From the album KITTY HAWK Deluxe.

Learn more at:  http://www.kitheory.com

Buy on iTunes

Open Wound (ODESZA Remix)

From the Glass Animals GOOEY EP out now. Order on vinyl here: po.st/GooeyVinyl

Download on iTunes here: po.st/GooeyitunesSC

Follow Glass Animals online

Site: po.st/glassanimalsweb
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Gooey

Gooey (Gilligan Moss Remix)

Download on iTunes

Free Download Here - http://www.hernameisbanks.com/post/89758580423/free-glass-animals-remix-of-drowning

Drowning Available on iTunes HERE: smarturl.it/BANKS_iTunesDLX
Drowning Available on Spotify HERE: open.spotify.com/artist/2xe8IXgCTpwHE3eA9hTs4n

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@banksbanksbanks
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Goddess

Drowning (Dave Glass Animals Remix)

Free Download

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

Follow ODESZA -
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Apple Music: https://found.ee/odesza-am
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#ODESZA #NinjaTune

Light

Light (feat. Little Dragon)

Celestia (Rock Mix)

You Don't Get Me High Anymore (A-Trak Remix) featuring Joey Purp

You Don't Get Me High Anymore

You Don’t Get Me High Anymore (A-Trak Remix) [feat. Joey Purp]

Fall In Love

Fall In Love (Until The Ribbon Breaks Reimagination)

Flume & Moses Sumney - Weekend (Beauvois Cover)

“City of Sound" is Big Wild’s newest single, taken from his debut album 'Superdream', out February 1, 2019 on Counter Records: https://bigwild.lnk.to/superdreamSo

"City of Sound" is available worldwide on all download and streaming platforms now: https://bigwild.lnk.to/citySo

Big Wild Fall 2019 Superdream Tour Dates:
Tickets available at: https://bigwildmusic.com/shows 
10/17/19 – St. Louis, MO – Delmar Hall
10/18/19 – Fayetteville, AR – George’s Majestic Lounge
10/19/19 – Oklahoma City, OK – Tower Theatre
10/23/19 – Austin, TX – Emo’s *SOLD OUT
10/24/19 – Dallas, TX – House of Blues
10/24/19 – 10/27/19 – Suwannee Hulaween  - Live Oak, FL
10/25/19 – Houston, TX – House of Blues
10/25/19 – 10/27/19 – Voodoo Festival – New Orleans, LA
10/30/19 – Tuscaloosa, AL – Druid City Music Hall
10/31/19 – Nashville, TN – Marathon Music Works
11/01/19 – Raleigh, NC – The Ritz
11/02/19 - Richmond, VA – The National
11/06/19 – South Burlington, VT – Higher Ground Ballroom
11/07/19 – Portland, ME – State Theatre
11/08/19 – Montreal, QC – L’Astral*
11/09/19 – Toronto, ON – Danforth Music Hall
11/12/19 – Grand Rapids, MI – 20 Monroe Live
11/13/19 – Columbus, OH – The Bluestone
11/14/19 – Madison, WI – The Sylvee
11/20/19 – Missoula, MT – The Wilma
11/21/19 – Boise, ID – Knitting Factory
11/22/19 – Seattle, WA – Showbox SoDo
11/24/19 – Wonderfront Music Festival – San Diego, CA
11/30/19 – San Francisco, CA – Bill Graham Civic Auditorium
1/22/20 – 1/26/20 – Holy Ship! Wrecked – Punta Cana, DO

Follow Big Wild: 
Instagram: http://found.ee/bigwild-ig 
Facebook: http://found.ee/bigwild-fb 
Spotify: http://found.ee/bigwild-sp 
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Youtube: http://found.ee/bigwild-yt 
Soundcloud: http://found.ee/bigwild-sc 

Lyrics:
Don’t turn away
Follow me
Empty your lungs
As we shout to the stars
Say your grace
In the city of sound

I said don’t turn away
Follow me
Empty your lungs
As we shout to the stars
Say your grace
In the city of sound

Say your grace
In the city of sound

Say your grace
In the city of sound

Voices in the halls
Echo on
Into the night
As we break
Down the walls
Say our grace
In the city of sound

I said don’t turn away
Follow me
Empty your lungs
As we shout to the stars
Say your grace
In the city of sound

Voices echo down the concrete halls
Voices echo down the concrete halls
Voices echo down the concrete halls
Voices echo down the concrete halls
Voices echo down the concrete halls
Voices echo down the concrete halls
Voices echo down the concrete halls
Voices echo down the concrete halls

Say your grace
In the city of sound

Say your grace 
In the city of sound

Say your grace
In the city of sound

Say your grace
In the city of sound

Superdream

City of Sound

Taken from the album 'Superdream', out now on Counter Records: https://bigwild.lnk.to/superdreamSo
 
Spring 2019 Superdream Tour Tickets: http://bigwildmusic.com
 
Spring 2019 Superdream Tour Dates:
 
3/6/19 - The Observatory - Santa Ana, CA
3/7/19 - The Observatory North Park - San Diego, CA
3/8/19 - The Novo - Los Angeles, CA
3/9/19 - The Catalyst – Santa Cruz, CA
3/10/19 - Ace of Spades - Sacramento, CA
3/13/19 - Arcata Theatre - Arcata, CA
3/14/19 - McDonald Theater - Eugene, OR
3/15/19 - Roseland Theater - Portland, OR
3/16/19 - Commodore Ballroom - Vancouver, BC
3/20/19 - First Avenue - Minneapolis, MN
3/21/19 - Turner Hall Ballroom - Milwaukee, WI
3/22/19 - Concord Music Hall - Chicago, IL
3/23/19 - Majestic Theatre - Detroit, MI
3/27/19 - Royale - Boston, MA
3/28/19 - Theatre of Living Arts - Philadelphia, PA
3/29/19 - 9:30 Club - Washington, D.C.
3/30/19 - Terminal 5 - New York City, NY

No Words

Stream + Download: https://orcd.co/strange

@mickeykojak
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ALT:Vision Records
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Strange

Stream + Download

https://phantogram.komi.io/

Fall In Love Again (Desmond Remix) Out Now
Move In Silence feat. Big Boi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

You Don’t Get Me High Anymore (A-Trak Remix) [feat. Joey Purp]

PHANTOGRAM