Two fast-paced Rigaudons (Rigadoons) from the Third Suite of Handel's Water Music, performed on virtual instruments: soprano recorder, two Baroque oboes, Baroque bassoon, two first violins, two second violins, 2 violas, cello, viola da gamba, 2 basses, and Baroque lute (instead of harpsichord, as scored).

Handel: Water Music, Suite III, HWV 350 - 2. Rigaudon I & II (2013.08.03)

Sarabande French Suite B minor BWV 814 JS Bach take 3

Bach - Air On The G String (orchestra)

Schubert: Impromptu Eb major

Paul Bro - Soprano Saxophone
Anthony Joseph Lanman - 8-String Electric Guitar

The word Viridian is defined as a chrome green pigment that is a hydrated oxide of chromium.  Originally written for the sax/harp duo Pictures on Silence, Viridian Soliloquy is the third piece in my series of duets for one melodic instrument and one harmonic instrument.  Each soliloquy is titled after a color – the first being cerulean (for flute and piano) and the second being obsidian (for cimbalom and theorbo).  As a composer, I experience the phenomenon of synesthesia.  This is where I see colors associated with sounds and vice versa.  I was inspired to choose viridian for this piece because of the sometimes shiny green hue that reflects off of the body of the saxophone and the “green” timbre of the instrument.  The spirit of the piece is short, fast and furious and incorporates influences from rock, jazz, heavy metal and early music.

Viridian Soliloquy

Johannes Brahms:
Two Intermezzi from Klavierstucke Op. 119, in b minor and e minor

Johannes Brahms

Reward on Moozar : http://reward-my-music/6879 

Mozart - sinfonia n°25

002. Johann Sebastian Bach - Matthäus Passion (BWV 244) - Erbarme Dich(1)

Robert Schumann - Romance Op. 28 No. 2

Iliya Rashkovskiy performs Chopin's e- minor piano concerto on November 11th, 2011 at Gorzów Philharmonic concert hall. Gorzów Philharmonic Orchestra under Piotr Borkowski conducting. Live recording.
Iliya Rashkovskiy that 2011 year was a 3rd prize winner of the A. Rubinstein Piano Competition in Tel Aviv. Later he conquered the 1st prize at Hamamatsu International Piano Competition in Japan.
The new, very fresh Polish orchestra, established just few months before this performance, showed great musicianship and yet maturity. The concert master for that memorable evening was Tomasz Tomaszewski - 1st concert master of Deutsche Oper Berlin.

Fr. CHOPIN - Piano concerto e minor 2nd mov.

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Mendelssohn Song Without Words in A minor op 38 no 5

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Mendelssohn Song Without Words in A minor op 38 no 5

Phil Best