Uptempo DJ & Producer based in Germany. ⚡️ 

For Bookings in Germany contact:
🇩🇪: unsynbooking@gmail.com
For International Bookings contact: 
🌍: bookings@footworxx.com 

🍺 CEO OF BIRTEMPO

TICKETS - http://epticofficial.com/tour 

EPTIC ON FACEBOOK: http://drop.lk/epticfb
EPTIC ON TWITTER: https://drop.lk/eptictwt
EPTIC ON INSTAGRAM: http://drop.lk/epticig
EPTIC ON YOUTUBE:  http://drop.lk/epticyt
EPTIC ON SNAPCHAT: http://drop.lk/epticsnap
Management -  
Collin@theshalizigroup.com

ATLiens Leaving The World Behind Tour TICKETS:
www.atliensofficial.com

Management:
griffin@gtprojects.media

Booking:
North America & R.O.W:
steve.gordon@unitedtalent.com
wilcox.weaver@unitedtalent.com

Asia:
david.gordoni@unitedtalent.com

Europe:
ulee@book-kings.de
rogier@book-kings.de

Australia / New Zealand:
paul@posterchild.com.au

Afterlife: an odyssey through the realm of consciousness.

MGMT 
Pat Ward - pat@bloomartists.net

EDDIE - https://linktr.ee/EDDIEofficial

pronounced "lie-knee"

mgmt: chad@audisbliss.com
bookings: mary.allen@unitedtalent.com

logo by Thomas Schuiteman

No AI in my music. Using Propellerhead Reason...

My main goal was to make danceable music. But never got the chance to actually perform any of it anywhere not even on a small scale. 

The 'track' recommendations via Soundcloud was the only form of promotion that took me anywhere serious. Because of AI those recommendations will be snowed under by people generating tracks just pushing one button without even using their ears to tune or create a vibe.

So I might create a track or two in the next few years but the dream to exel in music production has been destroyed by AI. And altough I might not be the most talented musician in this world, it hurts...

peterwthai is following