One of the last track out from 29th july from the last Paul's Ritch single.

Paul Ritch - Run Baby Run (Original Mix)

Saved release their 100th EP with a superb collection of tracks including my remix of Gary Beck's 'Say What'. 

Released on the 10th March.

Gary Beck - Say What (Adam Beyer Remix) - SAVED100

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Rave - Drumcode - DCCD10

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Organic - Drumcode - DC134



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Stephan Hinz - Breakout - Drumcode - DC142

Sasha Carassi - The Hard Parade - Drumcode - DC142

Roberto Capuano - Flashback - Drumcode - DC142

Enrico Sangiuliano & Secret Cinema - Trrbulence - Drumcode - DC142

Clio - Techno Frequencies - Drumcode - DC142

Featuring heavily on most of Drumcode’s shows due to his impeccable DJ’ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks. Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour’s territory with the help of the subtle percussion.

Bart Skils - Lost Boys - Drumcode - DC143

Bart Skils - Blue Nile - Drumcode - DC143

Bart Skils - The Sweep - Drumcode - DC143

This typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘U Said U’. A massively hyped tracks that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. However, ’Love Siren’ will battle it out for the most attention from punters, packed with all the power and punch required to knock over festival crowds as it systematically builds and drops this is one for the big open air stages. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Love Siren

Love Siren [Drumcode]

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Trust Me - Drumcode - DC146

The Drumcode A-Sides compilation is quickly becoming an important fixture within the techno world as a go to compilation for the hottest tracks. Mixing both highly experienced and new artists helps to bring a new dimension to the compilation that makes it such a special array of tracks. All tracks individual, their unique characters bring an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special.

Adam Beyer - Pluto - Drumcode - DC152

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - Surrender - Drumcode - DC162

Timmo follows up his debut Drumcode release ‘We Beat On’ with a brand new 4-tracker packed to the rafters with his own unique blend of techno. His productions are getting plays from the likes of Adam Beyer, Joseph Capriati and Richie Hawtin amongst others; 2017 is set to be his biggest year yet. 

Timmo’s unique sound has captured the eyes and ears of many highly revered techno DJs around the world and his ‘System’ release is a stark reminder of exactly why this is. ‘Intensify’ is a big room record that is set to do some real damage on dance floors worldwide. This peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. 
‘The Maze’ is an example of his excellent production, with his use of synths on a level that some producers take years to hone. ‘System’ is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. The release closes with the more groove and bass line laden ‘Together’. One of those tracks that is guaranteed to get stuck in your head…

Timmo – Intensify – Drumcode – DC168

Now in its second decade, with a steady stream of the most forward thinking and cutting edge techno productions, Drumcode has one of the biggest selections of releases from industry heavy hitters, whilst not forgetting its future by bringing the newest talented producers into the limelight, where Layton Giordani is now a name firmly within that line up.

The New York born, but now EU based producer first had recognition back in 2014, and his debut release came via Drumcode with his track “Rivington” on the A-Sides Vol5 compilation in 2016.

Full force into 2017, Drumcode has announced the release of Layton’s debut album with “Where It Begins” this February. Consisting of 12 original tracks, the album packs a punch when it comes to no-nonsense techno. Successfully weaving relentless drums and catchy vocal hooks into a selection of thick, brooding, atmospheric tracks.

Teasing us with a sample, Drumcode has released “Good Violence” – thumping from the get-go in true Drumcode fashion, this track is a pure dance floor destroyer. Laced in some heavy low end power, slapping percussion and a hypnotic synth pad to build up that late night tension just right.

MT

Philippe Grozos