Dj, Producer, Label owner. Andy Riley has been busy over the last 30 odd years. His productions as one half of Inland Knights, as well as various solo outings under his Toka Project guise, have ensured that he has remained a prominent fixture both from behind the decks and on wax.
After a few years serving his apprenticeship as an in-demand local Dj in and around Nottinghamshire UK, Andy’s inevitable step into production started in earnest with fellow Dj Steve Walker. 
Toka Project was born with the release of Swungbeats ‘King Sized Blue’Ep in early 1995. Originally a collaboration with Walker, all early output was released on Nottingham’s ‘Strictly 4 Groovers’ label, now better known as DiY Discs. Andy and Steve went on to remix a number of artists on the labels roster at the time, notably Gibby Music of Crash Records fame and Fred Everything amongst others. By 1998 Toka Project productions were in full flow and in the same year they released the much acclaimed ‘Be Free’ Ep for Chicago’s legendary Guidance Records, the title track also appeared on Guidance’s’ High Fidelity House Imprint Vol 2’. These two releases helped to push the Toka Project brand abroad and in 1999 Andy embarked on a three-month tour of the U.S and Canada with Andy Macari and Jay Cowley, stopping off in New York, LA, San Francisco, Phoenix, Philly, Tampa, Seattle, and Washington D.C amongst other places, and Montreal, Vancouver ,Whistler and Victoria in Canada. Ep’s and remixes on top labels such as Transport, Silver Network, So Sound, Amenti, Robsoul and Tango were to follow, all released to critical acclaim globally.
Over the course of the 90’s, Riley had been DJ’ing with Smokescreen,the legendary UK Sound System reponsible for throwing notorious free parties acroos the UK counties and beyond,by 1998 he had started writing tracks with fellow Smokescreen DJ Laurence Ritchie. As Inland Knights Laurence and Andy undertook a hectic production schedule to write tracks for Drop Music, Laurence’s fledgling House label. Drop Music has gone on to become one of the most highly regarded House labels in recent times. Inland Knights have become one of the most prolific and respected production outfits in the House community, carving a distinctive and unique House sound, and regularly taking on remix and Ep duties for fellow labels and producers, not to mention a Dj schedule which takes them further and further afield as their reputation grows. Bookings have included slots at UK clubbing institutions such as Fabric, The End, The Egg, Turnmills, Shindig, Back 2 Basics,Chibuku Shake Shake, Ministry Of Sound, Cargo, déjà vu,The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Release highlights include the ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations, Ep's and remixes for NRK, Om Records, 2020 Vision, Amenti Etc and Inland Knights first full length album entitled ‘Creative Spaces’.  More recently Inland Knights have released an album celebrating 10 years of Drop Music entitled ‘Dust till Dawn’ as well as the Retrospective ‘Inland Bytes’, a look back at Inland Knights career so far.
Currently, as well as remix and production commitments, Riley maintains a busy international Dj ‘ing schedule, and can be found most weekends playing up and down the UK and Europe, as well as regular visits to the U.S, Australia, New Zealand and South Africa playing both as one half of Inland Knights, and solo under his own name.
Andy has recently released several solo Ep’s for the first time under his own name: ‘Cant Contain This Ep’ on Frosted Recordings, ‘Slipmode Ep’ on Soul Fuel, ‘Somthin4theweekend Ep’ on Odour Recordings and two Ep’s on his own imprint, Borrowed. As of 2019 Riley is poised to release under the alias ‘7000 Possibilities Of Existence’ with DiY’s Peaceful Ones(DJ Pete Woosh) as part of the ’52 Card Trick Project’ on Pete’s Spirit Wrestlers Label.

Connecting Artists, Audiences & Elevators Everywhere. 

Going Up! 

🛗

Erupting from the depths of Australia’s hip hop and drum and bass scene comes a dynamic new sound of Melbourne’s own Wasabi. The long awaited first solo release, ‘Calm Before The Storm,’ is a five-track EP that seamlessly traverses a sonic landscape through psychedelic valleys and over ambient contours of earthy street beats. 

In 2012 Wasabi, internationally renowned proponent of turntablizm detours explore an eclectic audio science that takes the listener on a journey through the diversity of glitch, dub, industrial breaks and minimal tech with intricate fusion of wickedly crooked beats, liquid bass lines and smooth atmospheric frequencies, producing a soundscape that satisfies the hunger of every beat-fiend.  With a live show incorporating a horn section, percussion as well as an array of talented vocalists, mc’s and dancers, Wasabi offers a fresh translation of passion and emotion into sonic harmony. 

For bookings contact: 
Wasabi - Wasabijonez@gmail.com


The Notorious Duvet Gang is a bunch of Bristol-based folk who sporadically gather to indulge in a touch of the old "Duvet Vous?" 

We have been hosting parties, either indoors or out since 1999 with a firm dedication to all things House.

