Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022 nomatesensemble.bandcamp.com/album/the-…ely-future But it was so much fun we are back for more. In defiance of the usual 10 piece band approach of this project this track is just Johnny Python providing the historically accurate   text and voice with myself making  unneeded backing noise : )

Then She Reaches For The Gun - Their Stage Set Up At That Time Was Amazing

More interesting audio @ https://adammajdecki-janicki.bandcamp.com/. Vinyl @ https://herbyrecords.bandcamp.com/album/adam-majdecki-janicki

"Evolutions" (Code III Cover).

Violin-bow on electric guitar, analogue bass synthesizer, effect pedals, unsynchronised loops, tube amps, field recording (thunderstorm at night). All sounds, mixing and production: VSS. Image: Kottbusser Tor Subway Station, Berlin (photo: VSS)

Download

Heat

Interlude for a longer prog-rock song I am currently working on

Chasing Stars, Interlude

Wilfried Hanrath - Chasing Stars, Interlude

Le Sanctuaire

Collab With Order 0v Thee Octopi 
https://soundcloud.com/jameshootman

Contains excerpts from "New wine for new wineskins" by Order 0v Thee Octopi
https://soundcloud.com/jameshootman/new-wine-for-new-wineskinsdemo-for-2023-ep-zetas

Video

Order 0v Thee Octopi + Insatiable Void - Rise Ov Thee Order

‘virtus ad populum’
Breakfast Time.
Track created in 2023.

In 1971, I lived fifteen minutes from Tittenhurst Park. And I had no idea what music was being recorded there. Unconsciousness is beautiful…

Tools :
Pam’s, Varigate, Marbles.
- Plaits > Fold 6 > DSP (saturated reverb).
- Basimilus.
- Rings > FX Aid (#24 reverb plate classic).
- Morphagene > Sisters > Desmodus Versio.
Zadar, Ochd.
Mutes, Sinc Defero, uVca.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

The People (are asleep) [breakfast time]

cascade sounds
along a mountain path -
the blistering heat

A supporter of Kobayashi Issa, Kubota Shunko was the husband of the more famous Kubota Seifu. He was responsible for preserving one of his master's works: Last Days of Issa's Father (父の終焉日記, Chichi no Shūen Nikki), a poignant account of his father's final days. The text was passed down by generations of Shunko's descendants.

Haiku by Kubota Shunko

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF cascadE [naviarhaiku558]

Marco Lucchi: synthesizer, piano; Jeff Gburek: electric guitar

Support via Bandcamp

Soliloquy Take 4

Recorded, mixed & mastered 20/21 Sep 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

Tools used - FL Studio, Nimble Tools Misstortion 2, Puremagnetik Pastfabric, Ozone 9 Exciter & Equalizer, native FL Studio effects, Moog MF-104S Delay, kHs Resonator & Ring Mod, Output Portal, samples of rain & electric bass, FL Sakura, Ableton Live and Live native devices, PaulXStretch and the kick sample I used in this week’s Disquiet Junto.

This original version of "It's Umbrella Time Again" was submitted as part of Naviar Haiku 559, Misty Spring Rain

misty spring rains...
umbrellas high and low
aboard the ferry

by: Masaoka Shiki

Regarded as the father of contemporary haiku, Masaoka Shiki was a poet and literary critic during the Meiji period Japan.

He advocated realistic observation by “sketching” (shasei) poems and going out into nature with notebooks, thus abandoning the traditional subjects of haiku of the time. His advice for an aspiring poet was, “Use both imaginary pictures and real ones, but prefer the real ones.”

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

It's Umbrella Time Again  (naviarhaiku559)

Credits: Ángel L. Martínez: electronic music

More on the 664th weekly Disquiet Junto project, Mother Beat — The Assignment: Record a piece of music in 29/16 time — at https://disquiet.com/0664/

Image source: Indymedia UK ( https://www.indymedia.org.uk/en/2010/03/447507.html )

Read more about the mothers on the beat for the Mother's Day March of 1968, Resurrection City, DC:

https://www.zinnedproject.org/news/tdih/poor-peoples-campaign-began/

Mothers on the Beat (disquiet0664)

Softs, synths & modules.

'On ne devrait jamais quitter Montauban' (Fernand Naudin).

Merci pour votre écoute / Thank's for listening.