Playing around with my new Juno 106, all notes and melodies (except for the 2 chords) are coming from Metroposeq, a Max For Live device i created recently.

Metro Juno

So, here is that Detroit-esque techno track I promised. Built entirely from the TR-707 and my Blofeld. I've got a video going up sometime soon as well on how I did it, nothing too fancy. Did this all while I was away at the cabin. I quite like this one to be honest. Lots of bass.

The whole thing was also done without sequencing the drums in DAW, which was a nice step up for me. Most times it's easier to just MIDI control the machine, but this makes it way less of a hassle to sync the drums to the bass in FL Studio. Good shit.

Equipment Used:
Roland TR-707 - Drums
Waldorf Blofeld - Lead/Bass/Chords/Strikes/etc.
M-Audio Fast Track Ultra - Interface
FL Studio 11 - Bass Sequencing/Track Recording

It Came From Detroit

www.darkerthanwax.com

IN 30 #4

Fourth one in the series! Kicked it off with a few bass numbers that I have been into lately, before slowing down to some good ol head noddin' biz towards the end. Hope you all enjoy the frequencies.
Also, we will be heading to EU for our DTW tour in March with the 1st show in London on the 10th, so keep an eye out for that. 

#wemove

FUNK B

IN 30 #4

Music for Space Cowboys

Richard Devine - Sound Design at Ableton Loop Session 1

Demonstration of V/Oct CV into Spacing CV of the Cwejman MMF1 (in dual BP mode)

MC202 and Acidlab Bassline 2 are used for sequencing

A142-4 is used to gate the uVCA

A175 is used for voltage inversion

Acidlab CV goes to A175, inverted CV to MMF1 Spacing; Acidlab gate to A142-4

MC202 CV goes to MMF1 freq CV

Simple delay in ableton has been used to be able to better hear occasional dissonances

Richard Devine - Sound Design at Ableton Loop Session 1

Phasebash

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