GEFÜHL statt Show, WIR statt Ego-Djing. MUCKE statt Getue. 

Darum geht es, wenn AMY.G.DALA die Regler regelt. Mit 90–110 bpm wird von ihr der Dancefloor besoundet, je nach Party und Schwingungsresonanz mal melodisch mal groovy, mal düster mal happy, mal deep mal treibend. Die Idee und Dramaturgie dahinter: Frei fühlen, lächelnd mit Freunden und Mittanzenden zur Groovecrowd werden und gemeinsam zeitvergessend das große, pulsierende „Wir“ herbeizaubern. Wer in ihren verspielten Aktionsraum kommt, lernt schnell ihr Händchen für geschmeidige Erstesahnetracks abseits gewohnter Elektronikpfade zu schätzen, denn bei AMY.G.DALA wird geklunkert, nicht gekleckert.

T E R E S ▲ J E N E E 
SISTATERESA.BANDCAMP.COM
INSTAGRAM @SISTATERESA

Contact:  maschko@salonbitter.com
DJ & Producer // Stuttgart

2025
12.01.2025 Trude
07.02.2025 Oblomov
01.03.2025 Trude
18.07.2025 Fürgut Party
19.07.2025 Pizza Rave
26.07.2025 CSD Stuttgart
06.09.2025 Kulturbunker Stuttgart mit Salon Bitter
31.10.2025 Halloween Party Trude Stuttgart
07.11.2025 Künstlerhaus Marktoberdorf mit Salon Bitter

2024
26.01.2024 - Rakete Stuttgart - Salon Bitter mit Rework & Sugartin
27.01.2024 - Porsche Brand Store & Trude Stuttgart
11.02.2024 - Marktoberdorf - Kontercafe
22.03.2024 - München Die Perle - Salon Bitter
30.03.2024 - Trude Stuttgart
06.04.2024 - Stuttgart UHU BAR
02.05.2024 - Lobby Radio 
03.05.2024 - Release Party Trude Stuttgart
16.05.2024 - Stuttgart - Studio Amore
25.05.2024 - Schweinfurt - Planemo Festival

2023
09. Februar - Merlin Stuttgart mit Salon Bitter
18.Februar - Trude mit HKEE (VG+)
04. März - Göppingen mit Salon Bitter
11. März - Trude mit Salon Bitter und St. Malo
18. März - Goldener Heinrich mit Salon Bitter
01. April - Zipperface Birthday Überflüssig
14. April - Trude DJing
15.April - Stuttgart - tba - HKEE
22. April - MosEisley Stuttgart mit Salon Bitter
30. April Trude 
19. Mai Necktar 127
20. Mai Mos Eisley
17. Juni Trude Stuttgart
22. Juni Lobby Radio Stuttgart
24. Juni Salon Bitter im Büro Bitter
01. Juli - Bozen/Italy
15. Juli Parklücke Festival Esslingen Salon Bitter
20.Juli - Lobby Radio with HKEE
22. Juli - PIZZA RAVE
16. September - Trude Stuttgart
14. Oktober - MosEisley
19. Oktober - Lobby Radio
11. November - Trude Stuttgart DJ mit Kai Fischer
15. November Studio Amore mit Salon Bitter
25. November Club Cann Laserboys und Salon Bitter
7. Dezember - Atelier Wilhelmstraße Vernissage Kai Fischer
21. Dezember - Lobby Radio
21. Dezember - Trude mit PTKR & Maze
 
2022
01.04.2022 / Necktar127 Stuttgart - SB
23.04.2022 / Werkstatthaus Stuttgart - SB
17.05.2022 / Amaze Festival Berlin  - SB
20.05.2022 / Goldener Reiter München - SB
28.05.2022 / Erster Stock Stuttgart / mit St. Malo DJ
04.06.2022 / Marienplatz Girls Release Party / Galao
25.06.2022 / Kessel Festival Stuttgart - SB
09.07.2022 / Acoustic Living Room Afterparty / Roundhouse KF
14.07.2022 / Flint Ludwigburg SB
30.07.2022 / Sound of Stuttgart / Stadtpalais Stuttgart
12.08.2022 / Vektol Festival - SB
27.08.2022 / Stuttgart with Igor Tipura und Konstantin Sibold
27.08.2022 / Pizza Rave 2022 DJ
10.09.2022 / Sofia Bulgaria - TBA mit Salon Bitter
13.10.2022 / Stuttgart - White Noise Club mit Salon Bitter
15.10.2022 / Stuttgart - TBA Off Location DJ
29.10.2022 / Überflüssig / ZFX DJ
02.12.2022 / Opera Magazin Release Party / Galerie Kernweine DJ mit St. Malo
03.12.2022 / Palermo Garlerie Opening / Stuttgart mit Salon Bitter
16.12.2022 / Wouahou Winterfest Stuttgart mit Salon Bitter
17.12.2022 / Trude Stuttgart DJ mit Holiday Boyz

2021
14.8. Merlin Stuttgart mit SALON BITTER
21.8. Galerie Kernweine Sommerfest
09.10. Neue Gabi NGB mit SALON BITTER
15.10. White Noise mit SALON BITTER
30.10. Wizemann STGT mit SALON BITTER
25.12. Überflüssig KF / Coming Home 2021

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


DJ & Record Collector – Chef & Pizza Lover
oddfry`s musical sphere knows no borders. Diverse and eclectic, he is deeply immersed in the sounds of 80s disco and boogie from all corners of the world, he loves Brazilian music and yet is connected to the groove of Chicago house and German post-punk. Whether it is the cheesy allure of Italo disco or the driving force of Afrobeat, music always finds a way to capture him.
Born in Freiburg, oddfry made his way to Berlin where he freed his musical soul. There he played his first DJ gigs with the Neu West Berlin collective and organized underground parties in abandoned factories.
Following his dreams, oddfry moved to Bologna, Italy in 2017. In no time, he was playing at the Poverarte Festival and the Bologna Elettrica.
Love then took him to São Paulo, where he worked as a chef and DJ and secured a residency at Kaia Bar.
Now oddfry is back in Freiburg, continuing his ever-evolving musical and personal journey.

booking: djoddfry@gmail.com

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Break for Borneo is Shanghai's only Tropical Rock act. 

The new CD, "Life Gets in the Way" dropped on April 9th at Shanghai's Yuyintang, as part of the PIC NIC event. 

They are currently working on new materials, but the current album can be downloaded in its entirety for free at http://breakforborneo.bandcamp.com/.



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