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Dub Favourite Pack 009

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A-Punk

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Mi Gente - J Balvin & Willy William (F4ST Cover)

What Lovers Do

Maroon 5, A-Trak - What Lovers Do (A-Trak Remix) [feat. SZA]

SHIHA - Clubbing Purposes 017
Tracklist:
1- Oliver Koletzki - Planetarium (Midas104 Remix) [Stil Vor Talent]
2- MUUI - Passe (Original Mix) [Here Now.]
3- Amberoom - Minoo (Original Mix) [Ovum Recordings]
4- Alles Andrs - Thoughts (Original Mix) [Ton Liebt Klang]
5- Uffe - Jump Into (Paxton Fettel Remix) [Tartelet Records]
6- Gab Rhome - Apres-Ski Nautique (Original Mix) [Kindisch]
7- Henry Saiz - In The Distance (Original Mix) [Culprit]
8- Allies For Everyone - Bite My Tongue (Original Mix) [Motek Music]
9- Sasha - Trigonometry (Original Mix) [Watergate Records]
10- Florian Kruse, Hendrik Burkhard, TheGround - Homeless Hearts (Original Mix) [Audiomatique Recordings]
11- SHIHA - Ballad Of The Sirens (Original Mix) [Nueva]
12- Knarly Knob - Oblivio (Original Mix) [Knarly Knob Records]
13- David Garcet, M.Jane - Les Roses (Basti Grub Remix) [Tulipa Recordings]
14- Yousef, The Angel - Vanity (Original Mix) [Crosstown Rebels]
15- Barber, James Trystan - Black Magic (Original Mix) [Flashmob Records]
16- Bicep - Metro (Original Mix)[Ninja Tune]
17- Jonathan Kaspar - Mellow (Original Mix) [Pets Recordings]
18- Gleb Rubens - Ganba Ulade (Falconne Remix) [Eternal Beats]
19- Aaaron, Deckert, Valentine (UK) - L.D.O.E. (Original Mix) [Connected Frontline]
20 - Misty - Amandrai (Original Mix) [flora]
21- Flowers And Sea Creatures - Color The Rain (Eins Tiefer Remix) [ATLANT Recordings]
22- Modd - Motoko (Original Mix) [Akbal Music]

Clubbing Purposes

SHIHA - Clubbing Purposes 017

When I first met you babe
I knew I had to have you
I just wanted you to call me up
bad boy baby blue
I'm so glad I be loving you forever
It's kind of clever how we ended up
In this situation
You was working at the snack bar
On my vacation
Admiration, infatuation, elation
We be kicking it the whole damn summer
From friends to best friends to part time lovers
Now you're moving in the first day of September
I remember when I saw you back in December
It was so cold outside
You was breaking up and so was I
And neither one of us wants to give love a try
But we would talk and talk and laugh, have a ball
But then we got drunk, and fooled around and had a booty call

The booty call
Say what
aint nothing wrong with a booty call
alright
Does anybody like a booty call?
Who me
Everybody want a booty call
Oh yea
Now and then

yeah you know
Watch you doing later tonight baby
sing
I can tell we going be friends
I can tell we going be friends

Now we getting serious
Living in together
We had our ups and down
But you know we weather the storm
If we ever had some fights
they always end up in the cross storm
Warm in the bedroom
A little bit of heat
Like a little bit of spice
No two people get along all the time
So let's stay together like an Al Green song
Cause you always make me feel brand new
And I always be loving you my baby boo
Not only do I think that you're sexy yourself
But you're independent, strong will, hard working
And you like to chill
You like to step up to the party
Get ill on the dance floor
Like nobodys' business
The finest fish in the whole damn sea
Swimming with me, Skinny Dipping with me
Road tripping with me, well now she flipping on me
Yea, and I'm a tell you that ain't all
She likes to get freaky and fool around
And have a booty call

A booty call
Say what
Ain't nothing wrong with a booty call
alright
Do you people like a booty call?
Who me?
Everybody need a booty call
Oh yea
Now and then

Hey baby
You know I get off in 10 minutes we can hook up after the show
sing
I can tell that we going be friends
I can tell that we going be friends
I can tell that we going be
I can tell that we going be
I can tell that we going be friends

Are you ready for the booty call?
Say what
Do you people want a booty call?
Who me
Oh I bet you like a booty call
Who me
Well everybody need a booty call
Oh yea
You know I'm saying
mmhm

The Hustle

Booty Call

"I've been in the game a long time, but I've always considered myself a student," says G. Love. "Finishing this album with Keb Mo' felt like graduation."

Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus King, and Roosevelt Collier, 'The Juice' is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Mo,' it's an electrifying collection, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre, mixing programmed beats and hip-hop grooves with blistering guitar and sacred steel. G. Love's lyrics are both personal and political here, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality, and his performances are suitably riotous and rousing to match, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on 'The Juice' refuse, insisting instead on hope and determination in the face of doubt and despair.

"I've always tried to make music that's a force for positivity," G. Love explains. "It was important to me that this album be something that could empower the folks who are out there fighting the good fight every day. I wanted to make a rallying cry for empathy and unity."

