Woozy

Starred

Vibes

🌺Indie Marmalade🥝

chillout house music

episode 1 from iamamiwhoami's third audiovisual album BLUE
http://towhomitmayconcern.cc/releases/twimc004

watch https://www.youtube.com/watch?v=bRazgMj_cfE

available in exclusive digital and physical formats from the TWIMC SHOP http://shop.towhomitmayconcern.cc/collections/iamamiwhoami-blue

BLUE

fountain

WANT

iamamiwhoami; fountain

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

Follow ODESZA -
Spotify: https://found.ee/odesza-sp
Apple Music: https://found.ee/odesza-am
Amazon Music: https://found.ee/odesza-aa
YouTube: https://found.ee/odesza-yt
Bandcamp: https://found.ee/odesza-bc
Soundcloud: https://found.ee/odesza-sc
Instagram: https://found.ee/odesza-ig
TikTok: https://found.ee/odesza-tt
Facebook: https://found.ee/odesza-fb
X (Twitter): https://found.ee/odesza-tw

#ODESZA #NinjaTune

In Return

Sun Models (feat. Madelyn Grant)

Available on iTunes

Nightlife

Don't Move

Out on 11.07.2014 @ Motor Records
Pre Order: http://smarturl.it/TimeAgain_iTunes
Video: http://youtu.be/7l1nijTC_yM

Jan Blomqvist - Time Again (Peer Kusiv Remix)

Like it? Please <3 heart it on Hypem :) http://hypem.com/track/2e6zw/De+Hofnar+X+Goodluck+-+Back+In+The+Day+(Radio+Edit)

Here it is! My newest single together with @goodluck, released on Armada Deep! Enjoy the perfect combination of beautiful vocals, synths and sax :) 

Official Music Video: https://www.youtube.com/watch?v=TrQHboEM8p8&feature=youtu.be

De Hofnar:
@de-hofnar 
www.facebook.com/hofnarmusic 
www.twitter.com/HofnarMusic

GoodLuck
@goodluck
www.facebook.com/goodlucklive 
www.twitter.com/goodlucklive 
www.instagram.com/goodluckmusic

Armada Deep:
Facebook: www.facebook.com/Armadadeep
Instagram: www.instagram.com/armadadeep
Twitter: www.twitter.com/ArmadaDeep




listen or download

De Hofnar X Goodluck - Back In The Day (Radio Edit)

Dancing Shoes

Cry for You

MNM Love Songs-The Wedding Edition

Can’t Get Better Than This (Radio Mix)

Why'd You Only Call Me When You're High?

Nothing but the Beat

Without You (feat. Usher)

Hurry Up, We're Dreaming

Wait

Our Love

Can't Do Without You

Midnight City

Bullit

Supermodel

Coming of Age

Good Feeling

Dancing People Are Never Wrong

Dancing People Are Never Wrong (feat. The Bianca Story)

shadowshow

chasing kites

Empty Floor

You Make Me Feel... (feat. Sabi)

The Mother We Share out now: http://po.st/TWMSiT

The Bones Of What You Believe out now. Standard: http://po.st/TBOWYB | Special: http://po.st/TBOWYBSpecial

http://chvrch.es/
https://facebook.com/CHVRCHES
https://twitter.com/chvrches
http://chvrches.tumblr.com/

The Bones Of What You Believe

The Mother We Share

"Satellite" from Guster's Live Acoustic Album. 
Live Acoustic is a collection of 16 recordings from Guster's Spring 2012 Acoustic Tour featuring the Guster String Players. 
Live Acoustic on iTunes: http://smarturl.it/i1vecb

Track Listing:

1. Backyard
2. Do You Love Me
3. Long Way Down
4. That's No Way To Get To Heaven
5. What You Call Love
6. Beginning Of The End
7. Diane
8. Rocketship
9. Empire State
10. Rise And Shine
11. Two Points For Honesty
12. Either Way
13. Satellite
14. Rainy Day
15. Hang On
16. This Could All Be Yours

Visit Guster on:
Web - http://www.guster.com/
Facebook - http://www.facebook.com/Gustermusic
Twitter - https://twitter.com/guster

Spotify: http://spoti.fi/7PoJV3
Merch: http://www.gustermerch.com

Guster - Satellite

sever

Home Under The Sky

Enjoy The Silence

https://phantogram.komi.io/

Fall In Love Again (HNTR Remix) Out Now
Move In Silence feat. @bigboi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Don't Move

PHANTOGRAM