Regurgitations of past sensations (my aural fixations); an attempt at Air-Wave Domination.

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Ships In The Night is songwriter, multi-instrumentalist and producer Alethea Leventhal. Known for her electrifying mix of haunting, dark electronic and ethereal, ambient lullabies, Ships In The Night's magnetic sound pulls from dreams, memories and echoes from the outer world to paint an atmospheric landscape with sweeping waves of synths and kinetic beats.

Psychedelic Funk Rock and more from Charlottesville, Va

James Tilson - Vocals
Eric Cope - Guitar
Logan Byrd - Bass
Carter Thompson - Drums
Will Wyatt - Guitar
Charlie Eldridge - Keys, Vocals

Honing my songwriting chops. Please comment, favorite, and follow. I'd love to hear your music and input!

Music for the Masses' Inevitable Crashes.
~Funky/Jazzy Blu-Pop~
Bass Guitar/Vox: Trevor Pietsch
Drums: Carter Thompson
Horns: Dave Boudouris
Treble Guitar/Vox: Phil West

Trevor Pietsch - Bass/Synth
Sky Young - Saxophone
Eric Cope - Guitar
Phil West - Guitar/Keys
Carter Thompson - Drums

Everybody’s life is a soundtrack. Most of my “work” is now for film or ads but I still like to dabble in pop/rock collabs now & then?

Glass Animals are a Grammy and BRIT-nominated British band whose genre-blending sound and cult-like fandom have made them one of the most exciting acts in global pop. Their third album Dreamland became a cultural multi-platinum selling phenomenon and spawned Heat Waves, the record-breaking single that topped charts worldwide and made history as the first UK band to reach #1 on the Billboard Hot 100 in nearly 30 years. Last year, the band released their fourth critically acclaimed album I Love You So F**ing Much, a sci-fi-infused odyssey about love, connection, and what it means to feel real in a surreal world. It arrived alongside a 44-date world tour that included headlining The O2 Arena in London and Madison Square Gardens in New York. Frontman Dave Bayley — also one of pop’s most in-demand producers — writes and produces every song, often with an experimental DIY edge that blurs the lines between music, tech and visual art. This experimental production is particularly evident in the band’s Fresh Fruit series. Bayley uses these standalone singles to bring in guests and collaborators, giving himself space to play with new sounds. Their live shows are euphoric and surreal, driven by a deep connection with fans built through open-source creativity and unexpected digital drops.

Phil West ♪ is following