Johann Sebastian Bach - Piano: Anne Queffélec - BWV 639 "Ich ruf zu dir Herr Jesu Christ" Aus dem Orgelbüchlein von J.S. Bach.

Johann Sebastian Bach - Piano  Anne Queffélec  - BWV 639  Ich Ruf Zu Dir Herr Jesu Christ

My take on Chopin's saddest little prelude.  Two and a half minutes of ache.


Chopin Prelude No. 4 In E Minor, Op. 28

Mendelssohn Four Pieces For String Quartet Op. 81

Artea String Quartet
Thomas Gould, violin I
Rhys Watkins, violin II
Benjamin Roskams, viola
Ashok Klouda, cello

Champs Hill Records, 2014

03 Four Pieces For String Quartet Op. 81  III. Capriccio In E Minor, MVW. R 32

Mendelssohn Violin Concerto, first movement. Wayne Lee, violin; Emely Phelps, piano. Recorded Fall 2010 in New York.

Mendelssohn Violin Concerto, first movement

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Mendelssohn Venetian Gondola Song Op 30 No 6

Music Box

Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041

Thomas Gould, violin
Senesino Players

Johann Sebastian Bach: Violin Concerto in A minor: 1.

Written by Handel; Arranged by Caroline Dale
Published by BMG Rights

01 Sarabande

Tchaikovsky - The Seasons March

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Fantaisie-Impromtu in C Sharp Minor, Op. 66

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

David Oistrakh - Debussy - Clair de lune

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Mendelssohn Venetian Gondola Song Op 30 No 6

Phil Best