz@gmail.com

Our music can be found by visiting our main page here (https://soundcloud.com/mountain-songs)

Vill Ut

Peter Löfman Quartet featuring Björn Cedergren

Recent comments

User 793466602

Mall.Dad

holgermorgenstern

Ni!

Related tracks