SoundCloud Weekly

shouraan

PHer

لم يحبنا العالم..

💙💙

ambient

A Great "Khorasani" Folk Song Performed by 2 Tar

NourMohammad Dorpour - Molaa Jaan

An old song by Mohsen Namjoo performed solo

Mohsen Namjoo - 3 Rahe Azari

Gray Hoodie is the debut album from french musician / composer Elise Mélinand. The album, written in Berlin then sequentially recorded throughout various locations in France, was initially inspired by the techniques she was exposed to after being recruited as part of Christina Vantzou's (Kranky / The Dead Texan) Little Prism Ensemble. Her newly adapted recording and composition tool, the laptop, is undeniably the norm today. However, it allowed Mélinand to better visualize her compositions while experimenting with techniques that Gray Hoodie so skillfully showcases. Crafted by Mélinand to tell a story of a friend who gave her a gray hoodie one cold evening. This gray hoodie was a symbol of their friendship and this album is said by Mélinand to be "A way to thank him for everything he gave me". Gray Hoodie showcases Mélinand's childlike voice and legato string work juxtaposed over frenetic experimental beat-work all injected into ten cinematic vignettes that exude the comfort and warmth of a sweatshirt on a cold day.

http://n5md.com/discography/225/Gray-Hoodie

Elise Mélinand - Sur L'Océan (Featuring Ocoeur)

As part of the ongoing content updates and evolution of the Grand Theft Auto Online experience, we’re adding to the already massive original musical score that is heard exclusively Online. Modes such as Survival, Deathmatch as well as your own custom-made Creator Jobs will all be complemented with an updated range of never-before-heard unreleased instrumental music from the original scoring sessions by Tangerine Dream, Woody Jackson, Alchemist and Oh No.

This is a special preview of just a bit of the new instrumentation you can expect to hear that will be added to the game next month.

Grand Theft Auto Online: Score Update Preview

Krishnabai, Mooji~Sita Ram, Jai Jai Ram.

Daygard - Adam Kooki
Producer : Yara
Mix & Mastering : Yara
Cover Design : Sevad
Record Label : Pelak
Release Date : 18 - Jan - 2015
DOWNLOAD LINK : https://www.mediafire.com/?0ejdoyjojora7yc

Adam Kooki

Peyman Yazdanian   Hesam Inanlu in Concert

https://www.facebook.com/noureldin.a.mohammed

Pera Classic - Vuslat

لا عمري هأقدر عالفراق ولا أنتي عمرك تقدري
لسة حنيني بيندهك رغم البعاد
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insta >> https://www.instagram.com/hossamfcb17
twitter > https://twitter.com/ague7ro
Fb > https://www.facebook.com/aguero7h 
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مسافات ~

People Among Us

Sunk

Gadfly

Salt in your eyes 
Sand in your lungs 
Your lips were to gasp life 

on water you choked 
your chest cramped in folds 
breaking the waves apart 

Saw you beneath the surface 
Saw water grind your bones 
Cliffs caught you by your saddles 
I saw you soaked up 

Wrapped you around 
The water was warm 
pierced through your eardrums 

Imploding were you and ocean 
Until the waves calmed 

**I'm running past your house 

Keep running 

I'm running 
past your house 

Keep running 

Come out! 

Come ! Out !** 

The sea has a way of not giving back 
The sand is so tight on your chest 
You're shaped in the waves as long as I can't forget 

The sea has a way of not giving back 
The sand is so tight on your chest 
You're shaped in the waves as long as I can't f o r g e t
credits
released August 4, 2017 
Artwork : Sara Bigdeli Shamloo

Seagulls Feast

About The Eyes, That's Where I Live

Vous Êtes Ici

Recorded, Mixed and Mastered by Sahub Shang
Artwork by Hananeh Jalou

Land

Scattered Memories

Blood City

9T ANTIOPE & SIAVASH AMINI, Harmistice, LP

A1) Blue As In Bleeding (08:57) 
A2) Purple As In Pain (05:30) 
B1) Black As In Burst (07:12)
B2) Silver As In Silence (06:48)

Release date - June 07th 2019 
Catalogue nr. - HG1902
Format - Vinyl/digital

https://hallowground.bandcamp.com

All music by Siavash Amini and Nima Aghiani
Voice and Lyrics by Sara Bigdeli Shamloo 
Mastering by Jeremy Cox
Artwork by Ruth Stofer

