Name: You Don’t Get Me High Anymore (A-Trak Remix) [feat. Joey Purp] by PHANTOGRAM in Ride. Faster.
Duration: 4 min 25 s
Description: You Don't Get Me High Anymore (A-Trak Remix) featuring Joey Purp

this goes out to all the xoxependant snixhes.  we are the monster staring back.  thats the abyss.  alexa.  alexa.  get me high.  alexa.  fetch me happiness.

🎧 Oh.. lots of messages on here! Great tune!💥💖

Ride. Faster.

'In Return (10 Year Anniversary Edition)', out now on Ninja Tune: https://odesza.lnk.to/in-return-10So

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#ODESZA #NinjaTune

In Return

Sun Models (feat. Madelyn Grant)

Available on iTunes

Free Download Here - http://www.hernameisbanks.com/post/89758580423/free-glass-animals-remix-of-drowning

Drowning Available on iTunes HERE: smarturl.it/BANKS_iTunesDLX
Drowning Available on Spotify HERE: open.spotify.com/artist/2xe8IXgCTpwHE3eA9hTs4n

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Goddess

Drowning (Dave Glass Animals Remix)

Free Download

It’s Only (feat. Zyra)


Follow Parrad :
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Mixed by Thomas Atom (http://bit.ly/ArcadesPlaylist)
Mastered by Damien Bolo (http://bit.ly/SpectrumStudio)
Artwork by Ursidae Studio (bit.ly/UrsidaeStudio)

FREE DOWNLOAD

Phoenix - Lisztomania (Parrad Remix)

You Don't Get Me High Anymore (A-Trak Remix) featuring Joey Purp

You Don't Get Me High Anymore

You Don’t Get Me High Anymore (A-Trak Remix) [feat. Joey Purp]

"When I Get There" from Big WIld's 'Invincible' EP
Released Feb 10, 2017 on @foreignfamily

Invincible Tour 2017 tickets are on sale now! 
Tickets here: bigwild.co/invincibletour

INVINCIBLE TOUR 2017
3/10 - 3/11 - New Orleans, LA @ Buku Music Festival
3/16 – Vancouver, BC @ VENUE
3/17 – Portland, OR @ Wonder Ballroom 
3/18 – Seattle, WA @ The Showbox 
3/19 – Eugene, OR @ W.O.W. Hall 
3/24 – San Francisco, CA @ Regency Ballroom 
3/25 – Los Angeles, CA @ The Fonda Theatre
3/26 - San Diego, CA @ Quartyard
3/29 – Santa Ana, CA @ The Observatory 
3/31 – Salt Lake City, UT @ Urban Lounge 
4/01 – Englewood, CO @ Gothic Theatre 
4/05 – Minneapolis, MN @ Fine Line Café 
4/06 – Madison WI @ Majestic Theatre 
4/07 – Chicago, IL @ Concord Music Hall 
4/08 – Detroit, MI @ Majestic Theatre 
4/09 – Grand Rapids, MI @ The Pyramid Scheme 
4/12 – Philadelphia, PA @ The Foundry
4/13 – Boston, MA @ The Sinclair 
4/15 – Brooklyn, NY @ Music Hall of Williamsburg
4/20 – Washington, D.C. @ U Street Music Hall 
4/21 – Asheville, NC @ The Orange Peel 
4/22 – Atlanta, GA @ Terminal West 
4/26 – Tuscaloosa, AL @ Druid City Music Hall 
4/27 – Tallahassee, FL @ Club Downunder
4/28 – Orlando, FL @ The Social 
4/29 – Tampa, FL @ Crowbar
5/02 - Oxford, MS @ Proud Larry's
5/03 - Nashville, TN @ Exit/In
5/04 - Fayetteville, AR @ George's Majestic Lounge
5/5 - 5/7 - Todd Mission, TX @ Middlelands Festival
5/24 - 5/28 - Bradley, CA @ Lightning In A Bottle Festival
June 15 - June 18 @ Dover, DE @ Firefly Music Festival
June 22 - June 25 - Rothbury, MI @ Electric Forest Festival
June 24 - Herber City, UT @ Bonanza Campout Festival
June 29 - July 2 - Rothbury, MI @ Electric Forest Festival

