One has 2 weeks to bond with a module or risk losing the connection entirely. 

René plays the baseline with VCO-2RM and DMF-2.  BLD on kicks.  Piston Honda mkii and MMF-2 do the FX.  Wogglebug and Sport Modulator at the enter of clock and CV modulation. 

Bonding with the Piston Honda mkii

This track extends the Bonding with Piston Honda mkii track, Alice did some additional patching to change the bass and sequence.

Alice's "Musicshop":  Villalobos Tones.

Warning.  Not Music!  Just something my 4 year old patched up earlier today.

Patch all the pluggers... RES-4 Modulation

November 2017 User Group Meetup Comp w/  Live 10

Playing around with Maj7 inversions and Live 10's Wavetable and Echo modules.

M7 Inversions and Live 10

January 2018 Ableton Meetup Modular Fun with Live 10

Richard Devine - Sound Design at Ableton Loop Session 1

A simple exercise of the "Bouncing Ball" patch from the Maths manual, the A-112 provides lo-fi pitch shift effects, and the MMF-1 adds dubby filtering.   RES-4 and R100 add tonal reverb.

Bouncing Ball

2-Op FM on a VCO-2RM, Op 2 synced to Op 1.  Op 2 out to MMF-1.  Inverted Op 2 half-wave rectified into MMF-1 q-peak.  MMF-1 set to almost self-oscillation.  The inverted half-wave rectified signal causes the resonant peaks to only be applied at half-cycle.

Sequenced on a Modcan Touch Sequencer.

Daft Basslines w/ VCO-2RM/MMF-1

Cwejman DMF-2 being tickled Aphex style by a Makenoise Wogglebug.

Woggle DMF-2 Aphex Tones

Sport Modulator and MATHS generating the gates and CV, VCO-2RM and MMF-1 on the bass.

Sport Acid VCO-2RM MMF-1

An A-112 and DMF-2 in feedback configuration with a low-pass gate on the final mix and feedback tap.  Second channel of DMF-2 in FM configuration for first filter in feedback path, other VCOs serve additional FM duties.  Wogglebug and MATHS add modulation and base pitch CV.

Phasebash

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