all songs jan 2022_part9

Apathy_part3

Phantogram

The songs you loved most this year, all wrapped up.

Your Top Songs 2017

end of summer 2017

Starred - part 3

Favorites_part3

Sylvan Esso

Coffee

Eyelid Movies

Bloody Palms

As Far As I Can See

When I'm Small

Running From the Cops

YouTube*~*~* http://smarturl.it/TeiShiYouTube

Verde EP & Tour Dates *~* www.tei-shi.com

iTunes*~* http://smarturl.it/TeiShiApple

Co-produced by Gianluca Buccellati & Tei Shi

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teishimusic@gmail.com

Verde

Bassically

iTunes*~*

BASSNECTAR - DIVERGENT SPECTRUM - AUGUST 2, 2011

Available in Digital, Limited CD and Double Vinyl
Presale offers available at www.bassnectar.net from July 19th



Divergent Spectrum

After Thought

Mess Is Mine

Mer De Noms

Rose

Thirteenth Step

Magdalena

Judith

The Hollow

The Great Adventures Of Slick Rick

Children's Story

Get Rich Or Die Tryin'

Many Men (Wish Death)

Wild And Peaceful

Hollywood Swinging

The One In The Sun

Siren

In Utero

Tourette's

Live at Reading

Tourette's (1992/Live at Reading)

Tourette's (2013 Mix)

Nevermind

Territorial Pissings (Live At The Paramount)

Territorial Pissings (Devonshire Mix)

You Don't Get Me High Anymore (Official Audio) 
Available on the new album THREE

Purchase/Stream -
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Amazon: http://republicrec.co/PhantogramThreeAZ
Spotify: http://republicrec.co/PhantogramThreeSP

See all Phantogram tour dates at: http://republicrec.co/PhantogramTour

Follow Phantogram on:
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SoundCloud: http://republicrec.co/PhantogramSC
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Three

You Don’t Get Me High Anymore

Cruel World (Official Audio)
Available on the new album THREE

Purchase/Stream -
iTunes: http://republicrec.co/PhantogramThree
Apple: http://republicrec.co/PhantogramThreeAM
Physical: http://republicrec.co/PhantogramShop
Google Play: http://republicrec.co/PhantogramThreeGP
Amazon: http://republicrec.co/PhantogramThreeAZ
Spotify: http://republicrec.co/PhantogramThreeSP
See all Phantogram tour dates at: http://republicrec.co/PhantogramTour

Follow Phantogram on:
Facebook: http://republicrec.co/PhantogramFB
Twitter: http://republicrec.co/PhantogramTW
Instagram: http://republicrec.co/PhantogramIG
Spotify: http://republicrec.co/PhantogramSP
YouTube: http://republicrec.co/PhantogramYT
SoundCloud: http://republicrec.co/PhantogramSC
Tumblr: http://republicrec.co/PhantogramTumblr

Cruel World

Moondance

Into the Mystic (2013 Remaster)

Rican Beach

What Now

Die Young

The Order Of Time

Man Done Wrong

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Genre: #Trap

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Breakout (feat. Foreign Beggars)

🎧 Stream / Download

Noisestorm - Breakout (feat. Foreign Beggars)

Music Platforms:
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Featuring: Steven Rose
Executive Engineer: CarlitoDoItWell
Executive Producer: Poloboy 81
Art Director: Tears By Past
Lyrics: James William Awad & Steven Awad

© TripleOne Inc - 2020

I Feel Better Alone

Made It Bigger

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

Running From the Cops

PHANTOGRAM