laden

halF incenD

I would like to apologize in advance :)
all songs, instruments(soft synths, moog theremini, korg volca sample and guitars fretted and fretless) & production by me.

3. Strange Attractor

From https://peteswinton.bandcamp.com/album/orpheus-and-eurydice

Theme For Orpheus

Music, mixing and production by https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Please check on Bandcamp the full album with various  collaborations: https://peninsolar.bandcamp.com/album/in-between-obfuscate-coordinates

My sonopoem 'Coordinates' refers to the book 'Objective Becoming' by Bradford Skow, prof of Philosophy at MIT on the comparison of different theories of time, spacetime, robust passage and experiences.

'Coordinates
Time does not pass, we pass through time
In stages or blocks and become
Spatially and temporally scattered we 
Have experiences at other places
Inaccessible to us here and
At other times unavailable to us now
Yours and my P1 and P2 positions extend
How fast do we pass?
Can we reminisce about the things to come?
Flashes in between coordinates
Perhaps glitches in the protocol or
Ultra-rational diagrams
Have been and not yet spiral and interchange.
Time-biased preferences are falsifiable
One life is better than another if and only if
The total amount of pleasure minus
the total amount of pain in the first life
Is greater than the corresponding quantity
In the second one.
Can sacrifice change the perspective?
And if I live with you n latitudes and
Longitudes, simultaneous instants
Pre and post my vertebral consumption
In between we will rest
Wherever you are, whenever you happen to be
Stay put'

In Between Obfuscate Coordinates - P è n i n ș o l a r & Ilaria Boffa

itwasthewires : modular synthesizers
Marco Lucchi : found sounds, Mellotron, synthesizers and mix down

settembre 2020

itwasthewires & Marco Lucchi - Charlotte [third encounter]

Marco Lucchi : piano

18 settembre 2020

***

A morte é a curva da estrada,
Morrer é só não ser visto.
Se escuto, eu te oiço a passada
Existir como eu existo.
A terra é feita de céu.
A mentira não tem ninho.
Nunca ninguém se perdeu.
Tudo é verdade e caminho.

Fernando Pessoa

piano patterns no 4

Il beneficio del dubbio

Somewhere, on another world...

In September the trees shake their knees,
This is the sound
As they fall to the ground.

This track is from the album
https://peteswinton.bandcamp.com/album/im-the-god-who-sets-my-head-on-fire

The Echoes Of September Trees

Dararat Chemnasiri: alto sax
Bruno Gussoni: shakuhachi
King Imagine - electronics, bell, tortured piano, strings tutti, violin flagelettes, composition
Dirk Wachtelaer: drums

Any Time

This track was pulled from Lockdown Jam 4, improvised live at home on 10/05/2020, using the inspiring work of of @idin-samimi-mofakham, @martyna-kosecka and Michael Vallone (@taraexperiment), and some contemporary piano provided by Heidi Hart as source material.

It's dark mysterious feel conjures up images of a North African labyrinthine medina, hence the title! 

Unlike most of our tracks, where we do use a certain amount of remixing of the original jams, a technical issue meant we only had the master track to work with, so this an edit of the live improv as it happened!

Medina

Following on straight from "Choker", this track was edited from our final jam of our Lockdown Collaboration series, recorded live at home on June 2nd 2020.

Crown Of Light

Pete Swinton is a half Hungarian, half Polish man born in London, UK in 1961. Between 1988 and 2003 he lived in Portugal. Since 2015 he lives in Jawa, Indonesia. He began playing guitar in the '70s. He started playing keyboards in the 2000s. He makes Ambient and Experimental music. And a cross between the 2 which he calls Insanbient music. He was using the name Srigala but has now stopped. (To hear the music as accurately as it was recorded and mixed the use of headphones is strongly recommended)

Theme For Orpheus

PETE SWINTON