I have decided to release the latest tracks I produced with Cor Bolten on my Bandcamp page. Most of these tracks have been part of my DJ sets for the past two years.

Roel Funcken & Cor Bolten - Stark EP

Pre-orders of the EP are exclusively available on Roel's Bandcamp and the full release will be out from March 22, 2024.

▶︎ Pre-order : roelfuncken.bandcamp.com/album/stark-ep

Make sure to join us for the listening party to the Stark EP on March 22. 

https://roelfuncken.bandcamp.com/merch/stark-listening-party

Tracklist :
1. Roel Funcken & Cor Bolten - Stark1
2. Roel Funcken & Cor Bolten - Stark2
3. Roel Funcken & Cor Bolten - Stark3
4. Roel Funcken & Cor Bolten - Stark4
5. Roel Funcken & Cor Bolten - Stark5
6. Roel Funcken & Cor Bolten - Stark6

All tracks written and produced by Roel Funcken and Cor Bolten.
releases March 22, 2024


Artwork is a piece called "Pilf" - Dutch manipulated pour, acrylic, spray paint and marker on a 50 by 60 cm canvas - Roel Funcken (March 2024).


https://www.instagram.com/p/C4D73AoMx8t/

Stark ep

Stark5 by Roel Funcken & Cor Bolten

trialxerror

From Bastian Void and Endurance's split album, available now on tape and digital form Muzan Editions:
https://muzaneditions.bandcamp.com/album/bastian-void-endurance

Endurance - Starfont

postfix (from qmark, released on falsch)

Twin heavyweights Kevin Richard Martin (The Bug) and Joseph Kamaru (KMRU) unite for Disconnect, a powerful study of dread, hope, and profound sonics that marries depth-trawling dub with Kamaru’s voice, ambient sensibilities, and negative space.

Kevin Martin first became aware of Kenyan ambient musician KMRU “watching the short 2020 documentary Under The Bridge,” he tells us. “Which, aside from immediately finding Joseph's approach to sound and music so instantly impressive, I also found his spoken voice possessed a captivating, lilting, tonal quality, with his soft-spoken accent.” Following this, Martin dug into Kamaru’s records, and found not only a kindred spirit in skillful exploration of sonic space, but also a fan of The Bug. So began a mutually respectful relationship, initially held in Instagram DMs and reciprocal admiration for each other’s work and eventually blossoming into an invitation sent by Kevin to Joseph to collaborate on a new album.

The results - debut collaboration album Disconnect - collect a back-and-forth creative dialogue that started life in Martin’s studio. “I think I surprised Joseph by suggesting he contributes vocals,” Martin tells us. This ability to identify, isolate and exploit the nonstandard is a trait shared by both musicians and employed to devastating effect on Disconnect. Its vocals, sitting somewhere between intonation and spoken word, capture the ear and fizz with simmering power. They are indeed a surprise, coming from a musician specialising in instrumental, field recording-laced ambient musics, but tell intensely evocative stories, weaving poetry into the pair’s grandiose greyscale musical architecture.

The record is just as deep, dark, and arresting as we can expect from Kevin Richard Martin, following his acclaimed rescore of Solaris (released in 2021 on Phantom Limb) and a handful of self-released solo albums that explore a sound just as heavy as The Bug but at a menacingly slower pace. And it is just as evocative and unique as Kamaru’s KMRU canon, each object delicately and purposefully placed so the timbral mosaic builds with shimmering and hypnotic beauty.

KRM & KMRU - Differ

Tertiary

My favourite night dream

Performed recorded, mixed and produced by Emma Grace PEKIKA

Theplantsgrowingoutofmybody

Lorenzo Abattoir, Titled2

gargantua

spotify

Early Reflections

Psychotic Fragments 5

This is an invitation to experience something new, unnerving because foreign and unusual, it requires the practice of acceptance of the different and the exogenous. It avoid conventions of "the musical" yet, it pleases the brain's desire for the unexpected and opens up new horizons for what sound composition could be like.

Perturbing sounds for the unquiet souls. The world was always in chaos, but there is order to the madness. This edition of Psychotic Fragments drifts through European and Brasilian references, from the study of the phenomenons to the modernist brasilian art. It dives into the awkwardness of sound inviting you to enter a soundscape of unexpected, yet programmed, events.

It progresses through reflections over art towards the experience of duality of the electrical. 

Composed with several programmed machines, it doesn't use samples, it's made on the spot, on one take, be what it may. 

