Name: The Bodhisattva's Call - 2024 Version by PHIL SWAIN in Tomorrow
Duration: 3 min 38 s
Description: © Composed, performed and produced by PHIL SWAIN

Great work stay creative and keep running it

Love the instrumental work on this excellent listen

great instrumental track, great layering here

EXCELLENT TRACK !! NICE AND CREATIVE PERCUSSION SOUND !! REAL GOOD VIBES PHIL !!

This the 1 man. Mad artful & atmospheric 🥶

Tomorrow

Rude Boy

Told You

From the project Grendel Da' Mic Monster presents: No rizz RIZZ. Available on Soundcloud now. Please listen and share, share, SHARE EVERYWHERE! Thank you.

Grendel Da Mic Monster- No rizz RIZZ (Prod. by Chief Canti)

Part of the album "Die Umrandung des Nichts".

Die Umrandung des Nichts

LOUD
Music by Overdrive
Lyrics by Electra Volcana
Guitar solo by Chris Hardisty

Check out the IG promo videos for Loud:
https://www.instagram.com/p/C1FlG4lrV1o/
https://www.instagram.com/p/C3ei_KwuNyR/
https://www.instagram.com/p/C3g9tCUxnfC/
https://www.instagram.com/p/C3eiCJIM_xv/


This is a track produced by me in collab with singer Electra Volcana and guitarist Chris Hardisty. The song mixes punk and electronic music, serving as a sample of 90s underground in a more modern guise.

Jane aka Electra Volcana's unmistakable punk vocals are the highlight of the track, creating the perfect underground atmosphere with her raspy voice. Discover the incredible work of this French singer on her Soundcloud page:

@user-6008493

Guitarist Christopher Hardisty is a long-time partner in collabs, always delivering brilliant guitar solos. Chris is a member of StillVivid, along with Matt Reeves, and the duo's brilliant work can be heard on their Soundcloud page:

@stillvivid

Also check out StillVivid's new album Saga:

soundcloud.com/stillvivid/sets/saga

The strong influence of the English band The Prodigy is evident here, especially from their album The Fat of the Land. When The Prodigy released The Fat of the Land in 1997, it was a shock. Everyone was well adapted to the industrial genre by then -- NIN had released their debut album Pretty Hate Machine more than a decade earlier. However, TFOTL became a legendary electronic music album for its rawness and brutality. The single Smack My Bitch Up faced boycotts from record stores, the music video was censored on MTV, but the song reached the top of the charts in more than 20 countries, including the US and UK. In 2020, Metal Hammer magazine (a renowned heavy metal publication) included FOTL in its list of the 10 best albums of 1997. Not enough, Rolling Stone featured FOTL in its list of "Essential Recordings of the 90s" and it is also one of the "1001 Albums You Must Hear Before You Die".

The influence of The Fat of the Land on my musical formation at this time is indisputable. It was during this same period that I bought my first physical sampler (Akai Emu E4X Turbo) and started mixing electronic music (techno, dnb, jungle, electro) with underground genres (rock, punk, heavy metal) and more traditional styles (classical music, jazz, new age, pop).

Hope you enjoy the song.

Loud (ft Electra Volcana & Chris Hardisty)

"GHOST" out now @:  https://www.distrokid.com/hyperfollow/shalitoboy/ghost-2
"in the memory of my loving dads"
Released on the February 1st @ 11am

℗2024 - Shalito Boy

Ghost

It’s cold 
In my heart 
Swollen heart 
Escape my mind



Chorus
You break me I’m trying survive 
Your complaining every time that I try 
I can’t stand it 
I can’t manage 



Verse
We are numb
We are lost 
Feel my soul 
Save my wrist my arms

I depend on you
I’m what you can’t fix 
And it breaks me 
You won’t face it
 

Chorus
You break me I’m trying survive 
Your complaining every time that I try 
I can’t stand it 
I can’t manage 

Take the adderall 
Cuz you break my soul
And I won’t hold 
No I won’t know 


Verse 
Your drive way with our friends
I burned our names with a cigarette 
Wrote all My own regrets 
No stone could hold me back 

I’m in too deep I get no sleep
I cough and wheeze out all this weed 
Your afraid of me and I hate see you
On this sheet my ink will bleed through 

Chorus
You break me 
I’m trying survive 
Your complaining 
every time that I try 
I can’t stand it 
I can’t manage 

Take the adderall 
Cuz you break my soul
And I won’t hold 
No I won’t know

Adderall

The Bodhisattva's Call - 2024 Version

Navalny Alexei Anatolevich Elegy for a  Righteous Man

Navalny Alexei Anatolevich Elegy For A  Righteous Man

Need To Be

From our upcoming Halloween themed EP due in October 2025

https://thestrandedalien.bandcamp.com/

The Master of Wishes

7 o'clock in the morning with an ocean of tears
we should have been pretty, but reality mourned
shadows growing on the back of the door

Words hurled like daggers projecting fears
shredding eachother into million pieces
Scars of misunderstanding formed

