Call In Sick / Reflection

Reflection

Drunk Texting (Instrumental)

Lyrics: 

(Verse 1) 

The pressure builds, a thousand miles down

The light is just a dream, the current's the only sound

We're far from the world we knew

This quiet dark's our home

Lost in the deep blue

But I'm not here alone

(Pre-Chorus) 

I can feel the old noise

It's trying to break through

Connection... found...

Your pulse is like a choice

I'm holding on to you...

(Chorus) 

We're the Submerged Signal!

The current's in our veins!

A lonely echo

The deep-blue still remains!

We're the connection they can't define!

A feeling that's both yours and mine!

(Verse 2) 

The "warmth" of these old keys

Puts my old fears to ease

A new foundation

We're a new kind of dream

A new, subversive theme

This feeling's not a flaw

This is the answer

This is our new... law...

(Pre-Chorus) 

I can feel the old noise

It's trying to break through

Connection... found...

Your pulse is like a choice

I'm holding on to you...

(Chorus) 

We're the Submerged Signal!

The current's in our veins!

A lonely echo

The deep-blue still remains!

We're the connection they can't define!

A feeling that's both yours and mine!

(Bridge) 

Is this forever?

This is the new truth

Or just a passing dream?

We are the proof that we're building

(Outro) 

Floating...

Floating...

Fading...

Fading...

SUBMERGED SIGNAL

Our Supportive Space(Morning Voice)-Freestyle Prod By SilenceX

im retten verloren

Love Of Yesterday

slow evocative instrumental feat.melodic guitars

hope for our times

opal

A haunting journey into the shadows with "Their Dark Secret" by The Dark Messiahs.

This track is an atmospheric blend of Doom Jazz and Dark Jazz Noir, characterized by its intense mood and minimalist arrangement. Featuring sparse percussion from Sticks Thompson and resonant, brooding bass work by Wilt Flowers, the rhythm section lays a hypnotic, deep foundation.

Sonny Rhodes' melancholic piano weaves a spectral melody above the dark soundscape, occasionally punctuated by the chilling, soulful contributions of Guy Stansfield on clarinet and Blue Six on muted trumpet.

Perfect for late-night listening, film noir enthusiasts, or fans of deeply atmospheric, instrumental music that pushes genre boundaries.

That sounds like a fascinating track! A blend of doom and jazz is very unique. To create a robust, keyword-rich set for SoundCloud and help boost your traffic, I'll focus on leveraging the distinct elements of the music.

Here is a full, keyword-rich metadata set for your track:

🎶 Track Metadata for SoundCloud
Title
The Dark Messiahs - Their Dark Secret (Doom Jazz Noir)

Description
A haunting journey into the shadows with "Their Dark Secret" by The Dark Messiahs.

This track is an atmospheric blend of Doom Jazz and Dark Jazz Noir, characterized by its intense mood and minimalist arrangement. Featuring sparse percussion from Sticks Thompson and resonant, brooding bass work by Wilt Flowers, the rhythm section lays a hypnotic, deep foundation.

Sonny Rhodes' melancholic piano weaves a spectral melody above the dark soundscape, occasionally punctuated by the chilling, soulful contributions of Guy Stansfield on clarinet and Blue Six on muted trumpet.

Perfect for late-night listening, film noir enthusiasts, or fans of deeply atmospheric, instrumental music that pushes genre boundaries.

The Dark Messiahs are:

Sticks Thompson - Drums
Guy Stansfield - Clarinet
Blue Six - Trumpet
Wilt Flowers - Bass
Sonny Rhodes - Piano

For Fans Of (Similar Artists/Styles)
Bohren & der Club of Gore
Dale Cooper Quartet & the Dictaphones
The Kilimanjaro Darkjazz Ensemble
Angelo Badalamenti (Twin Peaks Soundtrack)
Jazz Noir / Dark Ambient
Cinematic Post-Rock

#DoomJazz
#DarkJazz
#JazzNoir
#TheDarkMessiahs
#TheirDarkSecret
#NewMusic
#Atmospheric
#ExperimentalJazz
#Soundtrack
#MutedTrumpet

The Dark Messiahs - Their Dark Secret (Doom Jazz Noir)

Welcome to the final deep dive into Toyah's 40 + year career, from her early albums with the band Toyah, through to her subsequent solo career, and Toyah And the Humans, as well as some previously unreleased gems. 

Outrageous Intro 
Ieya 1982 (plays in background of intro dialogue) 
Be Proud Be Loud Be Heard
Stand Proud
Heal Ourselves (Posh Redux) 
Zoom Zoom
Latex Messiah (Posh Redux) 
Victims Of the Riddle (Vivisection) 
Bird In Flight
Relax (Frankie Goes To Hollywood cover) with Trevor Horn 
Over 21
Velvet Lined Shell
City People 
Let Me Go 
Insects 
Urban Tribesmen
Ghost Light 
Space Dance 
Telepathic Lover 
Spaced Walking 
Lust For Love 
When A Woman Cries 
Sea Of Size (Toyah and the Humans) 
Falling To Earth 
Elusive Stranger 
I Believe In Father Christmas 
Quicksilver (Toyah and the Humans) 
Take Me Home 
Victims Of The Riddle 
Street Addict 
Haunted 
Change Of Scenery 
Waiting 
Rebel Of Love 
Brave New World 
Ieya 
Outrageous Outro 

Toyah 5

Summer School

Phase Chroma is a high-concept duo occupying the luminous, melancholic space between Progressive Structure and Ethereal Art-Pop. Formed around a striking duality—precise, structural synth work meets vast, dreamy vocal atmospheres—the project exists to explore emotional resonance through meticulous design. Their music sounds like the aftermath of a beautiful, systemic failure. Tracks like the digitally fractured "Neon Decay" and the liquid, intimate vastness of "Ripples in the Void" showcase their signature approach: cinematic soundscapes where every layered texture and subtle metric shift is intentional. Phase Chroma doesn't just make music; they manufacture deeply felt sonic tension for the quiet, empty hours.