Alternative 6

🫠Ur Sooo☆♡Awesome🤭

Mixtape #51: Autumn

Phantogram (shoegaze, electronic)

Phantogram Collection

Brand new music | 241023 | 50 trx 3 hrs

ANOTR, Bastion, Charli xcx, Coldplay, Culture Shock, DC3, Emba & Inigma, Flowdan, Glaive, InntRaw, Major Lazer, Naomi Cowan, Qwella, Silky, Skippa, Surfer Girl, Walter The Producer, The Weeknd, Visionobi, Yandel

Analysis | Night Flight 26
The 5 Most Forward-Thinking Tracks!

1. Major Lazer ft. Vybz Kartel – Nobody Move
A vibrant fusion of dancehall and electronic production, this track delivers a fresh take on the genre with a high-energy beat and captivating rhythms. Its innovative blend of digital sounds and island vibes sets a new precedent for cross-genre collaborations.

2. Phantogram – Move In Silence
Phantogram’s "Move In Silence" combines haunting, atmospheric production with driving bass, bringing an edgy, experimental take on alt-pop. The track’s dark, cinematic vibe and intricate textures reflect the growing influence of underground sounds on mainstream music.

3. Sophie Ellis-Bextor – Freedom Of The Night
Sophie Ellis-Bextor’s latest offering marks a bold departure into modern dance-pop with slick, synth-driven production and her unmistakable voice at the forefront. Its infectious energy and forward-thinking approach to 80s-style pop make it a standout track of the year.

4. Skeng n Skillibeng – Mawch
This collaboration between Skeng and Skillibeng blends heavy-hitting dancehall beats with cutting-edge production techniques, creating a bouncy yet gritty anthem. The raw, commanding energy and relentless flow of this track make it a trendsetter in the evolving dancehall scene.

5. Biig Piig – Decimal
Biig Piig’s unique blend of indie, electronic, and R&B on "Decimal" pushes genre boundaries with her dreamy yet bold vocals and glitchy beats. The track embodies a fresh take on alt-R&B, positioning Biig Piig as an exciting voice in modern, genre-defying music.

Night Flight | 2024 October, 23

#NightFlight26 #playlist #soundcloud

Night Flight 26

chill

In loving memory of Anthony Heureux.

Jetlag is a Brussels based duo combining deep, progressive house and UK Garage. Not only are they known for their unique sound but also their dj sets with live violin have a strong reputation. Dali came out as a free download and topped off the 200.000 plays on their SoundCloud page in only one year time. Atmosphere Records decided it was time for Jetlag to come out with their first Original EP. They teamed up with Stereoclip who through his music makes us discover a world of his own.

The original Dali has that voice that stands out. It will work on the dance floors as good as for home listening. The Dali remix contains Stereoclip's trademark with the slow tempo build up, he takes us on a journey through his musical universe. Last but not least Jetlag ends the EP with 'Something About You'. The marimba riff, the lyrics and the piano set the vibe, touching emotions that every listener can quickly connect to.

Tracklist
01. Jetlag – Dali (Original Mix) 
02. Jetlag – Dali (Stereoclip Remix) 
03. Jetlag – Something About You (Original Mix)


BEATPORT LINK :)

01. Dali (Original Mix) Feat. Moise & Luiz Marquez

CHECK OUT MY YOUTUBE CHANNEL FOR MORE NEW SOUNDS !! 
http://www.youtube.com/channel/UC5yKMyx6ppwT0mtFowFUguw

https://www.facebook.com/Crymeasong

https://soundcloud.com/chrismalinchak
https://www.facebook.com/chrismalinchak
https://twitter.com/chrismalinchak

Chris Malinchak - Call My Name

Sophie Powers - U Love It (Danny L Harle Remix) on Set Records!
Buy/Stream: https://sophiepowers.lnk.tt/ULoveItDLHWE

@SOPHIEP0WERS
- facebook.com/sophiep0wers
- twitter.com/sophiep0wers
- instagram.com/sophiep0wers

U Love It (Danny L Harle Remix)

SABIDURIA

Gogo Dance

Kingston Traffic

Kingston Traffic (Dub)

KARPEH

Fishtown

Better On Mute

Johnny Yukon - All Night
Stream/Download: https://johnnyyukon.lnk.to/AllNight

Follow Johnny Yukon: 
http://instagram.com/johnnyyukon
http://twitter.com/johnnyyukon
http://facebook.com/johnnyyukonmusic
http://soundcloud.com/johnnyyukon
https://www.tiktok.com/@johnnyyukonmusic

Stream/Download

All Night

Out Now: https://found.ee/Octagon-Discs-Superstylin

Buy/Stream

Groove Armada X Declan Knapp - Superstylin'

Awesome (feat. Baby Tate)

