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Free Download

Billie Eilish - NDA (Rich Delinquent Cover)

My cover remix of "Mary On A Cross" (Originally by Ghost, now viral on TikTok and Instagram) is out now on Spotify: https://ffm.to/maryonacross

Follow the NIGHT LIFE 😈 playlist on Spotify for similar music: open.spotify.com/playlist/5BN6yAi…kEQcy_X1gJAoT60g
Follow me on IG: instagram.com/glaceo
Contact: antonio@glaceomusic.com

LYRICS
We were speeding together
Down the dark avenues
But besides all the stardom
All we got was blues
But through all the sorrow
We were riding high
And the truth of the matter is
I never let you go, let you go
We were scanning the cities
Walking to greater dues
But besides all the glamour
All we got was bruised
But through all the sorrow
We were riding high
And the truth of the matter is
I had to let you go, let you go
You go down just like Holy Mary
Mary on a, Mary on a cross
Not just another Bloody Mary
Mary on a, Mary on a cross
If you choose to run away with me
I will tickle you internally
And I see nothing wrong with that
We were searching for reasons
To play by the rules
But we quickly found
It was just for fools
And after all the sorrow
We'll be riding high
And the truth of the matter is
I'll never let you go, let you go
You go down just like Holy Mary
Mary on a, Mary on a cross
Not just another Bloody Mary
Mary on a, Mary on a
You go down just like Holy Mary
Mary on a, Mary on a cross
Your beauty never ever scared me
Mary on a, Mary on a cross
If you choose to run away with me
I will tickle you internally
And I see nothing wrong with that
Nothing wrong with that
(Mary on a, Mary on a cross)
Nothing wrong with that
(Mary on a, Mary on a cross)
Mary on a, Mary on a cross

Spotify Link | Free DL

Ghost - Mary On A Cross (Glaceo Remix) [Free Download]

Artist: M.I.A.
Song: Paper Planes 
Remix: Phibes

Paper Planes

Paper Planes (Phibes Remix) | Edit Audio

Black Out Days (The Range Remix)

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

Follow ODESZA -
Spotify: https://found.ee/odesza-sp
Apple Music: https://found.ee/odesza-am
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#ODESZA #NinjaTune

In Return

Koto

Available on iTunes

ODESZA - Say My Name (RAC Mix)

Hear the entire RAC discography by subscribing to this Spotify playlist: http://found.ee/RACdiscog

Remix by André Allen Anjos.
Original by http://soundcloud.com/odesza ft. http://soundcloud.com/zyramusic
http://rac.fm

ORDER 'In Return' in 2xLP Vinyl, CD, 24-bit WAV, 16-bit WAV, and MP3 now at http://odesza.com

RAC ON TOUR - rac.fm/tour
Intro To RAC: http://smarturl.it/RACINTRO
RAC Discography: http://smarturl.it/RACDISCOGRAPHY

Follow RAC
http://rac.fm
http://twitter.com/rac
http://facebook.com/remixartistcollective
http://instagram.com/rac
http://soundcloud.com/rac

PRE-ORDER THE NEW ALBUM EGO: smarturl.it/RACEGO

RAC ON TOUR - smarturl.it/RACTOUR
SEP15 - Neumos, Seattle, WA
SEP16 - Wonder Ballroom, Portland, OR
SEP17 - The Imperial, Vancouver, BC
SEP20 - The Fonda, Los Angeles, CA
SEP22 - Life Is Beautiful Festival, Las Vegas, NV
SEP24 - Bluebird Theater, Denver, CO
SEP26 - Trees, Dallas, TX
SEP27 - Mohawk, Austin, TX
SEP29 - The Republic, New Orleans, LA
SEP30 - The Basement East, Nashville, TN
OCT1 - Terminal West, Atlanta, GA
OCT2 - Cat’s Cradle, Carrboro, NC
OCT4 - Paradise Rock Club, Boston, MA
OCT5 - Black Cat, Washington DC
OCT7 - Coda, Philadelphia, PA
OCT8 - Brooklyn Steel, Brooklyn, NY
OCT11 - Mod Club, Toronto, ON
OCT12 - Newport Music Hall, Columbus, OH
OCT13 - Metro, Chicago, IL

RAC MERCH - smarturl.it/RACSTORE

ODESZA - Say My Name (RAC Mix)

http://soundcloud.com/stint
http://facebook.com/stintmusic
http://twitter.com/ajbhattacharyya

Mind Over Matter (Stint Remix)

My remix for James Curd on 'Aeropop' - The home label of Aeroplane.

James Curd ft: Yeah Boy - Let's Bounce (Miguel Campbell Remix)

Thanks SO much to Billie's team for letting me upload this! Be sure to follow my socials to stay updated!

https://instagram.com/jerinjames
https://www.tiktok.com/@jerinjamesmusic
https://open.spotify.com/artist/33prJKckSKmSCV6FGnLvY2?si=Gk-PxnzdSpe1Y4P7_GLIbQ

Billie Eilish - Chihiro (Jerin James Remix)

Nosebleed (reupload)

'Stressed Out' is from the new album, Blurryface - available now on Fueled By Ramen. Get it on…

iTunes: www.smarturl.it/blurryface
Google Play: www.smarturl.it/blurryface-gp
Amazon: www.smarturl.it/blurryface-az
Spotify: www.smarturl.it/TOP-Spotify
Webstore: www.smarturl.it/top_store

Follow more from Twenty One Pilots
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http://twitter.com/davewinnel
https://soundcloud.com/dave-winnel

Twenty One Pilots - Stressed Out (Dave Winnel Remix)

I hope you enjoyed my piano cover of “Stargirl Interlude” by The Weeknd, Lana Del Ray. If you liked it please follow and let me know your thoughts in the comments!

✘ Download the MIDI right below the track!
✘ Check out the piano I use: http://amzn.to/2EMTSsi
✘ Grab all my piano sheet music: http://bit.ly/SheetMusicNiko
✘ Listen to my covers on Spotify: http://bit.ly/PianoNikoSpotify
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♫ Facebook - https://www.facebook.com/musicbyniko
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♫ Personal Website – http://www.musicbyniko.com

✘ Email: niko@musicbyniko.com

Please e-mail me any song requests and inquiries!

FREE MIDI PACK

Stargirl Interlude (Piano Cover) - The Weeknd, Lana Del Ray - Niko Kotoulas

Breezeblocks Stems - Drum Kit

Wild Cub - Straight No Turns

'No Time To Die' - By Billie Eilish, as played by Lawrence Brody (Trumpet)

'No Time To Die'

'No Time To Die' - James Bond Theme

Lover of the universe....
Art & Music. All Day, Everyday

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Black Out Days (The Range Remix)

PHANTOGRAM

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