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BlessMe

Official Rich Delinquent Merch
▶ shop.richdelinquent.com/ 
Subscribe To Rich Delinquent ▶www.youtube.com/channel/UCqqYjPDs7HaFfsntSW_7apg
Rich Delinquent:Spotif
▶open.spotify.com/artist/4HFJAhY2L…K9QiS1i76la-3yLw
Apple Music 
▶music.apple.com/au/artist/rich-de…nquent/1476117099
SoundCloud 
▶@richdelinquent
Instagram
▶instagram.com/richdelinquent
Facebook 
▶facebook.com/richdelinquent
Twitter 
▶twitter.com/richdelinquent

Free Download

Billie Eilish - NDA (Rich Delinquent Cover)

Afraid (Twice As Nice Remix)

Check out my Spotify playlist that's full of similar songs 💚
(https://open.spotify.com/playlist/7DlB6lYSYQb8LFrHxusoQq?si=5db02e7dcb0c42e0)
Song: Eyedress - Jealous 🎶
Credit goes to the owner of the music (@eyedress)
(*I only sped up the audio)

Jealous x Eren Yeager - Eyedress (sped up)

Montreal’s Black Atlass is a voice you can't forget, charting new territory somewhere in-between modern R&B, experimental electronic production, and classic singer/songwriter confessionals.

His debut single "Paris" was praised by music obsessives ("soulful, electronic-tinged tracks that tug at the heartstrings" - Stereogum), and high-end fashionistas alike, earning praise in Vogue and scoring Louis Vuitton ads while garnering the personal attention of everyone from Woodkid (who enlisted Black Atlass to open dates on his European tour) to Dior Homme (who invited BA to their Paris Fashion Week presentations and styled him for the front row). 

Beyond these blog props and style bonafides, however, there's substance in his music that sets Black Atlass apart from his contemporaries. It pulses all throughout the new Young Bloods EP, six tracks that more than live up to their title with knotty chords, unexpectedly muscular beats, and the ethereal vocals that tie it all together. From “Blossom’s” handclap funk and the D'Angelo worthy boom bap of "Free Angel" to the primal howl of distorted closer "Jewels," Young Bloods is the latest chapter in the story of a raw and electrifying new talent.

Follow @blackatlass
facebook.com/blackatlass
twitter.com/BlackAtlass

Sign up for The Goldmine to receive this release and others in HQ WAV format! drip.fm/foolsgoldrecs

Black Atlass - Free Angel

My debut album is finally out!

Check on bandcamp: 
http://boyoomconnective.bandcamp.com/album/friede-freude

Itunes: 
https://itunes.apple.com/us/album/friede-freude/id829466140 

Juno: 
http://www.junodownload.com/products/melodiesinfonie-friede-freude/2417701-02/

Google play:
https://play.google.com/store/music/album/Melodiesinfonie_Friede_Freude?id=B4kwbosmxhvku2nczwwuqena3g4


For the vinyl:
http://www.hhv.de/shop/de/artikel/melodiesinfonie-friede-freude-354691

Melodiesinfonie's music has been inspiring thousands of music lovers the past couple of years. He makes a clear statement of positivity with a sound which is nostalgic and very modern at the same time. He is all about spreading love and freeing spirits and he lets the music do the talking, because his beats speak for themselves as for his playful and pure approach to music. 
We are very excited and proud to present Melodiesinfonies not only first release on Boyoom Connective, but also his Debut Album available as a hard copy for all the vinyl lovers. "Friede Freude" which translates with "peace and joy" is a statement of a young talented musician who proves once again that a cheerful mind can create awesome music that will cheer up even the grumpiest soul. 

