Calvin Ho (aka. Dj Kidcal) is an Australian graphic designer, illustrator and dj based in Hong Kong. He is the founder and Creative Director of AtomicAttack!, an independent design consultancy working for clients from around the world including DC Comics, Lane Crawford, Adidas, Nike, Microsoft, Shanghai Tang, Cartier, Nooka and many others. Calvin finds time to design, illustrate and dj for both personal and commercial projects and events.

His first dj gig was in 1988 in Sydney spinning Chicago house, UK dance, rare groove and disco classics. Moving to Hong Kong in the early 90's, he has been active in the underground scene for over 15 years from djing, party promoting, dj sourcing and management, creative marketing and a music consultancy. He has also been part of the Robot crew (the people behind Clockenflap) since 1996, a regular quirky night of funky techno and house. 

Dj Kidcal's influences range from an eclectic mix of Detroit techno, Acid House, Chicago House, Electro, Jazz, Funk, Rare Groove, Hip Hop, Trip Hop and Classical music.

Kidcal has supported the likes of Cassius, Gilles Peterson (Brownswood/Talkin' Loud), United Future Organisation, Eddie Pillar, and special events for Adidas, Nike, Diesel, IT and others. He had regular nights range from the Jazz Club in Hong Kong playing rare groove, jazz, funk and house music jamming with a live ensemble of drums, congos, and live vocalists to events of over 3000 people playing house and techno.

In 1999, Calvin opened up an independent dance music record shop in Hong Kong called "AtomicAttack! Record Shop" selling vinyl and cds from House and techno (mainly from French underground scene, Chicago House, Detroit Techno) funk, jazz, nujazz, drumNbass, old school hip hop. In the same year, he co-founded, sole designer and creative director for the iconic Chalk! Magazine with his friend/editor Brandon Ho, an underground fanzine for underground dance music, local bands, fashion and art.

His most recent activities include djing at the Clockenflap event in December 2012 as part of the Robot crew, illustrating and designing the new album cover for Archie Pelago's new EP to be released in May 2013 and designing their record label branding. He recently exhibited at The Space Gallery in Hong Kong for his personal ink drawings.

For more info please visit: http://www.atomicattack.com

Des Cheung is a passionate music professional focusing on sound mixing and audio production via an array of genres. 
He has supported and played alongside renowned international DJ's, namely, Hyper, Sasha, Ko Kimur, Soto, Steve Lawler, James Lavelle, Tony Tay, Lee Burridge and Craig Richards in Hong Kong.

With a Diploma in Audio Engineering and Music Technology from SAE Institute of London and 3 years solid experience as a DJ in the Hong Kong music scene, he has worked with Disuye Records, Frankie Lam Jason Fung and has produced original dance music tracks for "Xiang Gang Electric" which is internationally distributed by Love Da Records Company. 
Cheung was first discovered by JTV Digital and they are currently doing a release for it. 
Cheung also has an upcoming Kickstarter project (http://www.kickstarter.com/projects/1756868313/dave-seaman-kickstarter-dj-mix-compilation) that is involved with a compilation in collaboration with Cheung's idol, Dave Seaman.

Bookings:
➣ UK & Europe
tom@clockworkartists.co.uk
➣ USA & Canada
eventbookings@grandgrooves.org
➣ Australasia
stuart@posterchild.com.au

With a career spanning over four decades, that began in what many consider to be the most important and influential club of its generation, Fac 51 The Haçienda, and continues with his residency for the award winning I Love Acid club night, few of today’s DJs can boast a pedigree like Jon Dasilva. 

Considered to be Haçienda’s most singular resident DJ, Jon Dasilva was fresh to the scene in '87, finding DJ inspiration in the House and Disco DJs of deepest New York and Chicago, amidst a sea of influences, from Bowie to Dub Reggae to Kosmische Musik to Disco. His broad musical tastes and ability to work so many genres into proper dance floor action mark Dasilva out as a next level DJ. 

His greatest legacy from that period, alongside championing the early Chicago and Detroit sound, was his imaginative take on the idea of the DJ set. Not content with simply mixing one track into another, Dasilva wove a cappella and sound effects into a broad selection of House, Acid, Disco, Techno and even Brazilian Batucada, intuitively mixing in key, building a set dynamic that until then was rarely heard on UK shores.

A lesser known side of his influence was Jon’s inspired warm-up sets at the Haçienda. This was Dasilva's first experience of playing in such a major club, and realising the potential to have fun in the first hour or more of the night, he went about mixing up Dub Reggae, Latin, Disco and Post Punk oddities, interspersed with BBC sound effects. Word spread and soon these mixes would become the inspiration for another set of DJs, who later went on to form the backbone of the soon-to-emerge Balearic DJ scene, as well as artists like the The Chemical Brothers, The New Fast Automatic Daffodils, Matthew Herbert, The Stone Roses, Happy Mondays and many more. 
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Jon still retains a freshness of approach, and this can be heard in his recent DJ mixes. His penchant for the varied shades of acid, techno and house, as well as his keen nose for sniffing out the most interesting modern producers, are evident.
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More recently, Dasilva has forged an ongoing relationship with the London club night, I Love Acid and the club’s promoters, Posthuman, regularly doing back-to-back DJ sets with Posthuman. I Love Acid won the Best Club Event in DJ Magazine’s ‘Best Of British’ 2019.

Phil Murphy HK is following