Come Alive

Memory Of A Day

Move In Silence

Attaway

I Wanna Know

Jealousy

Negative Spaces

the cost of giving up

Inhale / Exhale

Inhale

Arca, Tokischa - Chama

Guns Don't Kill People... Lazers Do

Nobody Move (feat. Vybz Kartel)

FLOWDAN - WELCOME TO LONDON (BANDEANIE BOOTLEG)

Brat and it’s completely different but also still brat

B2b featuring tinashe

Lovergirl

Everything is romantic featuring caroline polachek

Black Out Days

Black Out Days (Future Islands Remix)

"Conceptually this track is like reminiscing over the whole roller coaster ride that has been last year". Looking Back is out now! 

follow DROELOE
@DROELOEmusic
https://droeloe.com/
https://facebook.com/droeloemusic/
https://twitter.com/DROELOEMUSIC
https://www.youtube.com/droeloemusic
https://instagram.com/droeloemusic/

follow bitbird
https://bitbirdofficial.com
https://youtube.com/user/bitbirdofficial
http://bit.ly/bitbirdreleases
https://instagram.com/bitbird
https://facebook.com/bitbirdofficial
https://twitter.com/bitbird
http://bit.ly/bitbird-discord
🕊

Looking Back

💀STREAM/DL💀

DROELOE - Looking Back

hypem <3: bit.ly/weirdmachine-hypem
 
“The choice of following your dreams is tough to hold onto sometimes because there are so many distractions, influences and thoughts in your own head that will lead you astray from it. This EP is about trying to find the balance of having the urge to impact the world around you vs letting it have an impact on you.”

DROELOE's new EP 'The Choices We Face' is out now!
Get tickets for our The Choices We Face Tour now: https://droeloe.com/

follow DROELOE
@DROELOEmusic
https://droeloe.com/
https://facebook.com/droeloemusic/
https://twitter.com/DROELOEMUSIC
https://www.youtube.com/droeloemusic
https://instagram.com/droeloemusic/

follow bitbird
https://bitbirdofficial.com
https://youtube.com/user/bitbirdofficial
http://bit.ly/bitbirdreleases
https://instagram.com/bitbird
https://facebook.com/bitbirdofficial
https://twitter.com/bitbird
http://bit.ly/bitbird-discord

🕊

The Choices We Face

Weird Machine

DROELOE - Weird Machine (ft. Nevve)

"BLUE" out now: https://foundation-media.lnk.to/BLUE


Chorus
I lock up all my moods
I don’t know what to do 
And it seems like you do
I think I’m feeling you
But look how fast you move 
When I’m with you I’m cool 
But these days I’m just blue 

Verse 1
Always getting my wheels spinning 
my world turning, when you show up in it 
Loving me till good will ending 
You burn bridges, can’t follow through 
Leave me all alone too my thoughts of you
I got 99 problems and they all witchu, but still 
if hell called you I follow too but still these days 

Hook
I lock up all my moods
I don’t know what to do 
And it seems like you do
I think I’m feeling you
But look how fast you move 
When I’m with you I’m cool 
But these days I’m just blue 
But these days I’m just blue 
But these days I’m just blue 
But these days I’m just blue 
But these days I’m just blue 
But these days I’m just blue 

(Isaiah Eastman, Eric Ramey, Joseph Hill, Zachary Williams, Anthony Raglin, Brandon Harding)
Produced By Eric Ramey, J Hill & Z. Will
Recorded By Brandon Harding & J Hill  
Mixed by Brandon Harding & J Hill
Mastered By ARIA Mastering

@NOTFITFORSOCIETYINC

BLUE

Spotify: https://spoti.fi/2JFLr2J
Apple Music: https://apple.co/30yyjlw

@supmilesaway
www.youtube.com/channel/UCy_bbwPsSwNmdlYpExi9fYQ
www.instagram.com/supmilesaway
www.facebook.com/supmilesaway
twitter.com/supmilesaway

XYSM:
@xysm_xysm
instagram.com/iamxysm
facebook.com/XYSMmusic
twitter.com/IAMXYSM

Lyrics: https://genius.com/Miles-away-take-me-away-lyrics

[Verse 1]:
Take me away, Woah 
Take me away, Woah
Got me thinking I don't want you to feel no pain
I just wanna be there for the rest of your days
Take Me Away

Take Me Away

[Drop]

[Verse 2]:
Take me away
Take me away, Woah
Take me away, Woah
Got me thinking I don't want you to feel no pain
I just wanna be there for the rest of your days
Take me away, Woah
Take me away, Woah
Got me thinking I don't want you to feel no pain
I just wanna be there for the rest of your days
Take me away (Away,away)
Take me away

Take me away

[Drop]
Take me away
Take me away
Take me away
Away, away, away
Take me away

Miles Away - EP

Stream

Take Me Away (feat. XYSM)

aloha

bbbaby

how i'm feeling now

party 4 u

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Move In Silence

PHANTOGRAM