Born Garrett Dutton in Philadelphia, PA, G. Love grew up equally enthralled with folk, blues, and rap, devouring everything from Lead Belly and Run D.M.C. to John Hammond and the Beastie Boys. After migrating to Boston, he and his band, Special Sauce, broke out in 1994 with their Gold-selling self-titled debut, which earned widespread critical acclaim for its bold vision and adventurous production. Over the next twenty-five years, G. Love would go on to release seven more similarly lauded studio studios albums with Special Sauce (plus four solo albums on his own), solidifying his place in music history as a genre-bending pioneer with a sound The New York Times described as "a new and urgent hybrid" and NPR called a "musical melting pot." G. Love's magnetic stage presence, meanwhile, made him a fixture on festival lineups from Bonnaroo to Lollapalooza, and his relentless appetite for tour and collaboration landed him on the road and in the studio with artists as diverse as Lucinda Williams, Dave Matthews, The Avett Brothers, Jack Johnson, and DJ Logic.

While G. Love has covered considerable sonic ground during his prolific career, he's always found himself drawn back to the blues, and to one bluesman in particular.

"Keb Mo' and I got signed to the same label at the same time back when I first started out, and we toured together early on in my career," G. Love remembers. "He used to introduce me onstage as 'a true American original,' and I could tell that he got a kick out of what I did. We didn't see each other for a while after that, but a few years ago we reconnected and did a co-headline tour, which was really special for me."

Two decades after they'd first hit the road together, the unlikely duo picked up right where they left off, and after a couple late-night jam sessions, G. Love pitched Keb Mo' on producing his next album. The pair decided to test the waters with a writing session first, teaming up with GRAMMY-winner Gary Nicholson (famed for his work with B.B. King, Buddy Guy, Willie Nelson, and Ringo Starr among others) for a week in Nashville, where they penned a handful of tunes based on phrases G. Love had saved in his phone or rough demos he'd recorded at home on Cape Cod. Those tracks quickly became fan favorites on the road, and G. Love knew he was on to something special.

"I got wrapped up in touring and in my Jamtown project with Donovan Frankenreiter and Cicso Adler after that first session, and even though I really enjoyed working with Keb Mo' and Gary, it was a year-and-a-half before I was able to get back down to Nashville to finish writing the album with them."

When it came time to record, Keb Mo' was meticulous, working closely with G. Love in the studio on nearly every aspect of his performances. While G. Love was used to creating raw, loose albums by the seat of his pants, Keb Mo' worked in a much more deliberate, methodical fashion, building songs up like a hip-hop producer. He'd create a beat on his keyboard, lay down a bass line, and then coach G. Love through the tracks sometimes line-by-line.

"He was always impressing on me where to place the emphasis and how to phrase my lyrics and guitar playing in relation to the beat," G. Love explains. "He'd tell me to sing like I had a shovel in my hands and I was digging on the one."

The resulting mix of G. Love's idiosyncratic style and Keb Mo's old-school influence proves intoxicating on 'The Juice,' which opens with the shuffling, anthemic title track. "We got the juice / We got the love / We got the dreams / We had enough," G. Love sings, setting the stage for an album all about recognizing your power to impact the world around you in ways both big and small. The infectious "Birmingham," for instance, is an ode to perseverance when , while the funky "Go Crazy" cuts loose in the face of our maddening 24-hour news cycle, and the relentless "Shake Your Hair" rattles off a head-spinning list of modern ills before declaring "donate, don't wait, spread love don't hate."

"I've never been the kind of guy who thinks he's going to change the world with his guitar," reflects G. Love. "But maybe I can write the kind of songs that give strength and encouragement to the people who are out there doing the work to make this planet a better place. Those are the people I want to lift up with my music."

When G. Love sings about making the world a better place, he's not just singing about politics, though, and 'The Juice' serves as a beautiful exploration of the ways we can brighten our own little worlds and the worlds of those we care about on a daily basis. The gritty "SoulBQue" is a celebration of community and friendship, while the rootsy "She's The Rock" pays tribute to all the little ways lovers can lift each other up, and the breezy "Diggin' Roots" spins cultivating a garden into a metaphor for the importance of tending to your home and family and neighbors.

"I was going through a tough time in my life when I met my fiancé, but my whole world seemed to turn around after that," says G. Love. "I started meditating, we had a son, and we moved out to the Cape. That's when I stopped writing breakup songs and started writing love songs and family songs and friendship songs."

Life is good for G. Love these days, and he's not taking a moment of it for granted. In fact, in just the past few years alone he's launched his own beer collaboration with Oregon's Good Life Brewery (The Juice IPA), started his own festival in Massachusetts (The Cape Cod Roots & Blues Festival), and founded his own record label, Philadelphonic, which he aims to use as an outlet for curating both music and visual art (the cover of 'The Juice' features a brand new work G. Love commissioned from renowned painter Greg Haberny).

"I'm more inspired right now than I've ever been before," G. Love reflects. "I feel more thoughtful, seasoned, marinated, confident. I'm making the records I've always wanted to make."

Cue "Pomp and Circumstance."

Booty Call

G. Love & Special Sauce

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