Autumn ‘24 / Winter ‘25

Goth-Pop

DREAMGAZE

memory of a day

Minimal Synth-Pop

Post-Punk ⚙️ A Factory Town

🔫 DARKWAVE

"Talk Over Town" is taken from the new album 'Sound Of The Morning', out 8th July 2022 via Heavenly Recordings. Order the album HERE: https://ffm.to/kjp_sotm

Follow KATY J PEARSON:
https://www.facebook.com/katyjpearsonband
https://www.instagram.com/katyjpearsonband
https://twitter.com/katyjpearsonnn
https://open.spotify.com/artist/6xBsaFua2lgAUlNv8Yh0nQ?si=pvR-PhCHRZq1wGR0b8e97w

2022 Heavenly Recordings
https://heavenlyrecordings.com/

Talk Over Town

Twin Peaks - Baby Blue

In stores June 30 on 12" Digital in early July

The debut 12" from Vito & Druzzi (The Rapture) with remixes from Curses and PBR Streetgang

A1. Moon Temple

We're Starting to Look Like Each Other

Too Drunk to Drive

Jason Ross & Fairlane - Wake Up
Stream: https://listen.monstercatmusic.com/wakeup-9bm7

Upcoming Tour Dates and Merch: https://jasonrossofficial.com/

Follow Jason on Spotify: https://open.spotify.com/artist/6CCTvLyIHqUhY6VQizt150?si=p6M8pCXTSNWNMmfnXvwe6w

Follow Jason Ross
Instagram: 
http://instagram.com/jasonrossofficial
Facebook: 
https://www.facebook.com/groups/JasonRoss
Soundcloud:
https://soundcloud.com/jasonrossofficial
TikTok:  
https://www.tiktok.com/@jasonrossofficial
Twitter:
https://twitter.com/jasonrossofc
Spotify: 
https://open.spotify.com/artist/6CCTvLyIHqUhY6VQizt150?si=p6M8pCXTSNWNMmfnXvwe6w

Jason Ross & Fairlane - Wake Up

Memory Of A Day

Ashes

disappear (feat. artemis orion & dobi)

For their fifth album, ‘Memory of a Day,’ Sarah Barthel and Josh Carter – the creative tandem behind Phantogram – took some time to tee up the songs on the release, exclusively for SoundCloud. Inspired by their “existential conversations” about sense memory and our ephemeral time on Earth, the futuristic psych-pop duo feel like their latest album is “an awakening.” Listen now, only on SoundCloud.

Voice Notes: Phantogram on "Memory Of A Day" (Exclusive Commentary)

Voice Notes: Phantogram on "Attaway" (Exclusive Commentary)

Voice Notes: Phantogram on "Ashes" (Exclusive Commentary)

Waves

Limited 12": smarturl.it/BrettModeVinyl
Spotify: smarturl.it/ClaireDrainedSpotify
Apple Music: smarturl.it/ClaireDrainedBrett
___

Brett return with astral lead single, "Claire Drained," and news of their sophomore album, Mode. Across the record's 10 tracks, Brett's songwriting magic is undeniable. Pop jams come to life in 3D, swirling the senses and putting the mind into motion.

Unlike previous material, Mode inspirations are diverse, owing more to multimedia art than romance, namely Jean-Luc Godard’s recent film, Goodbye to Language. “The defining quote for me was: ‘For women, it's only sex and death. For men, it's only infinity and zeroes,’” said vocalist Mick Coogan. “It’s a fairly opaque statement, but I think the irony lies in assigning absolutes to human relationships, which can be so beautiful and inspiring. At the same time, the fundamental differences between men and women are very real and that shit is difficult to figure out.” In a more abstract way, the light installations of James Turrell also influenced the musical contours of the album. 

The album’s art was created as a large-scale painting by LA artist, Charley Alexander, using abstracted patterns, shapes and color scales, and then cut into 50 squares, each of which will be sold with limited edition pre-order copies of the vinyl record. 
___

Brett on FB: on.fb.me/1RqgOMp
Cascine on FB: on.fb.me/1eR1MsE

Mode

Brett - Claire Drained

Caveman

Pricey

'Fading Lines' is the second single & title track from Amber Arcades forthcoming album.

For album pre-orders & track listing: http://www.heavenlyrecordings.com/records/2016/03/hvnlp126-amber-arcades-fading-lines/



Fading Lines

The second single from New Zealand based duo, Daniel Marchbank and Sarah Ryland.

