Harlem boy making dance music

Bookings: AustinMillzTeam@unitedtalent.com

DJ / Producer 
KING FISA 

Contact: fisadj@gmail.com

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International Panda’s currently 65 in the DJ Mag Top 100! 

Vote Pink Panda in this years 2022 DJ Mag Top 100 DJ's >> http://bit.ly/VotePinkPandaTop100DJs 

DJ Bookings 

UK 👇
Info@pinkpanda.club

Europe/Asia 👇
Marc@Koolwaters.com

DJ & Producer with releases @ Spinnin´Records, Armada Music, Kontor Records, Hotfingers, Pornostar and many more... 

Bookings Germany // booking[at]simonfava.com
Bookings Worldwide //  info[at]redheadagency.com

For urgend requests please contact tel: +31 (0)35 71 22 760

Viva Music - Origins - ElRow - Nervous - Rawthentic- Lapsus - Stereo Productions - La Pera - Happy Techno - Klaphouse- Droplow - Whoyostro - Laguna - Rawsome - Distortion - Ovrdose - Habitat - Cachai - Criminal Hype - Cox music - 2&3 Records - Trópica 


Ceo: Cox Music Group, Santiago de Chile.

Based on Miami FL.

Owner: 2&3 Records - Cox Music Rcrds.

https://www.djcrisocana.com

https://instagram.com/djcrisocana

https://facebook.com/djcrisocana

https://twoandthreemusic.com



Chilean Dj and Producer, born in Santiago de Chile in 1985. Music and dog lover, Bassist since he was 12 years old, highly influenced by Pink Floyd. In his intense career, he has been sharing stages with recognized and international Djs such as: The Martinez Brothers, Claptone, Stephan Bodzin, Solomun, Luciano, Sven Väth, Loco Dice, Richie Hawtin, Marco Carola, Gordo, Hugel, Pete Tong, Dubfire, Solardo, Waff, Detlef, Technasia, Dennis Cruz, Dosem, Chus & Ceballos, Lexlay, Sam Paganini, Max Chapman, Michael Bibi, Popof, Butch, CamelPhat, Hot Since 82, Oxia and Lee Foss...., among others. His music is signed by various record labels, such as: Origins, Elrow, Stereo Productions, Nervous, Whoyostro, Rawsome, Ovrdose, Happytechno, Nonstop, Nasty Funk, No Preset, VAmusic, Great Stuff, Delicious, Sura, Criminal Hype, Ole , Cachai, and Distortion, He has already visited almost every region in his country, Chile. But he has been abroad in some other countries, like: Argentina, United States, Uruguay, Perú, Paraguay, Venezuela, Colombia, Spain , France, Austria, México, Dominican Republic, Ecuador, Germany, and Italy. On the other hand, he is the founder and director of the Cox Music Group artistic academy in Santiago de Chile.

Angus McDonald – DJ | Producer | Music Addict

Angus is a dynamic DJ and seasoned producer with a deep-rooted passion for electronic music. Known for his ability to ignite dancefloors, Angus has carved out a reputation for high-energy sets and expertly curated grooves that span house, rave, old skool, Nidisco and everything in between.

His DJ journey has taken him across the UK and beyond, with standout performances at iconic venues and festivals including Ibiza Rocks, Float Your Boat, Beatherder Festival, Royal House, Static Sessions, Rejuvenation, Universe, Tolerance, and Indian Summer. Whether playing intimate underground parties or large-scale events, Angus brings an infectious energy that keeps the crowd locked in from start to finish.

In the studio, Angus has made waves as a respected producer, with tracks charting on Beatport and Traxsource via renowned labels like Easy Street Records, Whore House, Sublime Recordings, Death Star Record, Cleveland City, and Onto The Groove Records. His productions blend classic influences with modern flair, earning support from DJs and tastemakers worldwide.

Collaboration has also been a key part of Angus’s creative evolution. Under the alias Funkdictive Motion, he joined forces with fellow DJ Kenny Boyd, delivering a signature blend of funky, floor-filling sounds. He's also teamed up with legendary musician Paul Jannetta—best known for his work with 90s rave pioneers S-Cape and Push Button Technology—to form the duo McDonald & Jannetta, producing genre-defying tracks that push boundaries.

Whether behind the decks or in the studio, Angus continues to live and breathe music, constantly evolving his sound while staying true to the underground roots that shaped him.

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