Big Wild:
@bigwild
facebook.com/bigwildmusic
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instagram.com/bigwildmusic

Foreign Family Collective:
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Download / Stream

When I Get There

The new album 'A Moment Apart’ out now: http://odesza.co/a-moment-apart
 
2017 A Moment Apart Tour 
Sun, Sep 3 - Seattle, WA - Bumbershoot
Thu, Sep 14 - Auckland, NZ - Great Hall@
Fri, Sep 15 - Melbourne, AU - Forum@
Sat, Sep 16 - Sydney, AU - Enmore Theatre@
Sun, Sep 17 - Sydney, AU - Enmore Theatre@
Fri, Sep 29 - London, UK - O2 Forum Kentish Town#
Sat, Sep 30 - Paris, FR - Élysée Montmartre#
Tue, Oct 3 - Brussels, BE - AB Main Hall#
Wed, Oct 4 - Amsterdam, NL - Paradiso#
Thu, Oct 5 - Amsterdam, NL - Paradiso#
Sat, Oct 7 - Berlin, DE - Astra Kulturhaus#
Thu, Oct 19 - San Diego, CA - Valley View Casino Center*+
Fri, Oct 20 - Los Angeles, CA - STAPLES Center*
Sat, Oct 21 - Las Vegas, NV - Downtown Las Vegas Events Center
Sun, Oct 22 - Phoenix, AZ - Lost Lake Festival
Tue, Oct, 24 - Santa Barbara, CA - Santa Barbara Bowl*+
Thu, Oct 26 - Berkeley, CA - Greek Theatre*+
Fri, Oct 27 - Berkeley, CA - Greek Theatre*+
Sat, Oct 28 - Berkeley, CA - Greek Theatre*+
Tue, Oct 31 - Sacramento, CA - Papa Murphy's Park at Cal Expo*^
Thu, Nov 2 - Portland, OR - Veterans Memorial Coliseum*^
Fri, Nov 3 - Vancouver, BC - PNE Forum*^
Sat, Nov 4 - Vancouver, BC - PNE Forum*^
Wed, Nov 8 - Minneapolis, MN - Myth*^
Thu, Nov 9 - Minneapolis, MN - Myth*^
Fri, Nov 10 - Madison, WI - Alliant Energy Center*^
Sat, Nov 11 - Chicago, IL - UIC Pavilion*%
Mon, Nov 13 - Grand Rapids, MI - 20 Monroe Live*%
Tue, Nov 14 - Detroit, MI - Masonic Temple*%
Fri, Nov 17 - Montreal, QC - Metropolis*%
Sat, Nov 18 - Montreal, QC - Metropolis*%
Mon, Nov 20 - Philadelphia, PA - Electric Factory*%
Tue, Nov 21 - Philadelphia, PA - Electric Factory*%
Wed, Nov 22 - Philadelphia, PA - Electric Factory*%
Fri, Nov 24 - Washington, DC - The Anthem*%
Mon, Dec 11 - Boston, MA - House Of Blues Boston*
Fri, Dec 15 - Brooklyn, NY - Barclays Center*
 
*with SOFI TUKKER 
#with Hayden James and MUTO
@with The Kite String Tangle and Running Touch
%with Louis Futon 
+with Chet Porter 
^with Kasbo 
 
Follow ODESZA 
Website: http://odesza.co/official
Facebook: http://odesza.co/facebook
Twitter: http://odesza.co/twitter
Instagram: http://odesza.co/instagram
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Meridian

Buy Now

Higher Ground

Higher Ground (feat. Naomi Wild)

Fall In Love

Fall In Love (Until The Ribbon Breaks Reimagination)

