🌠 @slambslambslamb & @caitlinmedcalf aka Mira got together for the last Cosmic Boogie to Cooked up what ended up being a smooth and stellar mix of NY Garage and Deep skippy rollers 👨‍🍳

🪩 In control under the Disco Ball for 3 hours the pair, now located in the Blue Mountains showed us how it's done up that way, bringing some lush Cubby vibes to the rooftop of the Abercrombie 😇

Expect 3 hours of gorgeous tunes, with some curve balls thrown in for good measure 🤩

Like and Comment for Track ID's or just to say G'day and keep your eyes peeled for the last recording of the night. 

XOXO
Cosmic Boogie 😘❤️😘❤️😘❤️

Slamb b2b Mira live at Cosmic Boogie

TOQUE A OGGÚN Y SHANGÓ (2018)
Live recording of the Danish premiere, on December 5th, 2025.
Añá International Ensemble 
Flutes: Liam Mallet, Clarinets: Horia Dumitrache, Saxophone: Henriette Jensen, Percussion: David Hildebrandt, Piano: Talvi Hunt. Guest conductor: Mathias Reumert.
Notes on TOQUE A OGGÚN Y SHANGÓ by Dr. Iván César Morales.
Algunos críticos han denominado la música de Aguirre como: “salida de los infiernos” y “no para los débiles de corazón”. “Toque a Oggún y Shangó” no es una excepción en el catálogo de Aguirre, y sigue ahondando en la exploración de uno de sus conceptos fundamentales: el “monodrama strumentale”. 
Su discurso musical es la expresión metafórica de un mundo (ir)real penetrante y transgresor de prodigiosa energía y eficacia comunicativa. En estrecha complicidad con sus intérpretes, siempre de probado virtuosismo y desenvolvimiento polivalente,  Aguirre conforma los trazos de un entorno sonoro-ritual multi y micro-sensorial. Aquí convergen,  bajo una densa mixtura polidireccional, complejos contrapuntos, intrincados diseños rítmicos, saturadas sonoridades microtonales y amplios espectros de alturas y ruidos (uso de técnicas extendidas), junto a una gama de recursos físicos gestuales de elevada riqueza sígnica.  Aguirre aprehende cuanto elemento encuentra a su alcance para hacer realidad en su obra los más velados y estrepitosos efectos que logran caracterizar, en paralelo, el mundo subjetivo (quasi psicodélico) y representacional de las ancestrales ceremonias afro-cubanas. Y es que “Toque a Oggún y Shangó” es una obra que está intrínsecamente relacionada con la esencia cosmogónica de los ritos afro-cubanos. Con la metafísica existencial del Eggun, del Orisha, del Mpungo –que son los espíritus contenidos en las fuerzas incontrolables de la naturaleza– y con toda su impredecibilidad, su energía descomunal y su pavor.

Some critics have characterized Aguirre’s music as “emerging from the depths of hell” and “not for the faint of heart.” “Toque a Oggún y Shangó” is no exception within Aguirre’s oeuvre and continues to develop one of his foundational concepts: the “monodrama strumentale.” His musical discourse constitutes a metaphorical expression of a penetrating and transgressive (ir)real world endowed with prodigious energy and communicative potency.
In close collaboration with his performers—consistently recognized for their virtuosity and polyvalent proficiency—Aguirre constructs the framework of a multi- and micro-sensorial sonic-ritual environment. Within this space, under a dense polydirectional amalgam, complex contrapuntal structures, intricate rhythmic configurations, saturated microtonal sonorities, and expansive spectra of pitches and noise (arising from the use of extended techniques) converge alongside a repertoire of physical and gestural resources of high semiotic richness.
Aguirre incorporates every element available to him in order to materialise within his work the most veiled as well as the most explosive effects—effects that concurrently evoke the subjective (quasi-psychedelic) and representational dimensions of ancestral Afro-Cuban ceremonial practices. Indeed, “Toque a Oggún y Shangó” is a composition intrinsically linked to the cosmogonic essence of Afro-Cuban rituals: to the existential metaphysics of the Eggun, the Orisha, and the Mpungo—spirits embedded in the uncontrollable forces of nature—together with their unpredictability, overwhelming energy, and awe-inducing presence.
Dr. Iván César Morales Flores. Profesor de la Universidad de Oviedo, España.

