all songs jan 2022_part9

Apathy_part3

Phantogram

The songs you loved most this year, all wrapped up.

Your Top Songs 2017

1025

skreem

My Playlist #6 - Part 1

Eyelid Movies

Bloody Palms

As Far As I Can See

When I'm Small

Breezeblocks

Crystal Visions...The Very Best of Stevie Nicks

Edge of Seventeen

Mess Is Mine

The Great Adventures Of Slick Rick

Children's Story

Parachutes

Sparks

Get Rich Or Die Tryin'

Many Men (Wish Death)

Wild And Peaceful

Hollywood Swinging

The One In The Sun

Siren

In Utero

Tourette's

Live at Reading

Tourette's (1992/Live at Reading)

Tourette's (2013 Mix)

Nevermind

Territorial Pissings (Live At The Paramount)

Territorial Pissings (Devonshire Mix)

Can't Buy A Thrill

Do It Again

You Don't Get Me High Anymore (Official Audio) 
Available on the new album THREE

Purchase/Stream -
iTunes: http://republicrec.co/PhantogramThree
Apple: http://republicrec.co/PhantogramThreeAM
Physical: http://republicrec.co/PhantogramShop
Google Play: http://republicrec.co/PhantogramThreeGP
Amazon: http://republicrec.co/PhantogramThreeAZ
Spotify: http://republicrec.co/PhantogramThreeSP

See all Phantogram tour dates at: http://republicrec.co/PhantogramTour

Follow Phantogram on:
Facebook: http://republicrec.co/PhantogramFB
Twitter: http://republicrec.co/PhantogramTW
Instagram: http://republicrec.co/PhantogramIG
Spotify: http://republicrec.co/PhantogramSP
YouTube: http://republicrec.co/PhantogramYT
SoundCloud: http://republicrec.co/PhantogramSC
Tumblr: http://republicrec.co/PhantogramTumblr

Three

You Don’t Get Me High Anymore

'Aldo Raine' by Fouk comes from their latest EP called 'Whiskey Ginger' on the label Razor-N-Tape. The track carries a lush sound with sultry, groovy undertones. It's a fresh and warm welcome to summery open air sessions. 

'Whiskey Ginger EP' was released today, 25th July, 2016 on Razor -N-Tape reserve. 

Fouk: @justsayfouk || Razor-N-Tape: @razor-n-tape

Getting Deeper: @getting-deeper || www.facebook.com/getting-deeper || www.gettingdeeper.com


RNTR012 

Premiere: Fouk - Aldo Raine [Razor-N-Tape Reserve]

Cruel World (Official Audio)
Available on the new album THREE

Purchase/Stream -
iTunes: http://republicrec.co/PhantogramThree
Apple: http://republicrec.co/PhantogramThreeAM
Physical: http://republicrec.co/PhantogramShop
Google Play: http://republicrec.co/PhantogramThreeGP
Amazon: http://republicrec.co/PhantogramThreeAZ
Spotify: http://republicrec.co/PhantogramThreeSP
See all Phantogram tour dates at: http://republicrec.co/PhantogramTour

Follow Phantogram on:
Facebook: http://republicrec.co/PhantogramFB
Twitter: http://republicrec.co/PhantogramTW
Instagram: http://republicrec.co/PhantogramIG
Spotify: http://republicrec.co/PhantogramSP
YouTube: http://republicrec.co/PhantogramYT
SoundCloud: http://republicrec.co/PhantogramSC
Tumblr: http://republicrec.co/PhantogramTumblr

Cruel World

Moondance

Into the Mystic (2013 Remaster)

Rotten Pumpkin - Single

Rotten Pumpkin

Rican Beach

Gems EP

Play That Funky Music

FREE DOWNLOAD

"Buena Vista" is finally out guys ! Thanks to all of you for your support on this release so far. It means a lot to us.

Check the whole thing here >>> https://lnk.to/Saib-BuenaVista

saib.
» soundcloud.com/saib_eats
» www.facebook.com/saib.beats
» http://saibeats.bandcamp.com
» www.instagram.com/saib_eats
» twitter.com/saib_beats

Free Download

saib. - Sakura Trees

Over Easy

Harvard

🎧 Support on all platforms: https://Monstercat.lnk.to/Breakout

▼ Follow Monstercat
Spotify: https://monster.cat/2biZbkd
Apple: https://apple.co/2xiKWTO
Facebook: https://facebook.com/monstercat
Twitter: https://twitter.com/monstercat
Instagram: https://instagram.com/monstercat

▼ Follow Noisestorm
Facebook: https://facebook.com/noisestorm
Twitter: https://twitter.com/noisestormmusic
Instagram: https://instagram.com/noisestorm
SoundCloud: https://soundcloud.com/noisestorm

▼ Follow Foreign Beggars
Facebook: https://facebook.com/foreignbeggars
Twitter: https://twitter.com/foreignbeggars
Instagram: https://instagram.com/foreignbeggars
SoundCloud: https://soundcloud.com/foreignbeggars

Genre: #Trap

▼ Want some new Merchandise?
https://monster.cat/MonstercatShop

▼ Download with Gold!
https://monster.cat/goldyt

▼ Submit to Monstercat!
http://monster.cat/demo-submissions

Breakout (feat. Foreign Beggars)

🎧 Stream / Download

Noisestorm - Breakout (feat. Foreign Beggars)

Death to the Pixies

Where Is My Mind?

channel ORANGE

Super Rich Kids (feat. Earl Sweatshirt)

Treat You Better

RÜFÜS DU SOL - Treat You Better [BIMINI Cover]

Music Platforms:
https://www.james.com

Connect with James Tonic:
https://www.instagram.com/senior
https://www.soundcloud.com/jamestonic
https://www.facebook.com/jamestonicofficial
https://www.twitter.com/realjamestonic

Featuring: Steven Rose
Executive Engineer: CarlitoDoItWell
Executive Producer: Poloboy 81
Art Director: Tears By Past
Lyrics: James William Awad & Steven Awad

© TripleOne Inc - 2020

I Feel Better Alone

Made It Bigger

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

When I'm Small

PHANTOGRAM