list 13: resistance

SUPERNATURAL

Taken from Androgynous Mind's 'Nightstalker' EP released by Faux Discx on 9th December 2013, available on 7" (limited to 300) and digital download.

WE MAXED OUT THE DOWNLOADS! DOWNLOAD THIS SONG IMMEDIATELY BY PRE-ORDERING NOW:

http://fauxdiscx.bandcamp.com/album/nightstalker

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Androgynous Mind is a new project from former Women guitarist-vocalist Patrick Flegel, and whilst only five songs are on the Nightstalker EP, just hearing him with a guitar should be enough to get fans of his former work excited. 

Flegel is joined by Morgan Cook, who plays things straight and primal against his dissonance and squall, that is when she isn't wailing along with him, like on the opening pair of tantrums that sound like some lost Harry Pussy recording session. It's over in a blink before segueing into “Knock On My Door,” a spectrally understated pop gem worth playing bleary-eyed at four in the morning. “Knock” revels in Flegel’s distinctive guitar presence, working shapely lattices of notes into descending sheets of melody in a manner both lulling and forceful, but you remember that from 'Public Strain', right?

Post-punk guitar intricacies rarely mesh with pop hooks so masterfully, yet Flegel has proven himself many times to be staggeringly adept at both. With Androgynous Mind he and Cook have striped their ideas to the bone, revealing   a thing both harsh and beautiful, direct and engaging.

ANDROGYNOUS MIND – Knock On My Door

I'm in this night, of purple fright 
Social enclosed, with no ones phone 
I cramp my face, and spill my drink 
The violet boy, is the missing thing…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 

My mind's a dream, coz you ain't near 
''I'm sorry babe, I ain't near'' 
My heart is tight, makes my blood go wild 
''I'm sorry babe, I am feared'' 
My eyes are queer, they keep pumping tears 
''I'm sorry babe, please don't tear'' 
A lion's game, still I love you but…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 
I cry, when I'm looking through the glass it's weird 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple''

Crying In The Discotheque

Minimal  Funk 2

The first single from Preoccupations' debut s/t album on Flemish Eye, out 2015/01/20.

Watch the video by the very talented director: Yoonha Park here https://www.youtube.com/watch?v=hdMz7BUtOvk

Preoccupations : Continental Shelf

Crystal Stilts - The Dazzled

Side A on the new tour single for Makthaverskan. Out digitally now!

Out on 7" March 3rd in Scandinavia, April 18th in the US. 

Makthaverskan - Witness

URSA THE SAVAGE

Pretender is the first single from the EP <A HREF="http://www.hardlyart.com/shop/blackmarble.html">Weight Against the Door</A>

Pretender

Video: https://youtu.be/p-g3ARYwMzs
From the upcoming Eterna EP. It's been asleep for 4 years, now it's ready to awaken the world.
https://www.instagram.com/2kulit2kuwit

Eterna Tests

Phèdre - Eclipsed

ltd. 12" available here: itsyourunhappybirthday.bandcamp.com/album/kraken-2

unhappybirthday - Himitsu

D r e a m s [SLWDWNMIX] (fleetwood mac)

Belfast-based four-piece Girls Names are a singular proposition, both geographically and psychically removed from their contemporaries at home and abroad. Released in February 2013, their second album 'The New Life' is the sound of a band on the fringes striving to forge their own path, purposefully out of step - and time - with their surroundings. Weighed heavy with the grey landscapes of their hometown, 'The New Life' is isolation laid bare, shot through with an undeterred sense of purpose and individuality.

Having released a series of singles and EPs on various independent labels, Girls Names made their first significant impression on the wider world in 2011 with their debut album, 'Dead To Me,' earning plaudits from the likes of Pitchfork, NME and Loud & Quiet amongst a host of others. And yet, despite all the praise heaped on it, as soon as that record was released Girls Names were already moving into a different headspace. 

The band’s performance at this year Primavera festival provided them with their first real opportunity to showcase the songs that were to comprise 'The New Life.' The sunshine backdrop of the Spanish coastline offered a somewhat incongruous setting to the eerie dissonance of the new material, a kind of trial by fire metamorphosis rapturously received. Following a tour of Europe, the band returned home to record the album over a series of months. Having been produced by singer and songwriter, Cathal Cully, they’ve managed to capture that sense of otherness the performances at Primavera hinted at. The expansion to a four piece means the garage-clatter of the spritely pop songs of their debut have been replaced by a deeper, shadowy exercise in catharsis, driven by repetition, psychedelia and Dionysian crisis. And the record was born of a weighty concept too, as Cully explains: 

“'The New Life' is not an over night change for Girls Names - just over two years in fact. 'Dead to Me' literally was dead to us by the time it was committed to wax. But it's a learning curve. We started moving on as artists the moment we finished that recording session, maybe even before. Not to dwell on the past, 'The New Life' is what happens when you reset everything back to zero and start again, but try to perfect. It starts back at zero the minute the needle hits the groove but we're also starting back from zero once the needle lifts at the end of the record. Ad infinitum. 'The New Life' is what follows now.”

The album’s title track, and the first single to be taken from the album, is an ideal entry point. Just shy of 8 minutes long, it rotates around a hypnotic bass line, and in Cully’s evocation of renaissance, offers a perfect metaphor for the album as a whole. New single ‘Hypnotic Regression’ - available to stream today - reflects another side to the record. The reverb-heavy guitars and compelling melody are immediately memorable, but there are signs of experimentation, too; the white squall of the lead break; the uneasiness in the vocal echoes that furnish the verses. As such, 'The New Life,' stands as a brave statement; the mark of the band untying themselves from the past and easing forth into the unknown.

"The New Life" will be released on February 18th, 2013 on Tough Love (UK) and February 26th, 2013 on Slumberland Records (US).


SUPERNATURAL

Phedre

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