An eclectic mix of blues, jazz, electro swing, middle eastern, and world music.
TRACKLIST:
Lena Chamamyan - Ya Mayla Al Ghusson (Pushloop Bootleg)
Mad Zach - Cyberlab
WALA and Devin Kroes - Sapna
WALA and Devin Kroes - Zaidie
Drumspyder - Ice Queen
C2C - Down the Road
filous & MOUNT - Emelie feat. Buster Moe
Portugal. the Man - Feel It Still (ZHU Remix)
Gotan Project - La Gloria
Otros Aires - Allerdings
Gotan Project - Mi Confesion
Mr. Scruff - Get a Move On
St. Germain - Rose Rouge
Nico Stojan - Ginkhoe
Quantic - Transatlantic
KR3TURE - I Wanna Be Like You
Russ Liquid - Empty Without You
feral fauna - Tincture
Two Feet - Go Fuck Yourself (KR3TURE Flip)
KR3TURE - Anthropocene

Gypsy Bass (Santa Cruz ElectroSwing)

Hannah and I wrote Let You Know last summer. I was on a writing trip to London, was actually the same trip where I first met slowthai. Had been wanting to make something with Hannah for a long time and this one just came together really naturally in the studio that day!
-Harley

Stream/Download 'Let You Know' feat. London Grammar: http://flu.me/LetYouKnow

Spotify: http://flu.me/LetYouKnow/Spotify
Apple Music: http://flu.me/LetYouKnow/AppleMusic
YouTube: http://flu.me/LetYouKnow/YouTube

Stream ‘Hi This Is Flume' (Mixtape): http://flu.me/HiThisIsFlume
Spotify: http://flu.me/HiThisIsFlume/Spotify
Apple Music: http://flu.me/HiThisIsFlume/AppleMusic
Pre-order vinyl: https://flu.me/Store

Follow Flume
Facebook: https://www.facebook.com/flumemusic 
Instagram: https://www.instagram.com/flume 
Twitter: https://twitter.com/flumemusic
YouTube: https://flu.me/YouTube
Spotify: https://flu.me/Essentials
Apple Music: https://flu.me/AppleMusic

Follow London Grammar
Facebook: https://www.facebook.com/londongrammar
Instagram: https://www.instagram.com/londongrammar
Twitter: https://twitter.com/londongrammar
YouTube: https://www.youtube.com/channel/UC1oCOqdqlNDz5Sxnlk08ZrQ

Stream/Download

Let You Know (feat. London Grammar)

In My Mind

In My Mind (feat. Ecca Vandal)

From Flume's debut album. Download the Deluxe Version on iTunes here:
http://smarturl.it/flume_deluxe

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Insane feat. Moon Holiday

Whethan - 'Fantasy' Out Now!
Stream/download: whethan.lnk.to/FantasyID

Follow Whethan:
http://whethan.com
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Follow STRFKR:
http://strfkr.com
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Download/Stream

Stay Forever (feat. STRFKR)

Don't you humans understand? You are truly divine!

GLITCH

https://phantogram.komi.io/

Fall In Love Again (HNTR Remix) Out Now
Move In Silence feat. @bigboi Out Now

Sparked by a color or song that recalls the most joyful and tragic moments in your life, a sense memory vaults you into the distant past. These subtle triggers remind us that memory isn’t confined to the mind; it lives in the body, too. Phantogram’s fifth album, Memory of a Day, captures that disorienting sense of time travel. “We put these songs together as a capsule, thinking about how a certain sound or melody can bring you back instantly to a memory of a day,” Phantogram says. 

While they were recording, the duo fixated on life calendars, a gridded sheet in which each unit represents a single week of a person’s life on the planet. As you fill in the grid, you witness the progression of your life in stark terms. The older you get, the darker the grid becomes, reminding you of how much time you have lived, and how little you may have left. “It’s this exploded view,” Phantogram says. “Like an image of Earth from a distance.” The life calendar is both morbid and nostalgic, a physical representation of our ephemeral time on Earth. 

