"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

Greg Hurley: Composition / Arrangement, Lyrics, Vocals, Guitar, Keys, Percussion, Bass and Drum programming, mix and mastering / © 2025 Lyrics And Music

We drifted past the neon sprawl
no compass in our hand
Through desert haze and canyon calls
a restless, wayward band
A valley bloomed where shadows fell 
with whispers soft and low
And there we lingered, spellbound 
where wild rivers flow

remember 
All the places we’ve been

remember
All the feeling within
 
No map could lead us here
to this fleeting, sacred ground
Yet in this glen, my heart’s at ease
where peace is finally found
Though roads still beckon
I’ll hold tight to this dream’s soft glow
This hidden place 
my saving grace, where only dreamers go

remember 
All the places we’ve been

remember
All the feeling within

We drifted past the neon sprawl, 
no compass in our hand,
Through desert haze and canyon calls,
a restless, wayward band,
A valley bloomed where shadows fell, 
with whispers soft and low,
And there we lingered, spellbound, 
where wild rivers flow. 

remember 
All the places we’ve been

remember
All the feeling within

Remember

Whatever’s haunting you
Whatever you’ve been through
That broke your heart in two

Whatever’s come before
The demons at your door
Will never change my love for you

Just the way you are
You are beautiful and scarred
You’ve gone up against the gods
And beaten the odds

Whatever’s on your mind
Together we’ll survive
As long as love’s alive

So let me hold your hand
Let me comfort you
Through all these trying times

So take me as i am
A lost and broken man
But as long as I’m with you
Together we’ll get through
Whatever comes our way 
We’ll take it day by day 
Whatever comes our way

Whenever skies are gray 
My love will shine each day
I’ll wipe your tears away 
Whatever comes our way


whatever

After thinking of the song title I was drawn straight to this...
One of the greatest albums of all time,

Unfinished Monkey Business by Ian Brown

and my favourite track off it and one of the greatest songs of all time...

Corpses in their Mouths
https://youtu.be/u1H2GYCyUrk?si=-sMjYtUHV64qJQ14

Nice one Browner 🫡 Cheers for your music man 🎶🧬


"People who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and what is positive in the refusal of constraints, such people have corpses in their mouths." Raoul Vaneigem


Unfinished Love Business

You send your love
It meets indifference
That cold dark shove sneaks in to split us
It tries to make two humans out of you
One avatar devil
The godhead stays true

Pretend to mend it for them
Do not reflect it back
These demons are shown the door
Offense meets muted attack
The scene shows silent acceptance
Obscene thoughtlessness knows more
All we gave was quiet
Stoic sounds we answer for

This unfinished love business
Pure partner any place
When found no time needs healer
Sounds like human race
This race, It slows the mind
Embracing kind we bind
Bound to rock
I'm bound to you
Unconditional my true

Love Be
Love See
Love tilt
Love beam
Love fill
Love grain
Love life
Love name
Love line
Love refine
Love time
Love rhyme
Love just
Love crust
Love laugh
Love craft
Love Earth
Love You
Love worth
Love true
Love pain
Love gain
Love loss
Love sane
Love different
Love beside
Love assistance
Love aligned
Love set free
Love be me
Love proof
Love your Sea
Love collective
Love perspective
Love mirror
Love reflective
Love as one
Love as old
Love as young
Love we told
Love to write
Love sunlight
Love source
Love course
Love race
Love embrace
Love hold
Love retrace
Love stand
Love know
Love by hand
Love glow
Love forever
Love clever
Love send
Love mend


❤️‍🔥Unfinished Love Business❤️‍🔥

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strumed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to. 
  Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Lyrics

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom-Eclectic Collective

A slightly different mix of a track I have posted already. This one has the drums coming in a little earlier in the song. I'll have this mixed properly and mastered at some point.  Lindsey Kay Scott, my daughter,  is singing the lead on this song.

© 2024 Lyrics & Music By Brenda Doss (BMI) and Lindsey Kay Scott (ASCAP)
Another version with the lyrics are here: 
https://on.soundcloud.com/HlK8AfD7cum2rXkYeX

My Home - Remix

My Home - Remix - ft. Lindsey Kay Scott

Goblin Dance

Remix and re-invention of an earlier track from many years ago. Messier 83 (see the image), also known as the Southern Pinwheel Galaxy, contains structures within structures. The images are stunning. This track has interlocking aspects, hence the title.