Promotion by Dense Promotion, ed@dense.de 
Distribution by Cargo Records
Released by Hallow Ground

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9T Antiope have made a name for themselves in the vibrant experimental music scene of Iran over the past years. Now based in Paris, Sara Bigdeli Shamloo and Nima Aghiani are expanding their stylistic scope and team up with long-time friend Siavash Amini for their debut release on Hallow Ground. After 2017’s »TAR« and »FORAS« the year after 2018, »Harmistice« is Amini’s third LP for the Swiss-based label and his first in collaboration with other artists. Recorded in Paris and Tehran, the four tracks are the result of »all the long hours of speaking online, being kilometres away, it is a love child of those short times we actually got to be physically in one place.« Vocalist and lyricist Shamloo enters a dialogue with Aghiani and Amini’s sound art, which is from restrained but interlocks voice and noise with striking subtlety. »Harmistice« seamlessly blends the visceral with the sublime, the abstract with the oh-too-real.

From the very first second of »Blue as in Bleeding«, »Harmistice« evokes a sense of suspended terror. Shrill frequencies and aleatoric bursts of feedback give way to a hard-hitting bass drum until Shamloo’s voice arises from the chaos with an uneasy clarity. It’s the perfect opening for a record that is built upon stark contrasts like this one. Amini and Aghiani bring together synthetic sounds with acoustic instruments, creating a tangible tension on which Shamloo’s sometimes sensitive, sometimes emotionally detached delivery thrives. »It’s all based on a dream, a nightmare about war,« she says in regards to her lyrics that move between poetic abstraction and first person prose, blurring the lines between lived experience and sinister premonition. »Harmistice« takes inventory after the oneiric damagehas been dealt in real life.

As a whole, »Harmistice« is thus as ambiguous as its title suggests. As an all-too-lucid dream about unspeakable things that are being lent a voice it overwhelms the senses with an unheard-of volume. Drawn from the depths of the subconscious, »Harmistice« may just be the most challenging album in either 9T Antiope or Amini’s discography.

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9T ANTIOPE & SIAVASH AMINI - Blue As In Bleeding (HG1902)

Prison Episodes, an opus five years in the making, is Pouya Pour-Amin's cry of anger and sorrow against our times. Structured as a series of sketches, this harrowing and powerful album explores the experiences of a political prisoner from her or his incarceration to breaking point. 

In this era of political extremism, repression and very often despair, this album could not be more timely. Composed in Tehran, Prison Episodes is a meditation on political repression, defiance and the limits of endurance and hope. Harsh, grating, transcendent and despairing it offers a soundtrack to our global political moment.
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Pouya Pour-Amin is a composer, multi-instrumentalist and actor from Tehran, Iran. He has worked with Tehran`s Camerata contemporary music ensemble both as a double-bass player and a composer, and presented works at SET Fest in Tehran, CTM in Berlin as well as composing for theatre, film and TV in Iran. He is also active, along with Sara Bigdeli Shamloo and Nima Aghiani in the band Migrain Sq. Pour-Amin first appeared on Flaming Pines as part of the Absence showcase of experimental music from Tehran, curated by Arash Akbari. This is his first full release on the label. 
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A note on the artwork:
The artwork for this album is by the prominent Iranian contemporary artist and grave marker Barbad Golshiri. Entitled Quod 2010 it features words in Persian of the prison memories of A’ezam, a political prisoner of the 1980s, retold by Akbar Sardouzami. The text reads: 
'A’ezam has been degraded and tortured, living in timelessness and facelessness. She has nothing, and has turned to nothing, she says. Then one day she finds a rusty pin in her solitary confinement. She starts to draw squares, and the squares become her world: ‘Then I saw if I draw a square within another square and reach the depth, the square turns to a point. The cell was too dark, but I could see a point in the middle of the square that helplessly looked up at me and said: you should testify that I’ve been a square. You are the only one who knows that I have been and still am a square.’
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Credits:
All music composed by Pouya Pour-Amin
Violin/Viola: Adel Poursamadi
Trumpet : Sardar Sarmast
E.Doublebass : Pouya Pour-Amin
Mastered by Lawrence English at Negative Space.  
Album Art : Quod by Barbad Golshiri

Sunk

Farzané