During this time we’ve enlisted the help of friends and colleagues such as Inland Knights, Nick Harris, Kinky Movement, Jamie Anderson, Chris Simmonds, Johnny Fiasco, Jason Hodges, Freaky Behaviour, The Littlemen, Tom Special Interest, Jazzy Eyewear, Deep Cartel, Giom, Justin Harris, Slum Science, Smokescreen, Jay West, Alejo Galvez and Da Sunlounge to name but a few.


Guestmixes for House Salad Music Mexico, Little Routine France, Our Deep Movement India, Bay Area Beatbox San Francisco, SoWhat Radio show Canada, SoulJack Radioshow Scotland, Brotherhood of House London, Kaizokucast Uruguay, Reason 2 Funk England, House of Foundation Scotland. 

Cue the bass…Deep in the heart of the ghetto, on the mean streets of Chicago’s infamous Southside, a music pioneer was born…
From the beginning, Thomas “DJ Slugo” Kendricks was influenced by his cousin, DJ Geno, a member of a local Chicago hot mix group, and other local icons such as the Hot Mix 5 (of Chicago radio). Slugo, with 20+ years in the game, over 20 albums in his pocket and over 50 CDs on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as Ghetto House, more recently regarded as Juke.
Ghetto House, an urban dance sound created by inner-city producers from raw walks of life and derived from Old School House, is steeped with nuances from ghetto-life traditions and descriptions of the hood through rhythm. It moves beyond the just being and dives right into the metaphysical, with its rhythmic, infectious energy exciting the inner spirit and making folk return to their Motherland dance roots.
The magic struck Slugo at a high school dance where he asked the DJ if he could spin a couple of tracks. Although his set only lasted a brief 15 minutes, it ignited a flame that burns brighter than ever today.
From 1984-1987, Slugo honed his skills by observing the skills of his local heroes. Participating in heated DJ battles won him acclaim as a technical expert on the wheels of steel. He released his first truly professional mix tape Ghetto Mix Part III (1992). This tape landed in the hands of Ray Barney, CEO of the Chicago-based Dance Mania, one of the largest dance music labels in the world. Barney and Slugo formalized an agreement resulting in a long stream of releases on the Dance Mania label and affording Slugo the freedom to form his own label, Subterranean Playhouse.
During this same period, friend and fellow producer Paul Johnson introduced Slugo to a southern promoter, which culminated his professional merge into the rave scene. His unheard of Ghetto style of mixing quickly made him a favorite to tens of thousands of partygoers and promoters alike.
The release of the popular Cardboard Booty mix CD, called “the most influential ghetto house CD ever made” by London’s Underbeat Magazine, who also went on to call DJ Slugo, “the Ghetto-father of the American dance floor.” As his fame spread, releases with other national labels, such as Underground Construction, Dance Mania, GTI Records, Serotonin Records, Data Bass, CWAL Mob Recordings, Wide Records and Crosstalk International, Inc., as well as his follow up album, The Ghetto Don, flew off the shelves.
Taking his career to the next level, Slugo signed with the 1 electronic music booking agency in the United States, Teknomafia. With Teknomafia’s 10-year strong foothold on the nationwide rave, club & concert market as well as national distribution for his future releases, the only question that remained was where to begin. Slugo later said that this proved to be one of the best decisions made for his career. After Teknomafia shut their doors and in order to progress into mainstream music, DJ Slugo was the only electronic artist kept on the roster.
2002 saw Slugo returning to his roots with new projects, Where the Rats and Godzilla. Slugo calls these releases without a doubt, some of his best work. They have also without a doubt, exceeded the sales of nearly every other release he has done to this date and which lead to his wildly successful “Godzilla” track becoming a worldwide phenomenon.
After a yearlong respite to rethink his career path, Slugo is back in the game and taking the world by storm. Recent affiliations with England’s Wide Adventure and Crosstalk International, Inc. promise many great things to come.
“Imma keep making Ghetto House music because I love it!”
The saga continues…

For Bookings:

Email: bookdjslugo@gmail.com

In a pinch, if forced to employ adjectives to describe the Mark E. Quark style, one would come up with words like “groovy, laid back and nasty” house music. But putting grammar aside, it’s reasonable to just say that Quark has internalized influences from DJ Harvey, Idjut Boys, Jeno, and Andrew Weatherall, mashed them up, and given life to a signature style and a creature which is totally unique. This creature is currently brought to life for public consumption  at Moonshake in San Diego.

MGMT:
Adonis@mindwarpmgmt.com

BOOKING: steve.gordon@unitedtalent.com
                     evan.steinberg@unitedtalent.com

IG: IAMSETHDAVID
TikTok: IAMSETHDAVID

Seth David is a dynamic DJ who has recently made a remarkable switch from crafting house music to creating infectious bass music. His innovative sound has taken TikTok by storm, gaining viral popularity and a rapidly growing online following. Seth's ability to seamlessly blend genres, captivating melodies, and pulsating basslines has earned him a dedicated fan base. With an electrifying stage presence and an unwavering commitment to pushing musical boundaries, Seth David is becoming an influential figure in the bass music scene.

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