Premiere:  Mind | Matter's remix  of 'Losing the Way' by Choke Chain, taken from Invoking Shadows album forthcoming soon

Choke Chain, founded in 2018, is the solo project of Mark Trueman. Melding together the dancefloor stomp of EBM and Industrial, the darkness of Goth and the in your face attitude of Punk, the project creates something uniquely punishing and intense.

He prepares his new EP through his own Bandcamp, entitled "Invoking Shadows", it is made up of five original tracks and a remix of Mind | Matter. You can find it available in digital stores from September 17th

Label: Self-Release
Artist: Choke Chain
Remix: Mind | Matter
Title: Invoking Shadows
Track: Losing the Way
Release date: September 17, 2021

Buy: chokechainebm.wixsite.com/my-site

Follow artists: https://soundcloud.com/chokechainebm https://soundcloud.com/mind666matter

Choke Chain - Losing The Way (Mind | Matter EBM Ritual Mix) [Premiere]

MIND I MATTER - À Travers L'Achéron 
https://mindmatter1.bandcamp.com/track/travers-lach-ron-m-m
______

« Ces maux sont le partage, 
Le misérable sort des âmes sans courage, 
De ceux qui sans opprobre et sans gloire ont vécu.

Ils sont mêlés au chœur de ces indignes anges
Qui ne luttèrent pas, égoïstes phalanges, 
Ni pour ni contre Dieu, mais qui furent pour eux.

Le Ciel les a chassés de ses parvis sublimes, 
Et le profond Enfer leur ferme ses abîmes, 
Car près d'eux les maudits sembleraient glorieux. »

À Travers L'Achéron [M|M]

Nailed To The Net (BITE025)

HATE exclusive premiere.
Full streaming of the EP soon on our HATE Youtube channel

Support the label, buy it here:
https://biterecords.bandcamp.com/album/love-is-destructive

Artist: Phase Fatale
Title: Love Is Destructive
Label: BITE
Catalogue: BITE032
Format: 12" Vinyl / LP
Genre: Electronic
Style: Techno | EBM
Release date: April 19, 2024

Mastering by Conor Dalton
Artwork by Silent Editions
Design by Eloise Leigh
Special thanks to The Panacea

Tracklist:
1. Love Is Destructive 
2. Magma Driver
3. Ambivalence
4. Introjection

Follow #PhaseFatale here:
https://soundcloud.com/phasefatale
https://www.instagram.com/phasefatale/
https://www.facebook.com/phasefatalemusic

Follow #BITE here:
https://soundcloud.com/bitelabel
https://biterecords.bandcamp.com
https://www.instagram.com/bite_records

Marking one year following Phase Fatale’s (aka Hayden Payne’s) last EP on his label BITE, ‘Love Is Destructive’ is a clear shift into true techno territories, integrated with his distinct curation of narrative and sonic framework, imprinted with a musical diet of sleek, synthesised storytelling. The 4-Track EP reflects the turbulent ebb-and-flow found with emotional conclusion - a genesis soundtracked by raw energy and driving undercurrents. The Berlin-based DJ, Producer and Label-owner’s propensity for creating a symbiotic harmony by blending seemingly divisive elements from his genre defying repertoire, demonstrates his masterful understanding and control of the listener’s borderless, auditory journey. Exemplified by his marathon closing sets at Berghain, as well as techno arenas such as Khidi in Tbilisi (both of which he is a resident), Phase Fatale’s recent DJ performances and production endeavours reflect his fresh approach to pure techno sensibilities.

The title track sets the tone with imperative grooves, energetic vigour and intrepid attitude. Following a progression of techno propulsion in ‘Magma Driver’, infused metallic textures and trippy, headier elements add depth, whilst the body of work’s cutting edge sound design echoes spacey vivacity and purification in equal measures. Dichotomy comes forward with tracks ‘Ambivalence’ and ‘Introjection’, processed vocal samples with dub techno leanings and hints towards broken rhythms are sculpted by Payne’s focused approach, resonating a feeling of hopeful resolution akin to resurgence. These romantic sensibilities offset by cold mechanical nuances are reflected in the EP’s artwork, depicting roses against the backdrop of engine-like machinery.

‘Love Is Destructive’ is dedicated to Juan, Simone and Luis. Featuring artwork by Silent Editions. 


 ___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect labels and artists.

If either label, artist or third party copyright holder do not agree with their material being uploaded please contact us on Facebook: https://www.facebook.com/hatecollective/
or via email: hatemusic1@gmail.com

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Love Is Destructive

Magma Driver

Premiere: Phase Fatale - Magma Driver [BITE032]

The Chronics - Unchained Desire

IGNIS FERALIS, the second chapter in a four-part cycle, evokes the elements of a cursed and decaying world — a planet collapsing under its own corruption, where the future flickers uncertainly and the abyss draws closer.

Here, fire becomes sound incarnate: a percussion of flames striking against silence, each spark a relentless beat. It swells like a melody unraveling in distortion, crackling as it spreads. Its heat is a low vibration that shudders through bone, its dance a hypnotic sequence of minor tones, merciless and entrancing. At its heart, the blaze is a mechanical rhythm of devastation, primal yet precise, consuming everything in its pulse.