-Maloon TheBoom, feb 2014 ( Boyoom Connective ) 

Electric Relaxion II

Black Out Days (The Range Remix)

Lila_Forde_Vessel_v1

*Official Summer HARD Tour Release*

http://Midnight-Conspiracy.com

"Crimewave" music video edit: http://www.youtube.com/watch?v=IAbvGw1kPDM

MIDNIGHT CONSPIRACY

It's hard to keep up with the flurry of parties and releases coming from Chicago newcomers Midnight Conspiracy these past few months. Their first release, a synth-happy italo-banger version of Chromeo's "Night by Night", reached the #2 spot on Hype Machine's most popular charts and their second, turning Esser’s sleek pop anthem "Headlock" into a dreamy dubstep track, was featured on BBC Radio 1 on the Kissy Sell Out show. Following up performances at SXSW in Austin and WMC in Miami, as well as gigs across the Midwest, Midnight Conspiracy are back with their third offering -- an official Crystal Castles remix in support of the band's upcoming HARD Summer tour and new album slated for release in June. Adding what's becoming Midnight Conspiracy’s distinctive synth sound, they turn the indie-electro classic “Crimewave” into an italo-disco journey through space and time.

Crystal Castles - Crimewave (Midnight Conspiracy Remix) *Free Download*

'Stressed Out' is from the new album, Blurryface - available now on Fueled By Ramen. Get it on…

iTunes: www.smarturl.it/blurryface
Google Play: www.smarturl.it/blurryface-gp
Amazon: www.smarturl.it/blurryface-az
Spotify: www.smarturl.it/TOP-Spotify
Webstore: www.smarturl.it/top_store

Follow more from Twenty One Pilots
https://www.facebook.com/twentyonepilots
https://twitter.com/twentyonepilots

Follow more from Dave Winnel
https://www.facebook.com/davewinnelmusic
http://twitter.com/davewinnel
https://soundcloud.com/dave-winnel

Twenty One Pilots - Stressed Out (Dave Winnel Remix)

Follow me on Twitter ---> https://twitter.com/JorgenOdegard

For the last few months I've been working on nothing but originals, but a few people suggested I remix this, and I've been wanting to remix a TØP song for a few years, so I thought now would be the perfect time. I love this tune and hope to have done it justice as it was already flawless.

I can't wait to share all of the new music I've been working on.. I promise I have some special stuff in the vault.

♪ヽ(^^ヽ)♪	

- Jorgen

Heathens (Jorgen Odegard Remix) - Single

Twenty One Pilots - Heathens (Jorgen Odegard Remix)

I hope you enjoyed my piano cover of “Stargirl Interlude” by The Weeknd, Lana Del Ray. If you liked it please follow and let me know your thoughts in the comments!

✘ Download the MIDI right below the track!
✘ Check out the piano I use: http://amzn.to/2EMTSsi
✘ Grab all my piano sheet music: http://bit.ly/SheetMusicNiko
✘ Listen to my covers on Spotify: http://bit.ly/PianoNikoSpotify
✘ Subscribe to my YouTube channel: http://bit.ly/NikoYoutubeChannel
 
♫ Facebook - https://www.facebook.com/musicbyniko
♫ Instagram - https://www.instagram.com/musicbyniko/
♫ Twitter - https://twitter.com/nikokotoulas
♫ Personal Website – http://www.musicbyniko.com

✘ Email: niko@musicbyniko.com

Please e-mail me any song requests and inquiries!

FREE MIDI PACK

Stargirl Interlude (Piano Cover) - The Weeknd, Lana Del Ray - Niko Kotoulas

Billie Eilish - Bored (Yamill Remix)

Hey guys, I've been trying to post remixes but it's so hard now on Soundcloud. Like the track? Click the [↻ Repost] button!

Billie Eilish - Bored (Yamill Remix)

'No Time To Die' - By Billie Eilish, as played by Lawrence Brody (Trumpet)

'No Time To Die'

'No Time To Die' - James Bond Theme

https://FoolsGoldRecs.lnk.to/BlackAtlass

Armed with little more than his trusty keyboard and a soaring, ethereal voice, Montreal’s Black Atlass has created an entire world of music for when the lights go out. “Paris,” his hauntingly beautiful Fool’s Gold debut, filters classic melodies through perfectly sparse electronic production, resulting in an after-hours ballad for the ages. The single comes backed by an acoustic version that tugs at the heartstrings even harder, and marks the arrival of an important and unforgettable new talent.

Follow @blackatlass
facebook.com/blackatlass
twitter.com/BlackAtlass

Sign up for The Goldmine to receive this release and others in HQ WAV format! drip.fm/foolsgoldrecs

Black Atlass - Paris

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Black Out Days (The Range Remix)

PHANTOGRAM

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