Follow BANK LAND:

Facebook: https://facebook.com/bnklndmusic
Instagram: https://instagram.com/banklandmusic
Twitter: https://twitter.com/banklandmusic
SoundCloud: https://soundcloud.com/bank-land

Nightfall

Download

Stream on YouTube: http://bit.ly/1Ypc64h
ǁSubscribe: http://bit.ly/1OqwP4b
ǁSoundCloud: http://bit.ly/1RzL0Cr
ǁFacebook: http://on.fb.me/1bLlpaQ
ǁTwitter: http://bit.ly/20G92Uy

✘ IAMPIGEON
Facebook: https://www.facebook.com/iampigeonofficial
SoundCloud: https://soundcloud.com/iampigeon

✘ Our Channels
Chill Trap: http://bit.ly/1g0qV3q
Future Beats: http://bit.ly/1vJwHlx
Jersey Club Music: http://bit.ly/1vyvEXB

<a href='https://theartistunion.com/tracks/b178d8'>Download for free on The Artist Union</a>

Future Bass Releases

FREE DL

IAMPIGEON - Hum Sum [Future Bass Release]

Taken from 'It's Immaterial' LP by Black Marble, out October 14, 2016.

Order at The Ghostly Store: http://www.theghostlystore.com/products/black-marble-its-immaterial
Or at the retailer of your choice: Ghostly.lnk.to/black-marble

It's Immaterial

Black Marble - Frisk

Our first full length album is now Spotify, iTunes, Apple Music, & Bandcamp.

We hope you love it!

rubyhaunt.com

xx
ruby haunt

DROWNING

Produced by Alex Greaves at The Nave and mastered by Brian Lucey (Arctic Monkeys, The Black Keys, The Shins)

It's True

Ophelia

Our Ritual

By the Hedge

Pleased to announce our second release will be Lunch Ladies' debut LP, "Down on Sunset Strip." The seven-track album is out now via all digital formats.

Lunch Ladies:

Matt Whitley
Cynthia Rittenbach
Matt Ramiz
Peter Gargano

facebook.com/LunchLadiesNJ/
http://lunchladies.bandcamp.com/album/down-on-sunset-strip
https://twitter.com/lunchladies666

Down on Sunset Strip

Love Is Overrated

Lunch Ladies - "Love Is Overrated"

Music & lyrics by Dean Valentino
Produced by James Freeman & Dean Valentino
Recorded & mixed by James Freeman at Big Sky Audio
Mastered by Dave Walker at Stepford Studio
Artwork by Sarah Ujmaia

Fernweh

Craft Spells // Talk about the Past

The Soft Moon // Lost Years

Rendered Armor 

Ritual Howls - The Offering

"Patience," the first single off of Carriers' debut album, "Now Is The Time For Loving Me, Yourself & Everyone Else", out August 23rd on x2 vinyl and digitally via Good Eye Records ~ smarturl.it/carriers.

~~~
Having played in several bands and touring throughout the US since, skipping college in the process, Cincinnati-based artist Curt Kiser has been meticulously crafting his proper debut as a songwriter in step with his own personal development. Adopting the moniker Carriers back in 2014, Kiser has worked with a collective of friends, including Bryan Devendorf (The National) and John Curley (The Afghan Whigs), to bring his sweeping rock visions to life.

Carriers’ debut LP, "Now Is The Time For Loving Me, Yourself & Everyone Else", is a testament to the power of self-reflection and is carefully layered, leaning on strong core songwriting, hypnotic synths and lush guitar tones from Kiser, mesmerizing percussion delivered by Devendorf, and nuanced, dynamic bass lines from Curley. The 9-track album evokes the same guitar-led grandeur of The War on Drugs as Kiser takes stock of life, death, relationships and gratitude for another day.

As Kiser details, “Overall it's about appreciating what we have and remaining present, while still being able to have an honest perspective of the past and our future. I’ve personally found a lot of peace in just working hard and staying focused on what I've got going on, trusting, rather than being consumed with striving. This record process has taught me a lot about patience. Life will continue to teach me to have more. I’m just trying to accept what happens and handle it the best I can. Patience is forever.”

Look for "Now Is The Time For Loving Me, Yourself & Everyone Else" out August 23rd via Good Eye Records.

Pre-order Vinyl

Carriers - "Patience"

New single from Cathedral Bells. Add it via your preferred platform here ~ smarturl.it/cathedral-bells

Add to your playlists

Cathedral Bells - "Eighth Wonder of the World"

This song is available for download at http://actors.bandcamp.com/track/forever


Forever

i see intention from miles away

shoutout lab group colleague @supertask

https://supertask.bandcamp.com/

photo by Dillan Villarreal

birds eye view (prod. by supertask)

The debut EP from Kid Astray.

Follow Kid Astray:

Facebook: https://www.facebook.com/kidastray
Twitter: https://twitter.com/kidastray
Instagram: http://instagram.com/kidastray
YouTube: http://youtube.com/kidastray

Easily Led Astray

The Mess

Buy on iTunes

This is the first single off Holograms' second full-length record 'Forever.' This record will be out September 3rd on Captured Tracks and  September 18th on Stranded Rekords (Sweden). 

Pre-order the album now on iTunes: http://goo.gl/AUGyA

Holograms // Flesh and Bone

fuck you charles

it was fun collabing with myself I am inanse
sample is kid cudi freestyling backstage at a show

kava (w charlesthefirst)

https://phantogram.komi.io/

Move In Silence feat. @bigboi Out Now 

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Memory Of A Day

PHANTOGRAM