beautiful composition, really transporting, bravo

produção em downtempo energy no estilo industrial, leve fluxo num pesado compasso tech... 

Save The Nature, and leave a good planet for future generations!

Earth Asks For Help

It was on 17th December 2020 when VPP and I first exchanged messages, discussing the possibility of a collaboration. Fast-forward precisely one year to 17th December 2021 and here we are, launching the fruits of our labour upon the unsuspecting masses. I've always been an admirer of VPP's "synth noir" productions with their unique lyrics full of European cultural reference points and I've always fancied having a crack at working with singer, Keith's trademark vocals. So, as you can imagine, I was delighted when the opportunity to do so presented itself but, if truth be told, I've surprised myself a bit with what I came up with (musically) to accompany the vocal he sent me... I think it's fair to say that the end product is neither a typical VPP track nor a typical Observatory track. I sincerely hope you enjoy it nonetheless.

Hear more of VPP's brilliant output at: @through-the-square-window and https://voltagepoetryproject.bandcamp.com/

How Did It Get This Wrong?
Lyrics and vocal by Voltage Poetry Project;
Music and production by Observatory;
Photography by Voltage Poetry Project.

"I was high, as the flying eye
Looking down upon Teflon town -
A place that I just could not stick,
I could escape; I was well equipped.

Then one day, who knows when or why?
I became the disenfranchised,
Angry, young, at the kitchen sink
Though Amis or Osborne, I don’t think.

Tell me
How did it get this wrong?
Where did it go so wrong?

Now I walk, and there is this talk
Of redress against our progress,
Somewhere Hare and Mercurio
Warned that it all could go.

How did it get this wrong?
Where did it go so wrong?"

How Did It Get This Wrong? (feat. Voltage Poetry Project)

SEIZURES - Framed

Rise from the Depths

Undiminished

Scratch And Sniffers

fade out.mp3

This is my first song for this year's 50/90 songwriting challenge! (https://fiftyninety.fawm.org/)

I've been thinking about little ones leaving the nest quite a lot recently. My kids are 10 and 7, so not imminent, but it still makes me feel a tiny bit sad (and a tiny bit relieved). I certainly know others with kids who are closer to that point, so this one's for them 🙂

When I'd finished my bits on the track, it felt like it was still missing a little something. So I sent it over to my man @nahlejmusic for some sweet percussive magic and, as always, he promptly delivered the goods. Thank you!

LYRICS & MUSIC © David Taro

Oh little bird standing on the edge
Of your nest, will you fledge
Are you ready for it yet?

Oh little bird do your feathers feel the breeze
In the leaves of the trees
Will you spread your wings and see?

Oh, little bird...

Oh little bird getting stronger ever day
It's okay, fly away
You were never bound to stay

Oh little bird, there’s a future yet to write
Taking flight out of sight
In the hazy morning light

Oh little bird...

Oh little bird, wherever you may go
You must know, though you roam
This will always be your home

Though you roam
This will always be your home

Little Bird

Thanks, Tobias & Marc, for this fun assignment!

My process in a nutshell: Using two instances of Ableton's Sampler loaded with my guitar recordings, I sequenced the provided "John Cage" chord, using the first version of Marc's MIDI file, so it's actually the wrong Cage chord --- hence the title "noncage". 
With some pushing around of this source material, a slow-morphing, overlapping atmospheric track fell into place. 
To top it all off, I just flipped the whole thing, turning it into a lovely background echoey backwards guitar concoction. 
So as to make things more listenable, I provided a little bit of supplementary fodder and smoothed out some of the rougher edges in Cubase.

Enjoy!

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

Free Download

noncage II disquiet0554

DEEPLY SHAKiNG SEE I COME THAT WAY ! by SUBSONIC DISSIDENCE
Album "INNER BITCHES" (2022)

DEEPLY SHAKiNG SEE I COME THAT WAY !

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Life Spice

Life Spice by Carlos Vivanco & Jason Mowry

Bye bye / Good2me (demo)

I use digital software, guitar and keyboards to produce my music. My music is completely original and I compose and edit using Logic Pro. i'm not exactly a great singer, as you'll see from my vocal tracks, so other people's vocals or collaborative vocals for any track are very welcome. I am very happy to collaborate - as long as it's a balanced collaboration!

I have always loved music. I learnt piano as a child and have dabbled with guitar without ever learning it ... until now! I have been in choirs most of my life but have not really delved into making music until the last few years. After initially playing around with Garage Band, I moved on to Logic Pro and that's how nearly all of my music has been produced. I love the interaction on Soundcloud and the comments from other musicians and composers are so helpful and supportive. Keep making music everyone!

If you like the artwork on many of these tracks, visit www.summerlandsart.co.uk

Undiminished

Phil Hawker

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