NEXT:  TBA


▪️DARK FACES & THIS MUST BE IT
▪️Envisioned by @FinnJacksonnz & @JaynaHaze
▪️Showcasing the dark faces of the NZ techno scene
✉️ Contact: darkfacesnz@gmail.com

Finn Jackson has been Djing since 2018. Getting his start in the after hour scene, he quickly gravitated to the decks and in turn decided to unknowingly tell his story through music over the next 6 years. As co-founder of NZ based imprint and label, Dark faces. Finn has been passionately co creating and running many a club night as well as holding a residency at the Legendary Yot club for the last 2 years. along with his residency, Finn has been a regular on the festival circuit. playing Aum New years eve festival for the last 4  years in a row, Shipwrecked music and arts festival for the last 2 years in a row as well as various other festivals and burns nationwide. Finn also co-directs his own boutique music and arts festival named "This must be it" which is held annually on the west coast of Raglan. 

2025 sees new projects for Finn as a co founder as well as promoter and booker for a new underground venue in Raglan named “The Hut” which has quickly been gaining traction as a respected club with a consistent string of successful parties which are run by a new imprint in which he is part of named Mudflat recordings. As well as new projects, Finn is broadening his Horizons in 2025 with a summer tour in Europe.

My name is Peter Scott and I play  bass Acoustic and electric and a bit of keys 'n'gat. THAT'S ME on  early Homebrew recordings,@Peace, Dr John, Madness, Dollar, Snowy White, Neil Finn, Avantdale Bowling Club, Oliver Tdzuku, Bravura, Currently Backawall Sound system, Club manouche, 
These tracks reflect some work over the last ten years ranging from ambient contemporary chamber  Ho! with Jonathan bessers Bravura via haz and homebrews hippity hop to rockin' Nigel and some rock and fonk. and now with vocal find Carmel Deely
I try anyway..  
Bach and the Meters are the big influences and my main love love is The Music of the Carribean and Louisiana
Hats off to Mac Rebenac Fess Longhair The Pioneers Tony Uter, Rudy Jones , Diz and the whole disaster
knoworrimean?

I am a jazz pianist with a contemporary leaning. My doctoral research has provided an analytical lexicon that can be used to understand music in terms of what is defined as consonance and dissonance found in western music as a whole. Although informed by academia, I am primarily a performer, composer and accompanist residing in Auckland, New Zealand. I am a presenter of 95bFM's The Jazz Show, and write the X-Factory column for NZ Musician Magazine.

I was a guest arranger for the Royal New Zealand Ballet’s production of Hansel and Gretel, written by acclaimed composer Claire Cowan, and recorded for an album by the New Zealand Symphony Orchestra in 2020. In 2021 I collaborated with Troy Kingi on a soon to be released single entitled Dreams, and co-wrote an album with Latin Grammy Award Winner Mireya Ramos (Flor de Toloache – NYC). In August 2021, I recorded with Allana Goldsmith, a track called Tīpuna, due to be released on the Waiata Anthems 3 project in September 2021. I have been lucky enough to perform alongside some giants of jazz including Eric Marienthal (Chick Corea), Mark Kramer (Eddie Gomez), Cley Jenkins (Buddy Rich & Count Basie) as well as Andy Vargas (Santana), Mireya Ramos (Latin Grammy Award Winner) and a Broadway cast. I have also performed many times on most New Zealand TV networks. I have enjoyed working with acts such as King Kapisi, Che-Fu, Troy Kingi, Mireya Ramos (NYC), Tony Christie (UK), Anika Moa, Don McGlashan, Batucada Sound Machine, Bella Kalolo, Auckland Philharmonic Orchestra and the Topp Twins.
I worked for eighteen months in the Middle East as a musical director; a pianist/MD for ProShip (Canada) for two years; and have released two albums under the pseudonym of Ironic Trio, and as an engineer and pianist of Henrique Morales’ debut studio album Alô Brazil (2021), a collaboration between Brazilian and New Zealand musicians, sung by Morales and written by Fernando Corona (ES). My latest solo projects are Rhodes Scholar, a trio album, and Solo, a solo piano EP consisting of original compositions. My last major role was as a piano player in a US touring/Broadway production of Chicago (the musical), June-August 2015 in Seoul, Korea. I have been writing and performing extensively with Mireya Ramos (Flor de Toloache) whilst she has been in New Zealand. I have been published in Downbeat (US).
My background is in early music including basso continuo in the UK. My doctoral research was focused on developing an analytical model that can be used to understand music in terms of consonance and dissonance pertaining to melody, harmony, rhythm, organic unity and genre.
I have expertise in the subjects including music, music technology, performance, musicology, and I have experience in programme design both at tertiary and school level having recently sat on the NZQA panel charged with the task of reviewing unit standards for music technology L1-3. I have run government Networks of Expertise workshops in 2020 teaching popular music analysis to secondary school teachers, and am currently active on the Music Subject Experts Group, reviewing achievement standards at secondary school level at NCEA levels 1-3.

I own and manage www.jazzpiano.co.nz, a website focusing on the study of jazz, with particular emphasis on the music of Brad Mehldau. I am a presenter of The Jazz Show, a radio show on 95bFM and I am the writer of the X-Factory column, part of New Zealand Musician (www.nzmusician.co.nz). I am the pianist for the Allana Goldsmith group, which has headlined at major jazz festivals, and pianist / composer for The Ironic Trio, a composition of which was selected by Alyn Shipton to form his album ‘The Jazz Café’ on Air New Zealand flights.

Followers of Peterscotty