пиано

4today001

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Debussy - Deux Arabesques

The Chopin Fantaisie-Impromptu is one of those iconic pieces of the classical piano repertoire. It is arguably played too much so why have I added my performance? I think the infinite ways a piece can change in the hands of different musicians is actually very interesting. My version is fast but lyrical and I search for an unexaggerated and natural romanticism and warmth.

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Fantaisie-Impromptu Op. 66 - Chopin

Nocturne Op. 9 No. 1 - Chopin

Nocturne Op. 9 No. 2 - Chopin

A prelude of my own - at the end there is an abrupt shift from E flat minor into F major to evoke light and optimism.

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Prelude - We Will Prevail

A set of 11 original piano nocturnes by pianist composer, Phil Best. 

Nocturnes are dark, melancholic virtual love songs full of pathos and longing. Each one feels like an intimate soliloquy about unrequited love, heartbreak and desire.

Inspired by Chopin's masterpieces of this genre, Phil explores a more contemporary approach, mixing in jazz, blues, pop and filmic elements.

Nocturnes

We Were So Young

The Waltz Of The Red Sarah (Photo cover by Egin Akyurt)

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

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Live Improvisation (10.12.2020 2)

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Ashot Danielyan - Live Improvisation (10.12.2020 2) VSL Bosendorfer Upright Piano - Video Link Below

Royalty free Piano Cover from the 'The Queens Gambit' Soundtrack

Ceiling Games - The Queen's Gambit

Tokyo Ghoul OP - Unravel - Sad Emotional Piano Ballad.mp3

Piano music of Giulio Mendozza

Lost In The Dark

Giulio Mendozza: Lost In The Dark

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.