The Ferns of M83

LYRICS:
Silver stare, clever banter
Silver hair, raucous laughter
Silver brush, matching mirror
Silver smile, nothing dearer

Stay a while, please just give me today
I am saving these moments away
For in times to come when I need you near
I'll remember your words so clear
And take this parting thought with you my friend
When tears are clouding those eyes of blue,
Picture my face smiling right at you
To help melt the ice that you're hacking through

Silver style, witchery in motion
Silver mind, staunch devotion

Stay a while, please just give me today
I am saving these moments away
For in times to come when I need you near
I'll remember the hugs and tears
And take this parting thought with you my friend
When life is teeming with stupid clowns
Hear my voice saying it's ok now
I'll help melt the ice that you're breaking down

CUBIC G: 
vox/keys - Sarah Golding
sweet sweet bass - Gavin Simpkin
kickin' drums - Simon Golding

Silver

Play it LOUDER!

Make It Mean Something (Non Zero Sum Game)

And the bricks are all wet
The sand is damp and 
We smell of work
Our dirty hands 
Have built a castle
Hid our dream 
But they hang on every word
Yet we are no-one

The sky is full of clouds
The wind is radio hot and
You and I can run
To the river
Your skin is fingerprint free
Dreams are momentary
They will see us walk 
Past the tower

She always thought she’d break
She always said she’d shake
The walls on the outside 
The bars on the inside
She always thought she’d break

And we don’t count
But we are counted
Our steps are followed
Our hearts recorded
We’ll shine on the inside
Look dull in the eye
Slow on the stair and
Quick on the glance

The earth is full of crowds
The seas of plastic shrouds
You could make it mean
Something
Their fingers stroke devices
Reality’s in crisis
They will see us talk
In the shadows

She always thought she’d break
She always said she’d shake
The walls on the outside 
The bars on the inside
She always thought she’d break

The sky is full of clouds
The wind is radio hot and
You and I can run
To the river
Your skin is fingerprint free
Dreams are momentary
They will see us talk 
By the tower
But you could make it mean
More than a movie scene
They will see us look
Right through them 
And we can make it seem
More than a dying scream
They will see us kiss
Forever

©Feb 2020 Phil McWalter

The heroic Rick Medlock @rick-4-1 on the fabulous Drums & Percussion
The otherwise understated @phil-mcwalter on The Other Stuff

Make It Mean Something

Make It Mean Something (Non Zero Sum Game)

!!!HOT NEWS!!! New Valuable Friends vinyl album and CD available! ALSO 2nd Deluxe Vinyl & CD+Booklet "Songs That Mean Something" See links below. 

Composer/Guitarist/Producer

Songs: We find them unpainted in our hands, throw them up into the air of our imagination, turning them in the colours we see after we close our eyes until they feel just right, and sometimes we catch them perfectly, without blemishing them...

My music is on most platforms for your ease.

Wow!!  417K+ plays and 4,000+ valued followers and friends on SC alone, that provide lots of wonderfully helpful comments that fuel the next track! Really big thanks to the SC community for listening and providing such brilliant feedback and support. It means so much to myself and my collaborators - huge thanks.

I work in different styles, as the inspiration, dreams or bubonic plagiarism comes! I use Logic Pro X on Mac.
 
I write, produce and play all my own stuff (unless otherwise stated), play vintage Tokai Strats mainly, PRS Torero, Steinberger, Gretsch G2627T, Classical, Fender Dreadnought, Yamaha and Rickenbacker basses, keyboards and sax. I use Native Instrument's Komplete, Omnisphere 2 and my own organic samples.

I mix on Sennheiser HD 280 Pro's and HD 650's (closed and open headphones) when not making a bigger noise through my Yamaha HS8 studio monitors. I use Focusrite Clarett 2Pre ThunderBolt and Apogee audio interfaces, Neumann & iSK condenser & AKG dynamic mics. 

Hardware: Feb 1978 Marshall JMP 50W Combo, BOO & BOSS stomps

I love collaborating with other musicians and will compose with, play guitar for, produce, arrange, master or even just hum along with other SC musicians. Please ask!

P.S. I am a long standing member of the Performing Rights Society and PPL through my old TV and theatre work as well as my record and publishing deals.