so God damn cleaver.  feels like Qix is hovering above me.

Yes the Bristol born artist returns on EOP. This release themed four techno tracks, deep and spaced out. A unique record from an artist soaring to ever greater heights that come on Vinyl 12 inch, black, 180g.

Links:
Mastered at Koschitzky Mastering.
Artwork by Wong.

Release Date: June 16th
Format: Vinyl 12", Digital

Links:
Bandcamp: https://endofperception.bandcamp.com/album/lee-holman-sonic-borders-ep-eopep006
Formaviva: https://formaviva.com/end-of-perception/eopep006
Fan Page: https://www.facebook.com/leeholman
RA: https://ra.co/dj/leeholman

Sonic Borders EP

Sonic Borders

A2.Lee Holman - Sound Tactician

Mesh Convergence - Cautivos del Engaño
(BAHN034_EP)

Artist: @meshconvergence
Track: La Cara Oculta del Ídolo (Lakej remix)
Remixer: @lakej

_

Cautivos del Engaño

Purchase track | EP

Mesh Convergence - La Cara Oculta del Ídolo (Lakej remix)

With Dwellers, language and symbolism run deep as CAIV, a new collaboration from Israel Vines and Camille Altay, challenges listeners to embrace the ambiguity of existence, and accept incongruity as a vital part of the whole.

CAIV was borne of the partnership initiated on Israel Vines’ 2021 track, Keeping, and Dwellers delves into the realms of sound, semiotics, and half-obscured meanings, starting with the word-association from the pair’s chosen moniker that led to the EP’s title.
As Vines explains, “CAIV is obviously our initials combined, and we both liked the "cave" references that it brought to mind - digging, exploring, existing pre-modernity and continuing underground through the ages.”

ORDER HERE:
https://caiv.bandcamp.com/album/dwellers

https://soundcloud.com/tresorberlin

PREMIERE: CAIV - Ötzi 2.0 [ Tresor Records ]

Datashader emerges from the shadows with a striking breaks- and bass-heavy debut release that challenges the fabric of our digital existence. Replete with a Dopplereffekt remix, it nods to the legacy of revered anonymous acts such as Scopex, Drexciya and Underground Resistance, pushing the boundaries of both electronic music exploration and its conceptual underpinnings. As a critique of the erosion of genuine human connection in the digital age, Datashader delivers a barrage of billowing subs, infectious electro, recontextualized jungle, and techno, serving as a poignant counterbalance to current dance floor-centric norms. It's a contemporary anti-soundtrack that offers a haunting mirror to the societal costs of technological convenience. 

In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities.

Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more.

Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. 

Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. 

Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack &ndash; a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.

BANDCAMP

Datashader - Fong (feat. Kastil)

Full album →  https://goo.su/T4IPeE
Artist: @squaric-1
Title: Texture
Format: Digital 
Catalogue: DRSS885
Tracklist:  
1. Layers
2. Linear Perimeters
3. Tunnel Connections
4. Inside Textures

www.diffusereality.net 
linktr.ee/diffusereality

Squaric - Texture

Towards the Center of Time and Surrounded by Spirits

Disco Discourse Disaster

Hybrid Productions Sound Architecture proudly presents: [HPX135] Hybrid Sound Architects v1.0. Cari Lekebusch is teaming up with Alexander Johansson & Mattias Fridell, Alexi Delano, Benjamin Mull, Blaine Mason, Dog on Acid, Franz Jäger, Gendish, Joline Scheffler, The Miller, Mikrotakt, Orion, Sean Colt, Tan Tan, UBX127 and Valo for this extraordinary 16 track label album that is showing off some of the forth coming artists to be released on H-Productions during 2024 & 2025.

01. UBX127 & Cari Lekebusch - Baskanonen
02. Alexi Delano - Shake It
03. Tan Tan - Entering Or Exiting
04. Alexander Johansson & Mattias Fridell - I Sista Minuten
05. Joline Scheffler & Benjamin Mull - Anti Sladd
06. Blaine Mason - Eye of Newt
07. Cari Lekebusch - Status Brun
08. Dog on Acid - Tillbaka i Gatans Händer
09. Gendish - Gäri
10. Franz Jäger - Mohican Sun
11. Mikrotakt - Harmony In Chaos
12. Valo - The Debt Collector
13. Sean Colt - Fading Out
14. Orion - Closer
15. UBX127 - Motoroil
16. The Miller - Barkis

[HPX135] Hybrid Sound Architects v1.0

Harmony in Chaos, by Mikrotakt [HPX135]

For our 2nd album on From Another Star, we turn to an alum of the label, prolific Argentine producer CRØWN, now based in Italy and with an album and numerous singles on underground labels since 2020. Bookended by a pair of ambient pieces, ‘Isolated Nature’ and ‘Refuse Tension’, suggesting the moody, somber tone for the rest, ‘Expansion Gradient’ sets the pace with a spaced-out strain of techno contrasting rigid drum machines against squishy, drifting ambiance. ‘Decoding’ takes a classic sci-fi approach with echoing tones and subtle changes in percussion creating stellar movements. Ferocity increases with ‘Cruel Violence’, where heavy, insistent drums and bass shift momentum and propel the album into its second half. Claps, pads and bleeps add fierce swing to ‘LEVELS’, building to a climax of stuttering kicks buried under dense layering. More stripped and darker, with pounding bass and spinning cymbals interlocking with emphatic, changing percussion patterns, ‘Asymptomatic Deconstruction’ marks the peak of intensity. ‘Desecration of Organisms’ returns to the ambient sound-fields of the first half, its tactile, organic evolution suggesting microscopic rather than telescopic vistas.

CRØWN - Evolutionary Anarchy LP

1. Isolated Nature
2. Expansion Gradient
3. Decoding
4. Cruel Violence
5. Levels
6. Asymptomatic Deconstruction
7. Desecration of Organisms
8. Refuse Tension

Release date:  July 26, 2024
Pre-order now at: https://fromanotherstar.bandcamp.com

Written and produced by CRØWN
Mastered by Troels B-Knudsen

CR​Ø​WN - Evolutionary Anarchy (Audio Previews)

Drum loop and Basil Kastl through MTM Worksop system

Monolithic Otolithic Monument

no crocodiles on mars

Dusk

Clubs, festivals, theaters, football stadiums, museums, beaches, mountains and beyond - Peter Van Hoesen's take on visceral techno has been presented worldwide in many different settings. 

One central element always remains: a deep love and understanding of sound and all its influential effects. Peter Van Hoesen performs live shows exclusively. 

Peter Van Hoesen runs Time To Express and Center 91. Together with Atom™ he is SYNC. - a live techno project focused on improvisation and collaboration. Together with Yves De Mey he is Sendai, a forward looking experimental outfit with releases on Editions Mego, Archives Intérieures, Konstrukt and Stroboscopic Artefacts. 

Since December 2024 he runs Memento Mastering, a mastering studio located in Ho Chi Minh City.

Bookings: mike (at) berytus.art

petervanhoesen.com / mementomastering.com

Disco Discourse Disaster

Peter Van Hoesen

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