“Days are only numbers,” Sarah Barthel sings on the chorus of “Come Alive.” That lyric became a north star for the duo as they set forth to make Memory of a Day. At once heavy and ebullient, “Come Alive” distills the lasting impact Phantogram has made on popular culture. Since their 2010 debut, Eyelid Movies, Phantogram has been comparable to no one, futurists who still manage to stay ahead of the curve more than a decade into their career. Their genre-bending approach to pop has led them to work with everyone, from Big Boi, with whom they founded Big Grams, to Subtronics, Future Islands, Deftones, the Flaming Lips, Tom Morello, and Miley Cyrus, to name just a few. A festival staple across the globe, Phantogram has also toured with Queens of the Stone Age, Arcade Fire, the XX, and many more. “We’ve always been proud of that: not being afraid of the experimental.”

Though their music has always been future-facing, to make Memory of a Day, Phantogram looked back. “Recording this album, it felt like how it did when we first started making music together,” Phantogram says. Alongside special collaborators like Mikky Ekko and Dan Wilson, Phantogram was joined in the studio by producer John Hill, who helmed Phantogram’s second album, Voices. The duo experimented in the studio and indulged in the music that brought them together in the beginning, artists such as J Dilla, Prince, Slowdive, and so much more. They reference new wave acts like the Talking Heads, ESG, and Liquid Liquid as influences on the percussive punk track “Feedback Invisible,” which is followed by the wistful burst of color “Attaway.” It’s a shoegaze song so sumptuous “you can almost see the grain in the guitar sounds.” 

Phantogram think in images when they write, drawing on scenes from films that linger with them years on. “Ever since Eyelid Movies, our work has been visually driven,” Phantogram says. In the video for the fuzzed-out waltz “All a Mystery,” snippets of human lives coalesce into a montage of experience. “Erase all the tapes in my mind/ Throw them all away,” Barthel sings, accompanied by a bittersweet swell of synths. “Turn back the tables of time/ Let all those memories die.” A swirl of memories, both triumphant and tragic, surface on Memory of a Day. “Come Alive” was written after Barthel experienced a transformative live show on her own, while the title track recounts the moment Josh Carter had to put his dog down. “It’s what you wanted, but couldn’t say,” he sings. “I’m not afraid of dying or what it feels like”

The album’s penultimate track, “Happy Again,” is a thrumming, bass-heavy rock song with a chorus that sounds like a wave crashing against the sand. “Another empty summer sunset/ Feeling homesick,” Barthel sings ahead of the bridge, her voice catching on the breezy, luminous production. “Can you believe this is your life?” It’s a moment of realization Phantogram compares to the dour scene in Forrest Gump, where Lieutenant Dan, “mega depressed and drunk,” throws a bummer New Year’s Eve party. Still, the song ends with an enlivening mantra. “I can be happy again,” Barthel repeats as guitars careen and crash. If days are only numbers, then how else can a person measure a life? On “Ashes,” the answer seems to be in moments of resilience. Based on the adage “you came into this world alone and you’ll leave it alone,” the throbbing production infused with elements of trip hop, shoegaze and indie accompanies Barthel as she reminds the listener: “Ashes rise, ashes rise.”

When they penned the lyrics, Phantogram thought of the mythical phoenix spreading its wings after catastrophe to take flight. The vulnerable, even despairing moments on Memory of a Day are stark, but they’re buoyed by a relentless optimism that has driven this project from the outset. In the Los Angeles studio where they recorded Memory of a Day, Phantogram often marveled at the distance they’ve come, both physically and spiritually, since they first started making music together in a barn in Upstate New York. “Tomorrow never knows,” Barthel nods to the Beatles on “Come Alive.” The accumulation of days together tell a story bigger than any finite lifetime, and Phantogram’s life calendar is only a fraction full.

In the beginning, there was silence. Then the Lion opened its mouth. Underlying all of Creation, there is a sound. A deep primal ROAR. I have waited for eternity, and it has arrived. Find me in your dreams. I AM WAITING.

You Don’t Get Me High Anymore (A-Trak Remix) [feat. Joey Purp]

PHANTOGRAM

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