Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Alessandro Cortini is an Italian musician, producer, composer, and instrument builder. 

Cortini is one of the foremost figures of contemporary electronic music, best known for his haunting, atmospheric work. Alongside being a longstanding member of Nine Inch Nails, he is highly prolific and has released a steady stream of his own heady music on luminary labels including Mute, Hospital, and Important Records for the past decade. Throughout his shadowy rise to fame, he has collaborated with the likes of Lawrence English, Daniel Avery and Merzbow (to name a few). Balancing dark ambience with smokey, pulsing rhythms, his compositions are perfectly restrained, textured and mesmeric. 

Cortini was inducted into the Rock and Roll Hall of Fame in 2020 through his work with Nine Inch Nails, making history as the only Italian musician to have ever been honored with this recognition. 

In 2021, in collaboration with boutique synth builders Make Noise, Cortini released his own, custom-designed, semi-modular synth, “Strega” (Italian for ‘witch’). That same year, he used Strega to build his latest full length, Scuro Chiaro [Mute], which Pitchfork described as “pitched somewhere between purgatory and the planetarium ... consistently managing to thrill and surprise”. 

In addition to years of extensive worldwide touring, Cortini has also soundtracked fashion shows including Alexander McQueen, Dior, and several of Fendi’s presentations. In 2022, he exhibited a high-concept audio installation called “Nati Infiniti” for Sonar 2022 at Museu de Lisboa’s “Fábrica de Moagem.” A live version of “Nati Infiniti” is set to debut at Berlin Atonal in 2023.

Alessandro Cortini’s music has been licensed for use in television, film and documentaries, games, and commercials, including FX’s hit show The Bear, “Thank You Very Much” a documentary about Andy Kaufman, Samsung, BMW, Sony, and Netflix. Remixes have also been a part of Cortini’s identity – remixing the likes of Depeche Mode to Mogwai to Death Cab For Cutie, Yann Tiersen to Vatican Shadow, and more between and beyond.

Mesh - the platform for exploring the intersection between music, art, and
science. 

For label enquiries please contact rosy@thewildseeds.com

Founded by London-based artist and electronic producer Max Cooper, 
Mesh isn’t a typical record label, more an avenue to pursue ideas and 
collaborations with creative people who are pushing the boundaries of their
disciplines.

https://www.floatingpoints.co.uk/

 hello@floatingpoints.co.uk

Sign up for updates & exclusive experiences: 

Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

TREMOR - THE NEW ALBUM - OUT NOW

https://danielavery.ffm.to/tremor

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.


With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Tremor will be released by Avery’s new home of Domino on 31st October.

A creative collective pushing the boundaries within music, fashion and art.

http://inspected.co.uk

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