TOQUE A OGGÚN Y SHANGÓ (2018)

I took myself on a solo trip to Sikkim and ended up at the beautiful Kengbari Retreat, surrounded by lush green hills, the Kanchenjunga range, wood oven pizzas and staff who treat you like family. Even the bathroom had a view that made brushing my teeth feel cinematic.

Somewhere between the scenery and the happy faces, I put this set together. It’s a mix of my favourite sounds, afro, latin, disco and house, stitched into a one hour ride of exactly what I was feeling in those mountains.

Play it while you dance, cook, make love, unwind after a long day — hope it makes you smile for no reason.

Drop a comment and tell me where you started grooving in this set.
Tune in and take the trip with me. 

MEZAME 0002

Intense, percussion-filled rhythm! Straight from "Maison de la Casa House" "Officina Musicale" for you!

Groover Mood

later on

Sima sample pack 008 - Percs loops part III

-5 Percs Loops, Maracas,, Metallic shaker, our studio keys, pandreta, sapito, snare

To celebrate the launch of our label sima, we’re giving something back to the community that inspires us.

This year, our December turns into a full-on Advent calendar for producers, we’re dropping one free sample pack every single day from our stash of vintage and dope analog synths.

Real sounds, real machines

Use them, flip them, break them, they’re yours.
Sharing is caring :)

Let’s make noise together.

Free download

Free Download

Free Download - Percs loops part III - Samples Pack sima advent calendar - Dec 8th

RAGE WIP VER1

Your king has been slain, betrayed by your own brother-in-arms.  After years of self-imposed exile,  rumors reach your ears of the whereabouts of the man responsible for your fallen kingdom. Your quest for vengeance leads you deep into the woodlands when the roar of a coliseum begins to emanate through the the trees. 

Victor's Hollow, Jewel of the Forest

🌬🍁🍂🌬🍁🍂⁂©All Rights Reserved 12-2025
©Mixing, Mastering, Creator, & Pro License: Lady ElectroTrek
***

Joy In The Air

Feel The Wind

Brittany Trotter, flute; Jonathan Latta, percussion

Advanced Metrics

Primarily a percussionist making arrangements of some of my favorite video game tracks

https://louisaguirre.cargo.site/
https://www.youtube.com/channel/UCpHP3DQe90w6q6uD_kY-UAw/featured?view_as=subscriber
Louis Aguirre (f. 1968) Cubansk komponist bosiddende i Danmark. Aguirre er uddannet som komponist i Cuba, Amsterdam, men fortsatte studierne efter han flyttede til Danmark i 2004, og afsluttede solistklassen i komposition ved Det jyske Musikkonservatorium i 2007. Aguirre er en stærk og original stemme i dansk musikliv. Hans værkliste, med mere end 200 værker, inkluderer: opera, orkester- og kammermusik, soloværker, vokalmusik, koral-, elektronisk- og didaktisk musik. Han er en aktiv del af musiklivet i Danmark og Nordjylland, bl.a. ved sit arbejde som medlem af komponistgruppen Snow Mask og som kunstnerisk leder af Snow Mask Ensemblet. En række af hans værker er inspirerede af den cubanske Santeria religion og de religiøse tekster fra området.

Dj Geppo welcomes you to the "Maison de la Casa House" "Officina Musicale", where, together with friends, we listen to, produce, and present music and positive vibes. Stay tuned for the latest updates!

Composer, performer, and music professor at University of the Pacific. info@andrewconklin.net

Cosmic Boogie: The party for the people. No to Egos, Yes to Good Times. 

Party run by Rubio

Artists & labels please send promos/demos for radio play to: cosmicboogie1@gmail.com

New tracks tagged #Percussion