A silent tension camouflaged a deadly minefield
Polluting our judgements of right and wrong
even the time feared to move along

still 7 o'clock hope fled the dreaded battlefield
we're craving for love, but affection is gone
we're stuck in this place for far too long

so what's the point of our constant fight
we got burned so many times
so much pressure, so much anger
we shouldn't be allowed 
so farewell to the love we knew, 
And the time has come to face our crimes
let me fade away
let me be another face in the crowd

severly damaged, i need a place to retreat
searching for silence to ease and calm down
figuring out why my mind has doubts

strong fears and worries of being incomplete
are drowning my soul in a sea of sadness
but is our love worth so many downs

finally found the strength to mend my heart's mistake
I broke the chain that kept my mind in minor
putting my scattered pieces back together

draining my sea of sadness before it's too late
having loved, but now we're done
it's okay to let go of each other

so what's the point of our constant fight
we got burned so many times
so much pressure, so much anger
we shouldn't be allowed 
so farewell to the love we knew, 
And the time has come to face our crimes
let me fade away
let me be another face in the crowd

Another Face In The Crowd

Whatcha Want from Me (feat. Alison Limerick and Desmond Foster)

Many Years Ago

🎶 Exciting ! 🎶the video https://youtu.be/a6YpmEouu5g?si=kFkfrMWhZVXw02yd
I'm absolutely buzzing to share the release of a captivating new track by Australian artist Gary Hayward, inspired by my reinterpretation of Erik Satie's timeless Gnossienne from 2021. It's incredible to witness how Satie's composition from 1890 continues to inspire artists today!
Gary took my Satie's inspired track called "Rocking Gnossienne" and infused it with his own unique style, adding original lyrics that truly elevate the music to new heights. I'm beyond excited for you to hear it!
🔗 https://soundcloud.com/.../rocking-gnossienne-1-ladat..


According to the 1865 Larousse dictionary, a Gnossienne was a ritual labyrinth dance created by Theseus when he defeated the Minotaur. But Satie's involvement in gnostic religious groups at the same time probably also influenced his use of the mysterious title.
Borrowed from the title of a piano composition by Erik Satie; its etymology is a mystery but may refer to Greek gnosis, knowledge, or Knossos, the mythical setting of the Minotaur and the labyrinth.
YEAH take me there
come oh ah ah
rocking Gnossienne
rocking Gnossienne
rocking Gnossienne
take away the pain
take away the pain
take away the history 
of sadness trough my veins
take away the mystery
take away the fantasy
take away the spirit that takes me away
the miricles love and sadness
the beginning of all the changes
MYSTICS OF OUR HISTORY Gnossienne
MYSTERY OF OUR HISTORY Gnossienne
The miricles of love and sadness
the beginning of all the changes
Yeah Gnossienne
Mystics of our history Gnossienne
Mystics Take me away,Take me away Gnossienne yeah
                                                                                              The End Lyrics and vocals Gary Hayward

Rocking Gnossienne 1 Erik Satie collab rocked by Ladat music,Gary Hayward lyrics Vocals

nomming on this wonderful realm!

The history of knowing someone who goes up and down and you wind up in the middle.

BUY NOW - 
https://ronsnyder.bandcamp.com/track/how-do-i-know 
GUITAR VERSION - 
https://ronsnyder.bandcamp.com/track/how-do-i-know-guitar-version

HOW DO I KNOW

BUY NOW

Ron Snyder - HOW DO I KNOW

Songwriter - Composer - Percussionist - Vocalist - Producer
Contact, collabs & Booking: philswain.music@gmail.com

Songwriter, composer, performer, Phil Swain started his musical adventures in 2013. Diversity in his music, depth in his lyrics characterise his style. A subtle blend of funk, jazz, house and groove afford the listener and the spectator a very special experience...
From his very beginnings in music as backing vocalist and drummer in a choir, his project was to create tracks composed only with percussions. But the idea soon evolved. Adding a melodic voice and chords were the starting point of a long series of eclectic compositions. His voice gained in subtlety and his style was enriched with various influences – 70s English pop, jazz, funk and reggae from the 80s, 90s electro, Drum’n’Bass, House and African music. To enrich his compositions, Phil collaborates with musicians coming from various horizons. He describes his style as electro pop, and has created his own electro biotope, influenced by funk, reggae, jazz and Latino music – a universe very much his own. 
He performs very frequently in Costa Rica, where he takes a big part of his inspiration. The incredible lushness of nature there allows him to recreate an atmosphere of universal horizons. 
In May 2017, he released his debut album, Evolution on the Move, with 11 tracks, distributed on digital platforms. We discover diversity in the musical style and depth in the texts... This album has the lush atmosphere of the vegetation that envelops the recording studio in which he works during his stays – as well the blue shades of hope that dwells in his lyrics, directed towards peace and harmony through self-change. 
The Buddhist philosophical influence in his texts give depth to his world. The meeting of nature and keyboards produces a wonderfully groovy ecological electronic music. 
Fluids of positive energy also emerge from lyrics that call for refusing the fury of the present world and enjoying the present moment. Each track reminds us of the urgency to respect our good old planet and the earthlings that populate it, sung in a very warm voice...

The Bodhisattva's Call - 2024 Version

PHIL SWAIN

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