Die aus der Schweiz stammende gebürtige Italienerin Djane Mika, war schon immer musikalisch begabt. Schon im Schulzeitalter spielte Sie Gitarre und sang im Chor, nahm aber auch an Gesangs Wettbewerben teil. 

Erst im späteren alter begeistert Sie sich für die Elektronische Musik. Durch ein Label aus Bern wo Sie als Promo Head tätig war, fingen Ihre Kontakte in die DJ Szene an und begeisterte auch Sie mit dem Djing anzufangen. 

Durch zwei bekannten DJs die es Ihr ermöglicht haben, konnte Mika es erlernen und ist bis heute mit ihrem sizilianischen Herzblut dabei viele Menschen mit Ihrer Musik mit reissen zu können.

Ihr erster Auftritt fand im Graffiti Bern statt. Danach folgten weitere Auftritte wie im EY5 in Ittigen, BM1 Club Bern, Raumstation St.Gallen, Beach Club Hinwil, Basilica Zürich und Jade Club in Zürich.
Auch diverse Sender wie Soundscape Radio Mexico, Natur Essence Audio London und Chilllover Radio in New York fand gefallen und Mika Mixt immer noch weitere Podcasts für den amerikanischen Sender.

Durch die Unterstützung von R.A.L. Management konnte Mika diverse Kontakte knüpfen und gliedert sich immer mehr in die Elektronische Musik Szene ein. 



https://mtouch.facebook.com/michaela.arcidiacona.7


https://soundcloud.com/michaela-arcidiacona

http://promodj.com/CHILL.LOVER.RADIO/radioshows/

Sponsored by promodj.com/tv

http://www.mixcloud.com/michaelaarcidiacona/

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

update 2021: the archive currently is not being updated.

update July 2017: I am re-editing all speeches in this archive to give them a feel that the characters are speaking exclusively to the listener.

In 2016 I started collecting fictional motivational speeches from movies and TV shows. So far I have excerpted 200 monologues from mostly Hollywood films, mostly from the 80s - 2010s. I am in the process of editing them in such a way that they speak to the listener directly without interruptions by other characters or specifying the vocation or activity they were originally referring to. I am collecting them on various social media platforms where they can be shared, listened to and used by others. I want to know, has the meaning of these speeches shifted after they have been ripped from their place in a narrative, a story line? Cinema can hold such great power over its viewers, and sometimes its stories seep over into real life. What do these motivational speeches feel like in their abundance, what do they become? Are they suspended? Are they, at their core, a positive influence or do they become oppressive in their simplicity? 

2020, Beatrice Schuett Moumdjian

Man, you can watch private videos with my pussy! Find my profile http://bit.ly/2ieQojB

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