Entrepreneur, philanthropist, and three-term mayor of New York City

A podcast by Jeff Emtman and Bethany Denton about fear, the unknown, and new frontiers.

We read all our email, so let us know what you're thinking
HBMpodcast@gmail.com

A Way with Words is a fun and funny public radio program about language examined through history, culture, and family. Its mission is to change the way you think about language. The program is heard by broadcast and podcast across the United States and around the world by more than a quarter-million listeners each week. It's produced by Wayword, Inc., a nonprofit whose mission is to promote lifelong learning, better human communication, and the value of a thing well-said or well-written. Call or write with your language questions at any time: (877) 929-9673 (toll-free in the US and Canada) or just email us: words@waywordradio.org.

Stream debut Album "No Hard feelings": https://lnk.to/SchwarzDontCrack_NoHardFeelings

https://www.facebook.com/schwarzdontcrack
https://twitter.com/schwarzdcrack
https://www.youtube.com/user/SchwarzDontCrack

Booking: assistant_mgmt_hh@nettwerk.com

Management: Neverland Music / Martin Schuhmacher
martin@nettwerk.com

Label:
Nettwerk Music

Biography:

“It starts with a sound…”

In Berlin’s ever-mutating musical landscape, musical pleasures emerge and dissolve like the effervescent love of a summer fling. Yet two men have found a synthesis of sound formed from the perpetual electronic obsession of the German capital and the rich tapestry of American R&B. These are the keywords of Schwarz Don’t Crack, the shared aural linguistics of Ahmad Larnes and Sebastian Kreis.

Following his move from New York City, Larnes soon met Kreis and found in him a kindred spirit who had also fled his own region of southern Germany in favor of Berlin’s more progressive dreamscape. The two debuted as Schwarz Don’t Crack in 2011—a year when the dividing lines between genres was beginning to blur more than ever—and they quickly found an audience eager to bask in the jeweled sweat of Larne’s soulful lyrics and Kreis’ liquid bass beats. After debuting their single “Charade” on Kitsuné Records in 2013, the two have since divided their time touring and working on a new EP and a full-length album. 

“…the things I feel the most…”

Simplicity is a cornerstone of Schwarz Don’t Crack’s ethos, a driving force that has shaped both their releases and live performances into something fierce and immediate. Their signature sound is rich with pop hooks and melodies that never skirt too far into mainstream territory, backed with luscious beats that combine the entrancing snare of a well-produced and intriguing sound palette without distracting from the thrust of club propulsion. 

The duo’s first self-titled EP balances this combination effortlessly. Dance floor-ready cut “Little Pieces” showcases Larne’s powerful vocals while Kreis works in elements of liquid bass over the wooden snap of dissected UK garage snares and a breathy, gasping kick that summons succubal desires into the feet and loins of anyone listening. Smooth red velvet audio comes in the form of “Lay You Down”, evocative of Hot 97-flavored summers gone by. While the subject matter behind their lyrics—tales of love, betrayal and pain—is universal, there’s an intimacy in their music as well a deft production hand that makes each piece feel as intimate as though it was being sung straight into your ear.

“…and it takes your breath away.”

With each new sonic exploration into inspirations new and old, Schwarz Don’t Crack flex their musical muscles to become something stronger—unmistakably classic on several levels, yet firmly in the Now and always beautifully surprising. If your musical world has become too predictable, let them take your hand and lead you to the chance floor.

Press contacts:
Patricia Nigiani / Nettwerk Music Group
ph: +49 40 431 900 18
f: +49 40 431 846 51
e-mail: patricia@nettwerk.com


Vanguard Records, part of Concord Bicycle Music’s Fantasy Label Group, is one of the world’s leading independent record labels. Its eclectic roster of quality artists includes Andrew McMahon in the Wilderness, Switchfoot, O.A.R., Flogging Molly, Parachute, Sallie Ford, Matt Nathanson, Chris Isaak, Barenaked Ladies, Greg Laswell, Trevor Hall, Indigo Girls, and more. It’s rich history of catalog artists features Levon Helm, Merle Haggard, Joan Baez, Mindy Smith, Buddy Guy, Big Mama Thornton, Junior Wells, John Fahey, to name a few.

No one could have imagined at that time what to expect - like Xavier de Maistre himself, when he decided to change the face of the harp 16 years ago. Today he plays pieces like "Moldau" by Smetana in breathtaking precision and presents masterful pieces of music that are usually played by an entire orchestra.

Meanwhile, a worldwide audience listens to his virtuosity and enjoys the unprecedented sounds. Pieces, that no harpist played before, or even thought about - like the Haydn piano concertos. Not only that makes him one of the most extraordinary musicians, even masters of this time.

Xavier de Maistre began to study harp with 9 years. Like many other famous musicians, all started with love - but in this case not as expected the love to his harp. It was rather the love for his former teacher, who offered extra harp lessons. Early, it turned out that Xavier has a great talent and no wonder he started with 25 years to play for the Vienna Philharmonic. Before that he played 3 years for the Bavarian Radio Symphony Orchestra and in 1998 Xavier won the first prize of the "USA International Harp Competition“, the major harp competitions in the world. But since Xavier´s family is not from a traditional harp-playing dynasty they put great importance to a solid education. So Xavier started his study of politics at the „Institut des Sciences Politiques“ in Paris and spent 1 year in London at the „London School of Economics ", when he finally decided to prefer music to the political studies. For a musician, he achieved very early what all harpists dream of – a position in one of the best orchestras in the world, the Vienna Philharmonic.

However Xavier de Maistre was about to go on. To see this point as the highlight of the career, which would definitely be a great honor for most of the harpists, and aslo for Xavier, but it was also a kind of sad moment. He achieved the ultimate goal of a harpist at age 25. Through his countless appearances and his keen ambition he has always wants to refute the long-existing bias of the harp - played in the background by angel-like women. Thanks to his his quick anticipation, intelligence and tremendous skill, he has played many pieces as a soloist with the harp and delighted thousands of listeners. Finally, he succeeds to establish the harp as an independent instrument. During his career, many great conductors such as Riccardo Muti, Sir Simon Rattle, Sir Andre Previn, and Daniele Gatti became curious on him and his passion and asked him to play with them. A long series of concerts follows, convincing the audience that Xavier de Maistre is undoubtedly the master of his instrument. Not for nothing, beside famous conductors, also the most successful singers like Barbara Bonney, Kathleen Battle and Diana Damrau played with him. Likewise, of course, the long list of world-renowned opera houses which he had already visited: Theatre des Champs Elysees Paris, Concertgebouw Amsterdam, Musikverein Vienna, Tokyo Opera City, Lincoln Center New York, Salzburg Festival, La Scala Milan and many others.

No wonder, Xavier´s enthusiasm and his gift to play will not put an end to this success story. Awarded with the Echo Klassik Award 2009 for his album "Nuit d'Etoiles" as "Instrumentalist of the Year" (Sony Music) he reaps the fruits of his labor.

For more than 9 years Xavier de Maistre is working as a professor at the Musikhochschule Hamburg and now also teaches at the Julliard School in New York, at the Toho University in Tokyo and in London at Trinity College. After 11 years with the Vienna Philharmonic Xavier leaves his position in order to devote himself to his international solo career - a step that no harpist has done before.

phanichinnu is following