Rachmaninoff's melodicism has made him immortal. This is not a work to be performed by faint-hearted personalities. Bravo

This has to be the best interpretation ive heard for this piece by far

Tchaikovsky/arr: Waltz from Sleeping Beauty

Steinway & Sons Model D 274 Concert Grand Piano. Live Piano Recording. Orchestral String from Garritan Instant Orchestra. I hope you love the melancholy theme of this song.

Frédéric Chopin - Waltz In B Minor, Op.69 No.2 (No.10) (Orchestrated Version)

Brodmann PE-187 grand piano, AKG mics, Pro Tools recording.

Chopin - Waltz In C# Minor

Rachmaninov's Prelude in G minor Op.23 No.5 performed by Phil Best

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Prelude in G minor Op. 23 No. 5 - Rachmaninov

opus 164 - Klaviersonate N. 27 g-moll 2. Satz Scherzo

Chopin: Waltz in C#minor op.64 no.2

The Chopin Fantaisie-Impromptu is one of those iconic pieces of the classical piano repertoire. It is arguably played too much so why have I added my performance? I think the infinite ways a piece can change in the hands of different musicians is actually very interesting. My version is fast but lyrical and I search for an unexaggerated and natural romanticism and warmth.

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Fantaisie-Impromptu Op. 66 - Chopin

Johannes Brahms - Hungarian Dance #5 (piano cover)

Frederic Chopin: Ballade No. 1, Op. 23

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Franz Liszt - La Campanella

Franz Liszt - Liebestraum - Love Dream

For Phil, traditional classical piano training was something of a straitjacket. He rebelled from a very young age by teaching himself to improvise and play by ear. Fundamentally gentle by nature - he’s a vegan and life-long meditator - the competitive world of classical piano seemed brutal. Phil plays music simply for the love of it and nothing else matters to him. He’s not interested in definitive interpretations or who-can-play-the-fastest performances: what Phil offers is real musical sense, through delivering rhythm and groove, melody and harmony with depth, clarity and unconventional intelligibility.

Phil plays in a refreshingly unpretentious and accessible way, telling musical stories with vivid, straightforward passion. Being a Yorkshireman, he says it how it is, and music for him is profound solace, catharsis and joy: so this is what he offers. Being extraordinarily fluent in the language of music on the keys, he loves to improvise freely, allowing the music to pour forth spontaneously, from a place of deep body-and-soul consciousness. And he aims to make the music of Mozart, Chopin, Rachmaninov, and every piece he plays, come from this place of real transformation and healing.

Prelude in G minor Op. 23 No. 5 - Rachmaninov

Phil Best

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