OTTOMAN GRÜW & Carmilla Sioux - Abysseon

Ramzes_Finally(OriginalMix) M

Taken from Missiles 12" EP
Available on January 22th on all the records stores and all the digital platforms.
https://bombtrap-records.bandcamp.com/album/delectro-missiles-ep
Missiles the new EP of the colombian artist Delectro is an exploration between methallic sounds, EBM basslines, Industrial Techno and dark and dense electro combined with a post apocalyptic view of the future of the world, armamentism and war. This release includes three original tracks and a brutal remix by Al Ferox. Side A Missiles and Electro Phase. Side B Mass Destruction track previously released on I-Traxx Red Editions and a remix by Al Ferox for Coldness.

Bombtrap Records:
https://soundcloud.com/bombtraprecords
https://bombtrap-records.bandcamp.com/
https://www.facebook.com/BombtrapRecords/

Missiles

Delectro - Missiles

Fairground of Tears - Pain is God

The first release from Theory Of Yesterday (TOY) is now available on cassette and in digital format on Bandcamp.

https://theoryofyesterday.bandcamp.com/album/pain-is-god

www.theoryofyesterday.com
www.facebook.com/theoryofyesterday
www.instagram.com/theoryofyesterday

A1 - Pain is God

Cat-No: F//016
Reka X Imperial Black Unit - Todo Avaricia

‘Todo Avaricia’ by Reka and the duo Imperial Black Unit is the result of an immediate and natural connection forged between the three artists, through a jam session that swiftly and intuitively yielded three tracks of stylistically diverse yet demonstrably cohesive sounds. Featuring the sampled voices of Che Cuevara, Pablo Neruda and original vocals by Reka herself, the EP plays the role of an urgent call to action against political and environmental injustice, conveyed via the musical substrate of new beat, industrial and EBM, fused into a landscape of techno and undeniably constructed for the dancefloor. The EP is rounded off with a heavy-hitting remix of the title track by the prolific Umwelt, in his signature dramatic style. 

Tracklist:

A1 – Arrasadora Utopia
A2 – Tropas de le Muerte
B1  – Todo Avaricia
B2 – Todo Avaricia (Umwelt Remix)

All tracks written and produced by Reka and Imperial Black Unit
Mastered by Alain Paul
Artwork by Silica

B2 - Reka X Imperial Black Unit - Todo Avaricia (Umwelt Remix)

Fatal Morgana - The Destructive Remixes
 
12": b.link/fmdestructiveremixes
Digital: b.link/fmdestructiveremixesdigital

Limited edition of 350 copies pressed on neon magenta vinyl with transparent PVC printed sleeve.

Fatal Morgana’s top classics “Attention” and “Glasnost” have been re-programmed and re-loaded. This special single includes two new remixes prepared by Fatal Morgana and two more reinterpreted by the most exciting in fashion EBM-techno projects: Nostromo (Sarin + Unhuman) and Imperial Black Unit.

The Destructive Remixes

Fatal Morgana - Glasnost (Imperial Black Unit Remix)

Berghain and Khidi resident
@bitelabel head
Ostgut Ton | BITE | Jealous God
Booking: chris@elitemm.co.uk

Emerging as Phase Fatale in 2014, Berlin-based DJ, producer and label owner, Hayden Payne is rewriting the discourse of Techno with his cross-pollination of gnarly basslines, sensual narratives and mind-control mechanics. Demonstrating his vision through an authentic, highly curated sonic-lens of techno, the New York native’s rhythmic excursions draw on his roots in the underground scenes of his respective cities as well as his reputable experience performing to dancefloors globally. Exemplified by long-standing tenures as a resident for esteemed institutions such as Berlin’s Berghain as well as KHIDI in Georgia's capital Tbilisi, Payne demonstrates a resolute understanding of harnessing club synergy across his productions and DJ sets.

With three full length albums under his belt, including the 2020 sophomore release ‘Scanning Backwards’ on Berghain’s imprint Ostgut Ton, Payne’s sonic signature pushes the boundaries of techno sensibilities and reflects the zeitgeist whilst staying true to his own vision. Wasting no time since his solo project’s inception to showcase his expert sonic ability, Payne has toured throughout Europe performing at renowned clubs and festivals worldwide, releasing numerous records on labels including Jealous God, Ostgut Ton, and his own label BITE.

Payne launched the BITE imprint in 2018 as a means to platform cutting-edge sound production across a diverse roster of international artists. Along with fellow Soft Crash protagonist Pablo Bozzi pioneering ‘Italo Body Music’, BITE’s seminal synthesis of curated techno solidifies the label as a tour de force taste-maker within electronic music with showcases worldwide including Berghain and their 5 year anniversary compilation ‘Shedding Skin’ in 2023.

Hailing from post-punk roots, Payne draws on his depth of musical knowledge and multitude of influences. His merging of nuanced references and high concept narratives remain geared towards the dancefloor at its core, subtleties of his multifarious sonic palette act as the foundations for his layered wall of sound.