Tracks made using mostly the Make Noise Black & Gold Shared System (with extra Optomix & Brains, as well as the SSF Quantum Rainbow occasionally).

Modular Synth Tracks

I met John Cage A few Times and these playlists are influenced by my music teacher John Cage - www.shankar-gallery.com

John Cage

Robert Motherwell, Blue with China Ink (Homage to John Cage), 1946. Oil, ink, charcoal, and pasted Japanese paper, colored paper, drawing paper, and fabric on paperboard, 101.6 x 76.2 cm. Yale University Art Gallery, New Haven, Connecticut, Gift of Richard Brown Baker, B.A. 1935 © Dedalus Foundation, Inc./Licensed by VAGA, New York. Photo: © Yale University Art Gallery

Robert Motherwell, Blue With China Ink—Homage to John Cage, 1946

Shared System all one take experiment with my "Stop the Clock" patch. Fun stuff!

Stop The Clock 2

I love fast, dense, grit, dirt, layer, dream, distort, dark, decay. Urban freefall. Interventions in the audio signal like traffic lights in a traffic jam.

Traffic Jam

Drone layers on the Make Noise Shared System. Crazy what you can do with this instrument. Crazier still how many possibilities open up.

Times In Times

Drone experiment with my Make Noise Shared System. Modular fun.

Angel

New patch with the Make Noise Shared System. An Ambient Drone exploration with the DPO & Phosgene, and a little Erbe Verb for good measure.

Whale's Eye

Diary 02

John Cage's Haiku performed by Yijuan Geng, recorded live at New England Conservatory's Jordan Hall February 6, 2012.
Cage visited New England Conservatory for a festival of his music in 1991. In 2012, we celebrate his centennial with performances by NEC's
musicians here and around Boston.
for more information:http://necmusic.edu/cage

John Cage: Haiku (1951)

Locations - Cage: Sonatas & Interludes / Henck: Festeburger Fantasien

Sonata IV

Sonata III

Sonata I

In a Landscape (1948) performed by Yundu Wang, a student of Hung-Kuan Chen and Vivian Hornik Weilerstein
Using muted piano, Chinese cymbal, and two variable-speed turntables playing a frequency record and a constant note record, this is believed to be one of the earliest electroacoustic works ever composed.
Under the rubric of "Cage.88@100," NEC's piano department chair Bruce Brubaker and project director Stephen Drury brought together piano students from the entire spectrum of NEC's teaching studios for a series of concerts top celebrate the Cage Centennial .
Recorded live in New England Conservatory's Jordan Hall Fenruary 6, 2012

John Cage: In a Landscape

Jenny Lin, pianist, and Roger Reynolds, University Professor, University of California, San Diego. For this multimedia creation conceived for the National Gallery of Art on the occasion of the John Cage Centennial Festival Washington, DC, Roger Reynolds discusses American poet John Cage as a composer, writer, philosopher, visual artist, and performer. Recorded on September 9, 2012, the presentation offers a personalized perspective on (and around) Cage and his work. Passages recorded from a 1985 conversation between Cage and Reynolds are included, as well as some of the signature one-minute Indeterminacy stories as recorded by Cage. The live and recorded readings interpenetrate each other and coexist with projected images and videos. Guest pianist Jenny Lin performs Cage's Seasons (excerpts), Quest, and ONE, which intermingle and overlap with other elements in the presentation. 

PASSAGE 7: John Cage- incidents, texts, conversations, and music

Electronic Computer Musician, Sound Designer & Production Artist with an Ambient flare for the Creative & Experimental. Music is passion. If you like mine, visit my official site at www.phisequence.com.

I work 100% exclusively in Propellerhead Reason. If you want to learn more, check out my Reason Tutorial & ReFill site at www.reason101.net. 




Whale's Eye

Phi Sequence